56
Metascore
40 reviews · Provided by Metacritic.com
- 90New York Daily NewsAriel ScottiNew York Daily NewsAriel ScottiThe Glass Castle is a family portrait that at its heart is a father-daughter movie, anchored by two outstanding actors.
- 80Time OutTime OutThe richly built The Glass Castle—splendidly attentive to the details of the Walls's eclectic childhood home and elevated by Ella Anderson's performance as a young Jeannette—is on the overlong side, but it does right by a tough true story that begs neither contempt nor pity.
- 75San Francisco ChronicleMick LaSalleSan Francisco ChronicleMick LaSalleStill the spectacle of this, of beautiful, sensitive children at the mercy of damaged adults — this is what we take from The Glass Castle. It’s a universal awfulness rendered with truth and detail, and somehow that’s enough.
- 70The Hollywood ReporterSheri LindenThe Hollywood ReporterSheri LindenEven while gesturing toward a redemptive sacred altar, a default mode for parenthood in many mainstream movies, the director lets the messy realities stand. And his fine cast makes them ring true — the selfishness and neglect, the confrontations brutal and tender, the pained silences and, not least, the gusts of pure, jagged joy.
- 60VarietyPeter DebrugeVarietyPeter DebrugeCretton captures the incidents of Walls’ childhood (too many of them, to be honest, as the film really ought to be half an hour shorter), but struggles to connect them to the grown woman Larson plays in the present.
- 60Screen DailyJohn HazeltonScreen DailyJohn HazeltonBrie Larson and Destin Daniel Cretton, star and director, respectively, of 2013 festival favourite Short Term 12, re-team for the affecting, if less intense and occasionally meandering drama of The Glass Castle.
- 60Village VoiceAlan ScherstuhlVillage VoiceAlan ScherstuhlDestin Daniel Cretton’s adaptation of Walls’s book of the same name just often enough bursts to raucous life.
- 40TheWrapClaudia PuigTheWrapClaudia PuigIn Cretton’s hands, this fact-based tale of an oddball, destitute upbringing rings false. It’s based on a woman’s complicated personal recollections of her traumatic childhood, and yet it feels like a cloying, one-note Hollywood tale, the beastly trauma all tied up with a pretty bow and de-fanged.