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“Parthenope” is a new live-action France/Italy-produced ‘coming-of-age’ drama feature, written and directed by Paolo Sorrentino, starring Celeste Dalla Porta, Stefania Sandrelli, Silvio Orlando, Luisa Ranieri, Peppe Lanzetta and Isabella Ferrari, opening February 7, 2025 in theaters:

“…in Greek mythology, ‘Parthenope’ was a ‘siren’…

“…who lured sailors to their deaths with her seductive and enchanting songs.

“Her name comes from the Greek words ‘parthenos’ meaning ‘maiden/virgin’ and ‘ops’ meaning ‘voice’.

“In legend, Parthenope threw herself into the sea after failing to seduce ‘Odysseus’ and a city was named after her.

“In the film, an Italian woman searches for happiness…

“…during the long summers of her youth…

“…falling in love with her city and its many memorable characters…”

Click the images to enlarge…...

Paolo Sorrentinos Liebeserklärung an Neapel startet am 10. April in den deutschen Kinos. Jetzt wurde ein neuer Trailer veröffentlicht.

Mit seinem Cannes-Wettbewerbstitel „Parthenope” (hier unsere Spot-Besprechung) hat Paolo Sorrentino drei Jahre nach „Die Hand Gottes“ erneut eine Liebeserklärung an seine Heimatstadt Neapel inszeniert.

Protagonistin ist die nach einer der Sirenen in der griechischen Mythologie benannte Parhelope, gespielt von Celeste Dalla Porta und Stefania Sandrelli, der die Männer zu Füßen liegen. Sie studiert Anthropologie und geht mit ihrem Bruder nach Capri, wo sie mit dem US-Schriftsteller John Cheever (Gary Oldman) einen Mann kennenlernt, dem es nicht nur um Sex geht. Als 70-Jährige kehrt Parthenope dann nach Neapel zurück.

„Parthenope” wird am 10. April 2025 von Alamode und Wild Bunch in die deutschen Kinos gebracht.

Academy Award-winning director Paolo Sorrentino frequently makes love-letter dramas in his Italian home of Naples. And just like his last film, the Academy Award-nominated “The Hand of God,” the filmmaker returns to this territory with his new drama “Parthenope.”

Read More: 2024 Fall Film Preview: 50 Movies To Watch

A decades-spanning coming-of-age tale, Sorrentino once said the movie is about a woman “who bears the name of her city but is neither siren nor myth.”

In Greek mythology, Parthenope is the name of a siren who, having failed to entice Odysseus with her songs, cast herself into the sea and drowned.

Continue reading ‘Parthenope’ Trailer: Paolo Sorrentino’s Latest Stars Celeste Dalla Porta, Gary Oldman & Arrives Feb 2025 at The Playlist.

"She's not in love you." "But I am. My whole life." A24 has unveiled an official trailer for the new seductive Paolo Sorrentino film called Parthenope, which originally premiered at the 2024 Cannes Film Festival earlier this year. It's now set for a US release in theaters starting February 2025. "Partenope is a woman who bears the name of her city. Is she a siren or a myth?" The extraordinarily beautiful Celeste Dalla Porta stars as Parthenope – born in the sea of Naples in 1950, she searches for happiness over the long summers of her youth, falling in love with her native city of Naples (aka Napoli in Italian) and its many memorable characters. From Oscar-winning filmmaker Paolo Sorrentino comes a gorgeous and deeply romantic story of a lifetime. This also stars Stefania Sandrelli, Gary Oldman, Silvio Orlando, Luisa Ranieri, Peppe Lanzetta, and Isabella Ferrari. The film is crazy obsessed with Dalla Porta's beauty,...

While this year’s Cannes competition titles such as Anora, All We Imagine as Light, The Seed of the Sacred Fig, and The Substance are in the spotlight right now, one you may have all but forgotten was Parthenope, the latest from Paolo Sorrentino. A24 has now set the film for a release this winter on February 7 and have unveiled the first trailer.

Here’s the synopsis: “Parthenope, born in the sea of Naples in 1950, searches for happiness over the long summers of her youth, falling in love with her home city and its many memorable characters. From Academy Award-winning filmmaker Paolo Sorrentino comes a monumental and deeply romantic story of a lifetime.”

See the trailer below for the film starring Celeste Dalla Porta, Stefania Sandrelli, Gary Oldman, Silvio Orlando, Luisa Ranieri, Isabella Ferrari, Silvia Degrandi, Lorenzo Gleijeses, Daniele Rienzo, Dario Aita, Marlon Joubert, Alfonso Santagata, Biagio Izzo, and Peppe Lanzetta.

A24 has dropped an eye-catching new trailer for Paolo Sorrentino’s “Parthenope” ahead of the February U.S. release of the Oscar-winning director’s lavish love letter to his native Naples.

The U.S. trailer focuses on the film’s titular character, a young woman born in Naples – Neapolitans in Italy are also known as “Parthenopeans” – played by newcomer Celeste Dalla Porta. In his review, Variety critic Siddhant Adlakha praised Dalla Porta for delivering “a beguiling performance,” he said, as “a woman of such stunning beauty that people stop and stare.”

Adlakha called “Parthenope” as “an exquisite treatise on cinematic beauty.” But it is also, as Sorrentino put it in an interview with Variety, a film about “missed youth” that comes as a follow-up to his autobiographical “The Hand of God” and has elicited comparisons with his 2013 love letter to Rome, “The Great Beauty,” which won the Academy Award for best international feature film.

Paolo Sorrentino is immersing himself in the land of milk and honey for his latest ode to intangible beauty, “Parthenope.”

Titled after the myth of Greek sirens who lured men to their deaths at sea, “Parthenope” stars Celeste Dalla Porta in the lead role. While the literary legacy of Parthenope had the character drowning herself after her songs failed to seduce Odysseus, Sorrentino’s version centers on a wealthy woman who slowly drives her family insane by her beauty.

The film premiered at the Cannes Film Festival, where A24 acquired it. The distributor describes “Parthenope” as a “monumental and deeply romantic story of a lifetime.”

The official synopsis reads: “Parthenope, born in the sea of Naples in 1950, searches for happiness over the long summers of her youth, falling in love with her home city and its many memorable characters.”

Oscar winner Sorrentino writes and directs the feature, which also stars Gary Oldman,...

A24 knows sex sells, so it’s no surprise that the first U.S. trailer for Parthenope is full of seduction.

Newcomer Celeste Dalla Porta, playing the titular Parthenope, appears in various stages of undress throughout, emerging dripping from the sea in a bikini, draped in religious jewelry that barely covers her modesty, tangled up in what looks like a pre-threesome foreplay with co-stars Dario Aita and Daniele Rienzo.

It’s all sun, sea, and sex. Only one line, from Gary Oldman, playing a boozy John Cheever, to Parthenope: “Are you aware of the destruction your beauty causes?” suggests some darkness lurking beneath.

Parthenope

The film is Paolo Sorrentino’s love letter to Naples — his second, following 2021’s The Hand of God — and Parthenope, a mysterious, irresistible beauty, is the stand-in for the enigmatic pull the city has over him. It’s hard not to fall for the version seen on screen,...

Look out, Challengers; another scorcher of a love triangle film is coming for your crown. Only instead of just two guys, this is about a woman who's managed to capture the hearts and minds of an entire city's worth of men. She and Zendaya should form some sort of Avengers-esque squad.

Charlie McDowell’s The Summer Book starring Glenn Close and Pedro Almodóvar’s English-language Venice Golden Lion winner The Room Next Door starring Julianne Moore and Tilda Swinton bookend the 37th AFI European Union Film Showcase.

Running December 4-22 at AFI Silver Theatre and Cultural Center in Maryland, the showcase presents 54 features representing all 27 European Union member states including 12 international feature film Oscar submissions and six US premieres.

Besides the festival’s Finnish opener The Summer Book and Spanish closing night selection The Room Next Door, Brady Corbet’s Venice Silver Lion winner The Brutalist from Hungary starring Adrien Brody is the centrepiece selection.

Paolo Sorrentino’s “Parthenope” is doing gangbuster business at the Italian box office, where the director’s lavish love letter to his native Naples has surpassed the €5 million ($5.3 million) mark less than two weeks after going on full release. These numbers have made it the country’s top local draw – excluding commercial comedies – of the year to date.

For its first theatrical outing since bowing at Cannes in May, new Italian distributor PiperFilm came up with a smart release strategy for “Parthenope” that involved marketing the film to youth audiences. “Parthenope” was teased with some midnight premieres in select Italian cinemas – between Sept. 19 and 25 – to stoke excitement prior to its full launch on Oct. 24.

On Wednesday, “Parthenope” reached $5.5 million in cumulative grosses from roughly 500 Italian screens, according to national box office compiler Cinetel. The film, which is Sorrentino’s 10th feature, could now become his personal best in terms of local returns.

When director Paolo Sorrentino’s hit series The Young Pope debuted in 2016, it took the Vatican a year to grudgingly bless his imagined and occasionally blasphemous portrayal of the pope. Not so for Sorrentino’s latest film Parthenope, which has gotten an early thumbs-down from Italy’s Catholic Church.

That has only seemed to pique interest in the film, driving it to the top of the box office here for Italian films since its release in theaters last month.

Set in Sorrentino’s native Naples, the film is a lush meditation on beauty, love and death, drawn from the Greek myth of the siren Parthenope, who throws herself into the sea after she fails to entice Odysseus with her song. Parthenope is closely affiliated with Naples, such that the city is sometimes called “Partenope” and its people “Partenopei” in Italian.

The film is by no means about the church, but toward the end,...

Latido Films, the sales company on Rodrigo Sorogoyen’s “The Beasts” and “The Platform,” has unveiled a slew of over 30 sales deals on a wide-ranging slate of titles, led by a U.S. pick-up on “All the Names of God,” a bouquet of transactions on “Aire,” the Dominican Republic’s Oscar entry, and an HBO regional licensing deal on “Saturn Return,” Spain’s Academy Award submission.

The deals are announced as Latido hits the American Film Market with Jim Sheridan and David Merriman’s “Re-Creation,” one of its hottest tickets, and Toronto Platform winner “They Will Be Dust,” which has clinched an early sale with Taiwan’s Sky Digi, with others in the offing.

“We have great hopes for ‘Re-Creation,’ Jim Sheridan’s trial film. He has been incredibly committed to tell this story, who I think is probably one of his more personal since ‘In the Name of the Father,...

Reservoir Docs has snapped up international rights to Aoife Kelleher’s feature documentaryMrs Robinson, which pays tribute to Ireland’s first female president Mary Robinson and explores her pivotal role in fostering reconciliation in Ireland.

The film, which premiered in the Galway Film Fleadh, will open next month’s Irish Film Festival in London ( November 13-17).

It tells the story of how reforming constitutional lawyer and senator Mary Robinson won the Irish Presidential vote in 1990 and how, in her later role as Un High Commissioner, she took on perpetrators of human-rights abuses all over the world.

It is produced by...

It is a big moment fornewly launched Italian distribution, production, and sales company PiperFilm, which releases its debut film today (October 24) – Paolo Sorrentino’sParthenope, one of the most high-profile Italian movies of the year.

Set up earlier this year by former Vision Distribution executives, PiperFilm’s management team is led Massimiliano Orfei as CEO, alongside COO Luisa Borella, head of distribution Davide Novelli, head of international sales Catia Rossi and Emanuela Semeraro as marketing director.

PiperFilm acquired Parthenope in April, just before its world premiere in Competition at Cannes, and has been prepping its release strategy since then. “What better...

Paolo Sorrentino and Piccolo America — which runs both Rome’s largest open-air film festival and Europe’s first 24-hour movie theater — want to see your short films.

Together, Sorrentino’s newly formed company Numero 10 and Piccolo America have launched their premier short film festival, Corto Condorello. Aimed at young filmmakers under 35 around the world, the festival boasts a jury including Willem Dafoe, Debra Winger, Carla Bruni, Jan Komasa, and Radu Mihaileanu, with “Parthenope” director Sorrentino serving as chair.

Ahead of the festival running November 22 through 24 in Rome, submit your films to Corto Condorello via Film Freeway here through Sunday, October 20. The jury will select a winning short from 10 finalists, and the jury’s top prize, the “Golden Condorello,” will be accompanied by Mubi’s acquisition of the winning short — with streaming on Mubi’s online platform to follow. Mubi has had a banner year with the successful wide release...

Picturehouse Entertainment has acquired UK-Ireland distribution rights to Rungano Nyoni’s On Becoming A Guinea Fowl, which it will release in cinemas on Friday, December 6.

The film has its UK premiere tonight at the BFI London Film Festival. A24 handles international sales.

On Becoming A Guinea Fowl follows a woman who stumbles across the body of her uncle in the middle of the night; then along with her cousins begins to uncover buried secrets of their middle-class Zambian family. Susan Chardy and Elizabeth Chisela lead the cast. The film is in contention for the 2025 Baftas.

It is Nyoni’s second...

New Italian distribution company PiperFilm is launching its international sales unit at Rome’s upcoming Mia Market with veteran sales agent Catia Rossi spearheading the potentially high-powered player’s sales side having secured a small but promising multi-genre film slate.

Rossi is a former head of international sales at Vision Distribution, True Colours, and Rai Com. She launched True Colours and the sales unit at Vision. She’s now joining PiperFilm as director of international sales and will be unveiling the brand new PiperFilm lineup of Italian movies to buyers in Rome.

Domestically, PiperFilm is adopting an innovative distribution model having struck an agreement with Netflix under which the streaming giant will have the first exclusive post-theatrical window for Italy on their titles, while Warner Bros. Entertainment Italia will handle the operational distribution of their lineup in Italian movie theatres.

In Italy, the first PiperFilm to be released is Paolo Sorrentino’s “Parthenope,...

Antonio Vivaldi, the Italian Baroque composer and violinist who penned “The Four Seasons,” will be portrayed in “Primavera,” the feature debut of Damiano Michieletto, a leading opera director. Memento International has boarded the film which begins shooting this month in Rome and Venice.

“Primavera” was penned by Ludovica Rampoldi, the award-winning screenwriter of movies such as “The Traitor” and “Gomorrah – the series,” among others. The script is loosely adapted from Tiziano Scarpa’s critically acclaimed novel “Stabat Mater.”

Set in 18th century Venice, “Primavera” follows Cecilia, a 20-year-old violin virtuoso who lives at the Pièta orphanage. Despite her talent, Cecilia remains confined within the orphanage, knowing that marriage is the only way out. Yet, her life takes a turn after she meets Antonio Vivaldi, a brilliant and ambitious composer who becomes the new violin teacher. Guided by Vivaldi and his music, Cecilia “finds the strength to challenge the destiny that once seemed inevitable,...

AFI Fest is primed and ready to roll out.

The American Film Institute revealed the full lineup for this month’s festival, scheduled to take place in Los Angeles from Oct. 23-27. Joining the previously announced roster of films will be Tim Fehlbaum’s September 5, Payal Kapadia’s All We Imagine as Light, Samir Oliveros’ The Luckiest Man in America, Maisie Crow and Abbie Perrault’s abortion rights documentary Zurawski v Texas (executive produced by Hillary Clinton, Chelsea Clinton and Jennifer Lawrence), and Paul Schrader’s Oh, Canada, among many others.

The lineup includes six red carpet premieres, 12 special screenings, 13 luminaries picks, 15 discovery films, 12 world cinema films, 14 documentaries, four after-dark titles, 54 films in the short film competition and 28 films from the AFI Conservatory Showcase presented by AMC Networks. Other notable titles include Durga Chew-Bose’s Bonjour Tristesse with Chloë Sevigny; Mike Leigh’s Hard Truths, starring Marianne Jean-Baptiste; Paolo Sorrentino...

Italy has selected Maura Delpero’s Venice Silver Lion winner Vermiglio as its entry for the best international feature Oscar.

Vermiglio won the Grand Jury Prize in Competition at Venice earlier this month. Set in 1944 in the Italian alpine village after which the film is named, it sees the arrival of a deserter soldier disrupt the life of the village teacher and his family, as the eldest daughter falls in love with him.

Producers on the film are Francesca Andreoli, Santiago Fondevila, Leonardo Guerra Seragnoli and Delpero, for Italy’s Cinedora with Rai Cinema, in co-production with France’s Charades...

Italy has selected Maura Delpero’s Venice Silver Lion winner Vermiglio as its entry for the best international feature Oscar.

Vermiglio won the Grand Jury Prize in Competition at Venice earlier this month. Set in 1944 in the Italian alpine village after which the film is named, it sees the arrival of a deserter soldier disrupt the life of the village teacher and his family, as the eldest daughter falls in love with him.

Producers on the film are Francesca Andreoli, Santiago Fondevila, Leonardo Guerra Seragnoli and Delpero, for Italy’s Cinedora with Rai Cinema, in co-production with France’s Charades...

Maura Delpero’s intimate epic “Vermiglio,” which recently won the Venice Film Festival’s Silver Lion Grand Jury Prize, has been designated as Italy’s candidate for the best international feature film category of the 2025 Academy Awards.

The drama, which is set at the end of World War II in an Alpine village where the arrival of a soldier causes disruption in the dynamics between three sisters, had its North American premiere after Venice in the special presentations section at Toronto.

In her Variety review, critic Jessica Kiang called “Vermiglio” “quietly breathtaking,” going on to note that the film “unfolds from tiny tactile details of furnishings and fabrics and the hide of a dairy cow, into a momentous vision of everyday rural existence in the high Italian Alps.”

“Vermiglio” marks Delpero’s follow-up to her first feature “Maternal” that takes place in an Argentinian refuge for teenage mothers run by...

Italy has selected Vermiglio to represent it in the Best International Feature Film category of the 97th Academy Awards.

The second feature from Maura Delpero, Vermiglio premiered in Competition at the Venice Film Festival, winning the Silver Lion Grand Jury Prize.

At the time of the win, Delpero said she hoped the prize would put her in the frame to represent Italy in the Oscars, and now her wish has come true.

The picture takes its title from a mountain village in the Italian Alps, which was home to the director’s family for generations.

The drama opens in the village in 1944. Largely cut off from the war across Europe, the arrival of a deserted soldier will disrupt the life of the village teacher and his family as the eldest daughter falls for him, leading to an unexpected turn of fate.

Related: Best International Feature Film Oscar Winners Through The...

El Festival se celebra del 20 al 28 de septiembre. © Ssiff

La 72ª edición del Festival de Cine de San Sebastián contará con una notable presencia de cineastas, actores, guionistas y productoras de renombre que se darán cita en la ciudad.

La Sección Oficial será el epicentro de muchas de estas figuras, quienes presentarán sus últimas producciones y participarán en diversas actividades del festival. La inauguración del festival estará marcada por la película Emmanuelle, que llegará acompañada de la directora Audrey Diwan y los actores Noémie Merlant, Will Sharpe, Jamie Campbell Bower y Chacha Huang. Por otro lado, para clausurar el festival, el director John Crowley y el actor Andrew Garfield presentarán We Live In Time (Vivir el momento), una de las películas más anticipadas de esta edición.

El Festival de San Sebastián también recibirá a destacadas personalidades como la directora Gia Coppola y la icónica Pamela Anderson, quienes asistirán a la proyección de The Last Showgirl.

Mediawan has taken a majority stake in Our Films, the production and film financing company launched earlier this year by top Italian producers Mario Gianani and Lorenzo Mieli.

Rome-based Our Films reunites Gianani and Mieli who have worked together on productions including HBO’s The Young Pope, The New Pope and My Brilliant Friend.

Recently, Mieli has produced films such as Paolo Sorrentino’sThe Hand of God and Parthenope, Luca Guadagnino’s Bones And All and Sofia Coppola’s Priscilla.

Gianani’s recent film credits include The Eight Mountains by Felix Von Groeningen and Charlotte Vandermeersch, Italian box office smash...

Mediawan, the European parent company of Brad Pitt’s Plan B, is taking a majority stake in Our Films, a new production and film financing company led by film and TV producers Mario Gianani and Lorenzo Mieli.

Launched in 2024 and based in Rome, Our Films is focused on working with established and emerging European, U.S. and international filmmakers and talent across features documentaries and series.

Mediawan, which is home to over 80 production companies, has produced projects like “Call My Agent,” “Three Body Problem,” “Bob Marley: One Love,” “Miraculous Ladybug,” “Rhythm and Flow France,” “The Agency,” “The Count of Montecristo,” “Super/Man: The Christopher Reeve Story,” “Hip/High Potential,” and “One Day.”

Its investment in Our Films comes as part of the company’s strategy to create a truly pan-European studio with an increasingly growing presence, which now spans 13 countries including France, Germany, Italy, Spain, Scandinavia, Benelux, and the UK in Europe,...

Plan B’s pan-European parent company Mediawan has taken a majority stake in Our Films, the new production and film financing company formed by Mario Gianani and Lorenzo Mieli, the award-winning Italian producer duo behind “The Young Pope” and “My Brilliant Friend.”

Based in Rome, Our Films reunites Gianani and Mieli, who exited their respective Fremantle-owned banners, Wildside and the Apartment, earlier this year. The pair, whose flair for talent has shined through their impressive track record over the years, will continue working with European, U.S. and international filmmakers and talent across features, documentaries and series.

Gianani and Mieli also have a co-production deal with Fremantle under which they will continue to shepherd a number of projects that they initiated at Fremantle, some of which are hot titles world premiering at the Venice Film Festival, such as Luca Guadagnino’s “Queer,” starring Daniel Craig; Pablo Larraín’s Maria Callas...

Mediawan has made it official that their majority stake in Lorenzo Mieli and Mario Gianani’s Our Films has closed as the Venice Film Festival gets underway. News of both parties’ union began to emerge out of Cannes.

The investment is in line with Mediawan’s strategy of creating a Pan-European studio, home to more than 80 production companies. The Paris-based studio made a majority investment in Brad Pitt’s Plan B back in December 2022 with four of that shingle’s projects premiering on the Lido: Tim Burton’s Beetlejuice Beetlejuice, the Apple Jon Watts directed Pitt-George Clooney comedy noir Wolfs, and documentaries One to One: John & Yoko, directed by Kevin Macdonald, and Apocalypse in the Tropics directed by Petra Costa.

Mieli and Gianani departed as CEOs of their respective Fremantle labels, Wildside and The Apartment, in January, and launched their Rome, Italy-based Our Films earlier this year.

Fall doesn’t technically start in our hemisphere until September 22, but north of the film industry equator, autumn truly kicks off at the end of August. New releases unseen until now, past festival films finally getting their due, and fall festival premieres with distribution abound. Who said the fall movie season was dead this year because of last year’s strikes?

Well, whoever did was dead wrong, because there’s a firehose of sparkling new movies coming to theaters through the rest of the year. We’ve got Ridley Scott and Paul Mescal, Denzel Washington and his sons Malcolm and John David, Pedro Almodóvar with high priestesses of cinema Tilda Swinton and Julianne Moore, Saoirse Ronan in not one but two Oscar contenders, Amy Adams back on the big screen, real pains, different men, and complete unknowns. Plus, horror readies for spooky season (and after a great horror summer) with a gluttony of gross-outs,...

Una selección que incluye de lo mejor de los grandes festivales internacionales. © Elástica Films / Universal Pictures / Ssiff

El Festival de Cine de San Sebastián ha anunciado los títulos que forman parte de la sección Perlak de esta 72 edición. Esta sección se compone de películas que han pasado por los grandes festivales de cine internacionales como la Berlinale, Cannes, Venecia o Toronto, y optan al Premio del Público Ciudad de Donostia / San Sebastián, que incluye dos galardones para los distribuidores del filme en España: uno a la mejor película (50.000 €) y otro al mejor filme europeo (20.000 €).

Desde la Berlinale, llega Yeohaengjaui pilyo (A Traveler’s Needs), de Hong Sangsoo, una cinta que obtuvo el Oso de Plata-Gran Premio del Jurado. Protagonizada por Isabelle Huppert, la película sigue la historia de una mujer francesa que se instala en Corea.

De Cannes aterrizan las películas más premiadas de su última edición: la ganadora de la Palma de Oro,...

The San Sebastian film festival has cherry-picked the best of Cannes’ competition lineup for its Perlak section this year.

Virtually every film that scooped up an award in Cannes, from Payal Kapadia’s All We Imagine as Light (grand prize), Mohammad Rasoulof’s The Seed of the Sacred Fig (special jury prize) and Coralie Fargeat’s The Substance (best screenplay) to Sean Baker’s Palme d’Or winner Anora, will screen in the Spanish festival’s sidebar, and compete for San Sebastian’s audience awards.

Jacques Audiard’s transgender crime musical Emilia Pérez, which won Cannes’ jury prize and the best actress honors for its ensemble cast, will open the Perlak section on Sept. 20.

Other Cannes titles, including Andrea Arnold’s Bird, Paul Schrader’s Oh, Canada, Parthenope from Italian director Paolo Sorrentino, and Francis Ford Coppola’s divisive opus Megalopolis, will also screen in the Perlak section. As will...

Exclusive: Under the newly-reformed Italian co-pro tax credit, big American co-productions may have thought twice before setting up in the European nation.

Deadline can reveal that the new co-pro credit will come with an €18M ($19.7M) cap on payouts for the first time, for projects where at least 30% of the production is made in Italy. The move is designed to somewhat tip the scales back to local Italian TV and movies, a driving force behind the Giorgia Meloni government’s decision to reform the credit.

Meloni’s culture ministry has of late spoken of a waste of government resources amid ballooning budgets. The cap means the maximum a big international co-pro project could take from the government is €18M. There will also be a cap for local productions of €9M, which should prove less of an issue as budgets will naturally be lower on these projects. Eligibility criteria more broadly has been tightened.

La película llegará a los cines de España próximamente de la mano de BTeamPictures. © BTeamPictures

Ya se ha publicado el primer tráiler de Parthenope, la nueva película de Paolo Sorrentino (Fue la mano de Dios), que tuvo su estreno mundial en el pasado Festival de Cannes.

La película sigue el largo viaje de la vida de Parthenope, desde su nacimiento en 1950 hasta hoy. Una epopeya femenina, desprovista de heroísmo pero rebosante de una pasión inexorable por la libertad, Nápoles y los rostros del amor, todos esos amores verdaderos, inútiles e indecibles. El perfecto verano de Capri, el desenfado de la juventud. Que acaba en emboscada. Y luego todos los demás: los napolitanos, hombres y mujeres, observados y amados, desilusionados y vitales, sus olas de melancolía, sus ironías trágicas y sus miradas abatidas. La vida, ordinaria o memorable, sabe ser muy larga. El paso del tiempo ofrece un vasto repertorio de emociones.

Italian distributor Piper Film, Fremantle and Pathé have dropped the international trailer for Paolo Sorrentino’s “Parthenope” ahead of the widely sold film’s international rollout following its bow in May from the Cannes Film Festival.

Praised in his review by Variety critic Siddhant Adlakha as “An exquisite treatise on cinematic beauty,” “Parthenope” is a love letter to the director’s native Naples. But also, as Sorrentino has put it, a film about “missed youth” that comes as a follow-up to his autobiographical “The Hand of God.”

The film’s titular character is a young woman born in Sorrentino’s native Naples – Neapolitans in Italy are also known as “Parthenopeans” – played by newcomer Celeste Dalla Porta who “delivers a beguiling performance,” noted Adlakha, as “a woman of such stunning beauty that people stop and stare.”

“It’s a moving artistic quest, as a filmmaker explores, through the tale of one...

Under the leadership of new CEO Annamaria Morelli, The Apartment — the Fremantle-owned outfit which will attend Venice with three hot titles including Luca Guadagnino’s “Queer” — is set to produce the next project by emerging Italian director Carolina Cavalli.

Cavalli – whose first feature “Amanda” went to Venice and Toronto – is set to shoot a follow-up titled “The Kidnapping of Arabella” that will see her reteam with “Amanda” protagonist Benedetta Porcaroli in the lead role.

Similarly to “Amanda” – an absurdist arrested development comedy that traveled widely and garnered critical praise – “The Kidnapping of Arabella” will see Porcaroli play a young female misfit named Holly who “is convinced that she is the wrong version of herself until she meets a 7-year-old girl who makes her change her mind,” according to the film’s provided synopsis.

“I think lonely people who come together to solve a problem have already solved the biggest one,...

Qatari beIN media group and Dubai-based film distributor Front Row Filmed Entertainment have renewed an ongoing first run deal for another three years until 2027.

Under the accord, beIN has secured exclusive pay one window rights to up to 300 movie titles for its linear and subscription video-on-demand (SVOD) services across the Middle East and North African region.

Titles covered by the deal include Better Man, Priscilla, Anatomy of a Fall, The Night of the Zoopocalypse, La Cocina, Ezra, Mother’s Instinct, Bad Genius, Riddick: Furya; The Smashing Machine, Parthenope, and the upcoming Cliffhanger reboot, on which Front Row is a backer.

“Front Row Filmed Entertainment has been an important partner ever since beIN expanded its portfolio to include entertainment content, so we are very pleased to be continuing this relationship,” said Esra Altop, Chief Entertainment Content Officer at beIN.

“The partnership with Front Row Filmed Entertainment aligns with beIN’s continued strategic...

The 58th Karlovy Vary International Film Festival (June 28 to July 6) boasted not one but two competitions, the Crystal Globe and Proxima, presided over by the festival president Jiří Bartoška, artistic director Karel Och, and executive director Kryštof Mucha. The festival is the main summer event in the country, which attracts many sponsors and patrons who want to attend, and faces none of the financial hardships of such festivals as Berlin, Toronto, and Sundance. 130 films are shown, with 140,000 tickets sold. There is no room for growth, given the limited venues, from the many screening rooms at the festival hub, the Hotel Thermal, where juror Christine Vachon mixed Negronis for her fellow jurors between screenings, to the colorful arthouse Kino Drahomira, named after a revered Czech woman director.

The Eastern European festival falls between Cannes and Venice, and programs many films in its Crystal Globe Competition that did not make the cut at Cannes,...

Netflix is as interested in acquiring third-party titles as it is in producing original films, said Larry Tanz, Netflix VP of content for Emea.

Tanz underlined the importance of films to the streamer on a visit to Netflix’s European production hub in Tres Cantos on the outskirts of Madrid.

“What we care about is bringing the best films and series to our members,” said Tanz. “If it’s a huge film from Constantin that’s in theatres and then on Netflix, if our members love it, that’s great. If it’s something that we commission, that’s great as well.

Exclusive: The theatrical late Q3 and Q4 schedule is getting booked up as A24 has dated five releases as follows:

On Sept. 6, going wide, is The Eggers Brothers’ psychological horror movie The Front Room. The movie follows a woman’s mother-in-law who movies and proves to be the house guest from hell. Sound familiar? Brandy Norwood and Kathryn Hunter star. The pic joins wide entries, Warner Bros’ Beetlejuice Beetlejuice 2024 Ad and an Angel Studios’ theatrical release.

On Sept. 20, in limited release, it’s the Aaron Schimberg directed A Different Man, starring Sebastian Stan, Renate Reinsve and Adam Pearson. The movie which made its world premiere at the Sundance Film Festival follows Edward, an aspiring actor, undergoes a radical procedure to drastically transform his appearance. But his new dream face quickly turns into an obsession with reclaiming what once was.

Director John Crowley’s We Live in Time, starring Andrew Garfield and Florence Pugh,...

Ioncinema.com’s Chief Film Critic Nicholas Bell reviewed the entire competition and more. Here is a comprehensive guide to all the feature films across all sections, including logged reviews and forthcoming ones. Though Cannes might be over, we still have unpublished reviews that will be released over the next month.

In Competition:

All We Imagine as Light – [Review]

Anora – [Review]

The Apprentice – [Review]

Beating Hearts – [Review]

Bird – [Review]

Caught by the Tides – [Review]

Emilia Pérez – [Review]

The Girl with the Needle – [Review]

Grand Tour – [Review]

Kinds of Kindness – [Review]

Limonov: The Ballad – [Review]

Marcello Mio – [Review]

Megalopolis – [Review]

The Most Precious of Cargoes – [Review]

Motel Destino – [Review]

Oh, Canada – [Review]

Parthenope – [Review]

The Seed of the Sacred Fig – [Review]

The Shrouds – [Review]

The Substance – [Review]

Three Kilometres to the End of the World – [Review]

Wild Diamond – [Review]

Un Certain Regard:

Armand

Black Dog

The Damned – [Review]

Dog on Trial

Flow

Holy Cow – [Review]

The Kingdom

My Sunshine

Niki

Norah

On Becoming a Guinea Fowl

Santosh

September Says

The Shameless

The Story of Souleymane...

Sean Baker’s “Anora” has won the Palme d’Or at the 2024 Cannes Film Festival, a jury headed by Greta Gerwig announced on Saturday.

The win for Baker’s freewheeling film about a stripper and the son of a Russian oligarch becomes the fifth consecutive Palme winner to be distributed by Neon, which previously handled “Anatomy of a Fall,” “The Triangle of Sadness,” “Titane” and “Parasite.”

TheWrap’s review said of the film, “It’s one of the most entertaining movies to play in Cannes this year, and also one of the most confounding: part character study of the title character (Mikey Madison), a sex worker from Brighton Beach who falls for rich Russian playboy Ivan (Mark Eydelshteyn); part look into the world of the super-rich, an arena Baker has studiously avoided in films like ‘Tangerine,’ ‘The Florida Project’ and ‘Red Rocket’; part escalating nightmare comedy reminiscent of ’80s gems...

Mohammad Rasoulof’s “The Seed of the Sacred Fig” has a lot going for it on the way to a potential Palme d’Or win: strong reviews, an anguished political call-out against Iranian oppression, and Rasoulof’s own status as an exile who just fled his home country and was finally able to attend Cannes after all. (Read our interview with the director here.)

On the steps of the Palais for Friday’s premiere, Rasoulof held up photos of two of the actors — Misagh Zare and Soheila Golestani – banned from leaving Iran to attend the festival. He’s already shared how the Islamic Republic has been pressuring his crew into convincing Cannes to drop the film, which charts the breakdown of a family after a Revolutionary Court judge’s gun goes missing, from its lineup. This is Rasoulof’s first time in competition. He previously won prizes in Un Certain...

by Cláudio Alves

Sean Baker's Anora looks like a top contender for the Palme d'Or.

After much divisiveness in the Main Competition, the Cannes critics finally have something to fawn over in collective uproar. Sean Baker's Anora was a hit with press and audiences alike, standing out in a selection of otherwise derided titles. Indeed, Christophe Honoré's Marcello Mio met critical rejection on the same day of Grand Tour's world premiere, while Paolo Sorrentino's Parthenope inspired another wave of dissenting opinions. Some love it, while many others decry the Neapolitan director's obsession with objectified female bodies, beauty above everything else, even cinematic meaning. Considering his last few projects, this shouldn't come as a surprise.

That shall be the theme of this Cannes at Home program—the beautiful people. Let's explore the siren calls of Baker's Tangerine, Honoré's The Beautiful Person, and Sorrentino's Oscar-winning The Great Beauty…...

Good afternoon Insiders, Jesse Whittock back again to take you through the week’s news in the entertainment industry, as the Cannes Film Festival nears its close.

What More Cannes I Say?

Stand up for the standouts: After a quiet opening, the Cannes Film Festival received a shot of life as several buzzy titles finally hit the screen. The excitement on the ground began with The Substance, the much-anticipated blood-splattered horror thriller from French director Coralie Fargeat, which was met with a 13-minute ovation, the longest for a title at this year’s festival until Gilles Lellouche’s Beating Hearts (L’Amour Ouf) took that crown last night. Fargeat’s pic, which stars Demi Moore, Margaret Qualley and Dennis Quaid, is a punk rock fable centered around a new product called The Substance that promises to transform people into the best version of themselves. It’s an offer that comes with a twist.

Although Oscar-winner Gary Oldman has had numerous memorable roles in his life, most fans will know him as either Sirius Black from the Harry Potter film series or as James Gordon from Nolan’s Batman trilogy. Oldman made both these roles his own, but Sirius Black is especially noteworthy here, as Oldman remains the only actor who portrayed the character to date, so most Harry Potter fans actually have a tough time imagining anyone else in the role besides Oldman. Still, from some recent comments, it seems that Oldman himself wasn’t satisfied with the role, and that has sparked some controversy.

During a podcast talk in December 2023, Oldman said the following about his interpretation of the beloved character:

“I think my work is mediocre in. No, I do. Maybe if I had read the books like Alan [Rickman], if I had got ahead of the curve, if I had known what’s coming,...

Hollywood star Gary Oldman recently reflected on his previous remarks about his performance in the Harry Potter franchise. The actor played the role of Sirius Black, the titular character’s godfather, starting with the 2004 film The Prisoner of Azkaban. Despite earning critical acclaim, he called his own performance in the franchise “mediocre,” arguing that it could have been much better if he had read J.K. Rowling’s original book series.

Gary Oldman as Sirius Black in the Harry Potter films | Credit: Warner Bros.

During a recent press conference at Cannes for his new film Parthenope, Oldman clarified his statements about his performance in the beloved franchise, as he said that he did not mean to offend anyone with his remarks.

Gary Oldman Clarified His Remarks About His Harry Potter Character

Speaking at a Cannes press conference, Gary Oldman was asked about his statement about his performance as Sirius Black in the Harry Potter franchise.

Gary Oldman said he did not mean to “disparage” any Harry Potter fans when he called his portrayal of Sirius Black in the film adaptations “mediocre” — he only meant to disparage himself.

“What I meant by that was, as any artist or any actor or painter, you are always hypercritical of your own work,” Oldman said when asked about his comments at a Cannes press conference promoting his new movie, Parthenope. “If you’re not, and you’re satisfied with what you’re doing — that would be death to me.

Last year, renowned actor Gary Oldman appeared on the Happy Sad Confused podcast with a humbled opinion of one of his performances. Oldman would discuss his run as the character of Sirius Black in the Harry Potter film series and gave himself a self-deprecating opinion of his portrayal. “I think my work is mediocre in it,” says Oldman. “No, I do. Maybe if I had read the books like Alan, if I had got ahead of the curve, if I had known what’s coming, I honestly think I would have played it differently.” Oldman told Horowitz, “I’ll tell you what it is,” he says. “It’s like anything if I sat and watched myself in something and said, ‘My god, I’m amazing,’ that would be a very sad day because you want to make the next thing better.”

In a press conference given at Cannes for his new film,...

Sean Baker’s Anora has stormed to the top of Screen’s Cannes jury while Paolo Sorrentino’s Parthenope divided critics and Christophe Honoré’s Marcello Mio scored the lowest of this year’s festival so far.

Baker’s latest feature received a solid 3.3 - the first film this year to score an average above three stars, overtaking last year’s jury grid winner, Aki Kaurismäki’s Fallen Leaves (3.2).

The US comedy-drama about a sex worker received six scores of four stars (excellent) and four marks of three stars (good). Critics Katja Nicodemus (Germany’s Die Zeit) and Anton Dolin (Meduza) were less convinced,...