Los Angeles-based sales and distribution company Indie Rights has struck a 13-film licensing deal with China’s Huala New Media. Huala is a Beijing-based distribution and tech firm.
Titles under the deal include recent U.S. theatrical releases “Hello & Goodbye,” “Hidden Light,” “A Normal Life,” “All I Want,” and “Blur Circle,” as well as a further nine titles. The deal covers all rights in mainland China, though theatrical releases are not likely.
The remaining titles include “Color Me You,” “Tangerineland,” “Dance Baby Dance,” “Her Composition,” “20 to Life,” and “30-Love.” Indie Rights expects to give another of the films, “Love All You Have Left,” a limited U.S. theatrical release in June. “Angels On Tap,” starring Ed Asner and Jamie Farr, is to have a limited North American theatrical release in July.
“It’s a great way to start off the market for us. It was literally our first meeting when the Cannes Film Market opened,...
Titles under the deal include recent U.S. theatrical releases “Hello & Goodbye,” “Hidden Light,” “A Normal Life,” “All I Want,” and “Blur Circle,” as well as a further nine titles. The deal covers all rights in mainland China, though theatrical releases are not likely.
The remaining titles include “Color Me You,” “Tangerineland,” “Dance Baby Dance,” “Her Composition,” “20 to Life,” and “30-Love.” Indie Rights expects to give another of the films, “Love All You Have Left,” a limited U.S. theatrical release in June. “Angels On Tap,” starring Ed Asner and Jamie Farr, is to have a limited North American theatrical release in July.
“It’s a great way to start off the market for us. It was literally our first meeting when the Cannes Film Market opened,...
- 5/8/2018
- by Patrick Frater
- Variety Film + TV
By Peter BelsitoThis very internal subjective psychological drama features rising indie star Joslyn Jensen (‘Without’, ‘Driftwood’) ) as ambitious young composition student Malorie who has her creative juices sucked right out of her by the testosterone-stuffed New York academy where she studies for her PhD.
She is justly upset by the crass and demeaning treatment she is given there.
After being put down and losing access to the all-female scholarship she is finding no more energy to even feel inspired, and then she starts visiting strangers in the city for sex and pay
With lace-wearing Malorie absurdly out of place at first but pushed beyond her narrow confines by curiosity and boredom, she realizes that these commercial sexual encounters inspire her in the most unexpected manner as she starts to hear music during these commercial sex acts.
This is both comical and serious at first, as she decides she must write...
She is justly upset by the crass and demeaning treatment she is given there.
After being put down and losing access to the all-female scholarship she is finding no more energy to even feel inspired, and then she starts visiting strangers in the city for sex and pay
With lace-wearing Malorie absurdly out of place at first but pushed beyond her narrow confines by curiosity and boredom, she realizes that these commercial sexual encounters inspire her in the most unexpected manner as she starts to hear music during these commercial sex acts.
This is both comical and serious at first, as she decides she must write...
- 4/10/2018
- by Sydney Levine
- Sydney's Buzz
This year’s festival will include an inaugural virtual reality strand and a co-production forum focused on UK-Ibero-American relations.Scroll down for line-up
The 24th Raindance Film Festival has revealed its line-up, with 90 feature films set to be screened in London September 21 – October 2.
This year’s jury will be comprised of Stephen Fry (V For Vendetta), Joanna Lumley (Absolutely Fabulous), Imelda Staunton (Vera Drake), Jodie Whittaker (Broadchurch), Anna Friel (Pushing Daisies), Jack Davenport (Pirates Of The Caribbean), Nicholas Pinnock (Top Boy) and American artist David Datuna.
They will preside over awards for a competition line-up that features the international premiere of Stephen Elliott’s After Adderall, a semi-autobiographical story about the production of the film adaptation of Elliott’s memoirs. Receiving its European premiere will be Japanese director Yoshiyuki Kishi’s A Double Life, about a young woman who is assigned to follow a stranger.
Among the seven UK premieres playing in competition are Indian drama [link=tt...
The 24th Raindance Film Festival has revealed its line-up, with 90 feature films set to be screened in London September 21 – October 2.
This year’s jury will be comprised of Stephen Fry (V For Vendetta), Joanna Lumley (Absolutely Fabulous), Imelda Staunton (Vera Drake), Jodie Whittaker (Broadchurch), Anna Friel (Pushing Daisies), Jack Davenport (Pirates Of The Caribbean), Nicholas Pinnock (Top Boy) and American artist David Datuna.
They will preside over awards for a competition line-up that features the international premiere of Stephen Elliott’s After Adderall, a semi-autobiographical story about the production of the film adaptation of Elliott’s memoirs. Receiving its European premiere will be Japanese director Yoshiyuki Kishi’s A Double Life, about a young woman who is assigned to follow a stranger.
Among the seven UK premieres playing in competition are Indian drama [link=tt...
- 8/25/2016
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
In this exclusive clip from Stephan Littger’s debut feature film “Her Composition," Malorie (Joslyn Jensen) discovers a new side to her sexuality that will launch her journey of musical discovery. Throughout her frenzied sensual journey sleeping with random clients during which she has random musical experiences, she will leave behind the confines of the status quo that had enchained her creative self. Her clients become the collective muse for her new composition.
Beautifully shot (Andres Karu) with a magical score by Christopher Libertino, Littger’s stunningly self-assured directorial debut asks fundamental questions by deconstructing the traditional three-act structure through the body of a woman on her journey to creative emancipation. Edgy and controversial, will Malorie for the first time create something that truly reflects her creative self or is she merely on an express path to insanity?
“I was attracted to the idea of a narrative that sounds traditional, even sexist at first but turns out to be exactly the opposite by questioning Hollywood gender roles and empowering a young artist who turns the tables on the men she meets -- and therefore audience expectations.” Littger says of the inspiration behind this movie. “In that sense, I am Malorie and Malorie is all of us who feel we have a voice and want to get it out there. And it’s incredibly hard and you need to find that non-judgmental space in the world that allows you to do that. In our private screenings so far, the reactions have been particularly exciting to me as author as every audience member raises infinitely insightful points about Malorie’s journey and her challenges. While there’s definitely also a strong political dimension to it, above all I want to entertain. It wouldn’t work any other way.”
After Austin Film Festival, the film will have its international premiere at Whistler Film Festival in early December. Jensen is supported by a stellar supporting cast featuring Christian Campbell (“Trick”), Heather Matarazzo (“Welcome to the Dollhouse”), comedian Rachel Feinstein (“Trainwreck”) and Margot Bingham (“Boardwalk Empire”). The voice of Oscar-nominated Executive Producer René Bastian (“Transamerica”) is felt throughout.
Beautifully shot (Andres Karu) with a magical score by Christopher Libertino, Littger’s stunningly self-assured directorial debut asks fundamental questions by deconstructing the traditional three-act structure through the body of a woman on her journey to creative emancipation. Edgy and controversial, will Malorie for the first time create something that truly reflects her creative self or is she merely on an express path to insanity?
“I was attracted to the idea of a narrative that sounds traditional, even sexist at first but turns out to be exactly the opposite by questioning Hollywood gender roles and empowering a young artist who turns the tables on the men she meets -- and therefore audience expectations.” Littger says of the inspiration behind this movie. “In that sense, I am Malorie and Malorie is all of us who feel we have a voice and want to get it out there. And it’s incredibly hard and you need to find that non-judgmental space in the world that allows you to do that. In our private screenings so far, the reactions have been particularly exciting to me as author as every audience member raises infinitely insightful points about Malorie’s journey and her challenges. While there’s definitely also a strong political dimension to it, above all I want to entertain. It wouldn’t work any other way.”
After Austin Film Festival, the film will have its international premiere at Whistler Film Festival in early December. Jensen is supported by a stellar supporting cast featuring Christian Campbell (“Trick”), Heather Matarazzo (“Welcome to the Dollhouse”), comedian Rachel Feinstein (“Trainwreck”) and Margot Bingham (“Boardwalk Empire”). The voice of Oscar-nominated Executive Producer René Bastian (“Transamerica”) is felt throughout.
- 10/29/2015
- by Peter Belsito
- Sydney's Buzz
Premiering in competition at the 22nd Austin Film Festival, Stephan Littger's debut feature Her Composition stars one of my favorite indie actors Joslyn Jensen (Without, Funny Bunny) as talented but socially awkward composition student Malorie, who starts visiting high-end escort clients on her quest for overcoming writer's block. Littger's darkly comical and often surreal tale sees Malorie turning each client into yet another layer of her composition, positioning the unsuspecting viewer into silent co-conspirators along with her. Apart from a stellar lead, supporting actors Christian Campbell (Trick), Margot Bingham (Boardwalk Empire), Heather Matarazzo (Welcome to the Dollhouse) and comedian Rachel Feinstein round up the cast. Executive Producer is Oscar-nominated René Bastian (Transamerica).Ahead of its premiere at the Hideout theater, Friday, October 30 at 6pm, Twitch...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 10/29/2015
- Screen Anarchy
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