Belgravia: The Next Chapter

Belgravia Was awesome. But this part 2, the next Chapter is a poor follow up.

Sadly, I find the next chapter, extremely depressing, extremely slow, not as polished, overall extremely considered this failure.

With the next chapter being so poor, I cannot see this being renewed for a third season, which is so disappointing after the first season was so great.

It's not often that you completely destroy a series like they have here with the sequel to the original. So disappointed the lead character is either a really bad actor or his character. He's completely flawed.

After watching four episodes now, I don't even see the point of this season with him being just miserable, and we all know that he isn't the legitimate child and air. It is actually his brother if you've watched the first season

disappointing. Overall, I suggest you avoid.

After thoroughly enjoying the original series of 'Belgravia' (a solid 8/10 miniseries, arguably 9/10), I was hopeful that most of the negative reviews of "Belgravia: The Next Chapter" would be wrong, or at least a bit exaggerated. Alas, the negative reviews are more right than wrong, and this second season is yet another example of a great show taking a massive step down from a successful first season.

It was always going to be a tough task to match the clever, rewarding, and intelligent writing of the first season, but "The Next Chapter" falls short of even the above average level of writing of well-produced shows of the modern era of entertainment. The main plot line and the character arcs of the two leads is just not very interesting, especially from about the 3rd or 4th episode on. While season one seemed too short and had you begging for more at six episodes, this second season tests your patience at eight episodes in which little seems to happen half the time. You know a writer is completely clueless when they start portraying the 1871 Paris Commune in a positive light (the best era in Paris's history, the Belle Epoque, only happened thanks to the failing of said evil Commune, not to mention that the same ideology that the Commune spouted would go on to kill 50,000,000 to 100,000,000 more people than fascism in the 20th century). The side plots are eye-rollingly predictable at best. So how does it even earn a review this high? Mainly because of the great production, excellent cinematography, and wonderful acting, especially by Harriet Slater. While other positive reviews here credit the 'victim' plot line, the reality is that the focus on victims has created a culture in which every struggling person pretends to be a victim in every way possible, causing their mental state to deteriorate. Similarly, our main male lead sulks, acts petulant, and behaves like a prick and uses his so-called 'victim' status as an excuse. Overall, this is a very skippable season of television, although not a total disaster.

I'm a (very) latecomer to period dramas. "Downton" had long since finished before I began to tackle the 50+ episodes and what a treat that turned out to be. It would be asking a lot for any series to be its equal or even come close but one that really impressed was "The Gilded Age".

I have not seen the original "Belgravia" for the simple reason that I had never heard of it but will find it to watch.

This latest "Next Chapter" seems to be taking a lot of flak from what appear to be seasoned period drama viewers so who am I to argue?........but I will. I thoroughly enjoyed it and the final two episodes were extremely moving.

I found all of the characters to be interesting in their own way and, of course, anything with a music score by John Lunn is always worth watching.

Taking into account that everyone is a little different, I still think there were way too many naysayers for this 2nd season. Heads-up, this wasn't a documentary on the life and times of people in the 19th century. That being said, I thought the reproduction of the era, the sets, costumes, customs etc was done with the usual BBC careful attention to detail. Yes, there were lots of relationship threads woven into the narrative but I thought they were quite interesting in the way they highlighted the main reason we find any story engaging - the brokenness of human beings and how it's confronted. I found the writing, acting and character development elicited quite strong responses and I'm sure I wasn't the only one who felt like throwing a cushion at the t.v. Screen almost every time Freddy opened his mouth; but hey, isn't that good entertainment? Give yourself a big pat on the back Helen.

I'll start off with the bad. The main "love" story between Frederick Threnchard and Clara Dunn is a problem. He has the personality of a block of wood, and Clara's instant love for him is a puzzlement. To her credit, away from him, the actress comes alive, so I'm assuming he's sucking the charisma out of her.

To be fair, the actor is saddled with a ludicrous storyline where his personality and demeanor is explained by his father being cruel to him and loving his brother more. So, he has to spend copious amounts of time, staring off into space, wallowing in his man pain. He's tedious and boring, and his hatred for his brother is so irrational and off-putting.

BUT, there is stuff to recommend here. Toby Regbo as Frederick's kindly brother, who is devoted to his work as a Reverand, and hides a painful secret from the world, is a revelation, and easily the most interesting character in the show. Sophie Thompson as Clara's dottering mother is charming and sweet. Hannah Onslow, playing Clara's less effervescent sister nails her characters barely disguised bitterness. Liam Garrigan and Elaine Cassiday also shine as members of the household staff with their own stories to tell. And Sophie Windkleman and Miles Jupp as the Duke and Duchess of Rochester have a side story that is surprisingly effective.

Jury is out for me on Edward Bluemel's doctor character, but perhaps he'll become more fully fleshed out as the show goes on. The actor is solid, so that helps. But he feels threadbare as a character.

I do think the show suffers from pacing issues, and whatever big bad thing that happened between Frederick and James really should've been revealed already. The longer its drawn out, the more likely it is to disappoint when its revealed.