47
Metascore
25 reviews · Provided by Metacritic.com
- 75The PlaylistDrew TaylorThe PlaylistDrew TaylorAll of the young actors are committed, and director Dean Israelite has a good handle on the material, offering his own contributions to the time travel genre (like how violent the act itself is) while continually tipping his hat to what came before it.
- 63Movie NationRoger MooreMovie NationRoger MooreClever, funny but emotionally stunted. Like most teenagers.
- 60TheWrapJames RocchiTheWrapJames RocchiEven with all the teen angst and temporal alterations, the film stays fleet, funny and fast, especially as our leads figure out, through trial and error, how they can take advantage of their new abilities in ways large and small.
- 60The GuardianJordan HoffmanThe GuardianJordan HoffmanDespite the uncomfortable sexism and altogether predictable nature of the film, I’d be lying if I said it wasn’t modestly entertaining.
- 60New York Daily NewsJoe NeumaierNew York Daily NewsJoe NeumaierEvery generation gets the time travel it deserves. Project Almanac isn’t “Time After Time” (1979) or “Back to the Future” (1985) or “12 Monkeys” (1996), but the new release does turn out to be a surprisingly jaunty trip for jaded Gen-Y kids.
- 50New York PostSara StewartNew York PostSara StewartI know this is a teen-boy fantasy — it was produced by Michael Bay, after all — but the female characters in Project Almanac are lamely retro, little more than props in short shorts.
- 50San Francisco ChronicleSan Francisco ChronicleHigh on fun but low on depth, Project Almanac is told entirely from the perspective of a video camera, which instantly made me regret that I had eaten dinner before the screening.
- 40VarietyPeter DebrugeVarietyPeter DebrugeEvaluated on the concept’s own terms, the script clearly could have used another do-over or two before Israelite and his cast took the plunge.
- 40The Hollywood ReporterJohn DeForeThe Hollywood ReporterJohn DeForeBegins as a marginally fun diversion before proving to have nearly no interest in the possibilities of its premise.
- 25Slant MagazineChris CabinSlant MagazineChris CabinThe film delivers the same misogynistic, faux-modernistic jolts of trashy humor and labored plotting that typify the work of co-producer Michael Bay.