23 reviews
This exciting film is about the harrowing attempts at survival of two Turkish soldiers during a harsh blizzard near a communications station in volatile southeastern Turkey.
Ambushed, with limited ammunition and without their commanding officers the two main characters, yuppie Oguz and the ill-educated streetwise Bekir, two young universally conscripted soldiers who dislike each other, it is well acted, well filmed and with a fresh unique premise.
Filmed in a war documentary style with a minimalist but inventive approach it's a brutal, touching and visually striking story with situations observing courage under fire as well as the social divides in a uniquely militaristic country such as Turkey.
Succeeding well beyond the producer's expectations, it probably is the most original and unexpected success in an otherwise dry Turkish film season.
Ambushed, with limited ammunition and without their commanding officers the two main characters, yuppie Oguz and the ill-educated streetwise Bekir, two young universally conscripted soldiers who dislike each other, it is well acted, well filmed and with a fresh unique premise.
Filmed in a war documentary style with a minimalist but inventive approach it's a brutal, touching and visually striking story with situations observing courage under fire as well as the social divides in a uniquely militaristic country such as Turkey.
Succeeding well beyond the producer's expectations, it probably is the most original and unexpected success in an otherwise dry Turkish film season.
A very good film combining excitement and emotional depth at the same time. It is made with a different style to most Turkish films where the happenings are the most important thing than the style or melodrama. It can be considered American in the way the story occurs. Ufuk Bayraktar gives an incredible performance, you forget you are watching a film when he is on the screen and this helps to give importance to the bad situation they are about to go through. The director is talented and he can play with your mental states easily. One moment you laugh, and the next you cry, and even though the film is smaller than usual in hits you if you can empathy with characters.
In recent years Turkish cinema produces some very different and important films proving that the entire film sector here is going in a different direction with its next generation people. This is one of those films totally different than what we are used to, and very ambitious in what it tries to do. 9 out of 10
In recent years Turkish cinema produces some very different and important films proving that the entire film sector here is going in a different direction with its next generation people. This is one of those films totally different than what we are used to, and very ambitious in what it tries to do. 9 out of 10
- boatmanali
- Dec 5, 2012
- Permalink
- TheBigSick
- Oct 3, 2017
- Permalink
- bilgehanbali
- Aug 7, 2018
- Permalink
Film in the fact that it contains so many posts. The beginning of the chain of command for the two soldiers remain, to ask for help, but help prevent ... cooked kitten martyrs .. etc etc etc ... yes the movie was a bit simple, but as one of the military service and was engaged as one of the east, I can say, and managed to become the film's visual beauty of the film they want to tell. I cherish the memories of watching a movie, and if it came to the film ... Monitoring that do not understand anything, because the military dialogs. Turkey has many years of terror. Thousands of soldiers were killed in this battle. Mother cried all the time. This film tells the little terror in the country. Have a good time ...
I found it quite successful. The scenes and shooting I'm waiting for the rest.angles are very good.
- mehmetvatanlar
- Oct 25, 2020
- Permalink
The theme of the story is very good, and the technique of expression is also very good. However, the integrity of the story, the lack of background introduction, the success of the film in showing the fighting quality of the special forces, but the lack of attention to the local humanitarian crisis, and the inability to build a great mountain of spiritual quality. The inner play is very rich, but it's easy for people to play by interspersed memories!.
- jonga-629-722434
- May 31, 2014
- Permalink
It is pretty normal that you might think that this film is overrated If you are not a Turkish!
In order to understand the story, the reasoning, the logic of war between PKK terrorist group and old Turkish military (pretty weak compared to current times.) You should be familiar with Turkish history and culture.
This film is not for you if you are looking for a WAR movie.
The soldiers already know they are gonna die and they have no training at all. The movie DAG is a low quality demonstration the facts of old times' Turkey.
Even if it is for Turkish audiance strictly , it is still not quality one. Totally overrated, It is like 6, nothing more.
If you are interested a quality one that has kinda same story, check the movie '' NEFES'' This one the original one. Not a cheap copy like Dag movie.
In order to understand the story, the reasoning, the logic of war between PKK terrorist group and old Turkish military (pretty weak compared to current times.) You should be familiar with Turkish history and culture.
This film is not for you if you are looking for a WAR movie.
The soldiers already know they are gonna die and they have no training at all. The movie DAG is a low quality demonstration the facts of old times' Turkey.
Even if it is for Turkish audiance strictly , it is still not quality one. Totally overrated, It is like 6, nothing more.
If you are interested a quality one that has kinda same story, check the movie '' NEFES'' This one the original one. Not a cheap copy like Dag movie.
A Turkish drama; A story in which a Turkish army duty team, left to guard a field antenna on a border mountain, suddenly falls into ambush. This is an entertainingly heroic tale that has humorous interplay between an educated, wealthy young man and a coarse street smart ruffian, which works well from the series of backstory flashbacks. The acting is good; it is gratifying to watch the characters put aside their differences and learn to trust each other to try and survive. The cinematography in all its aspects is first rate, especially in capturing a beautiful landscape. There is enough tension built at the right moments in the sequences to make it very watchable.
- shakercoola
- Jul 7, 2018
- Permalink
Almost everything on this film is wrong. Starting with acting that is amateur at its best level. The soundtrack is corny and completely over utilised. The history is a patriotic military nonsense that is perfect for the far right mindless viewers. The film is quite short and manages to drag and is not even able to hold your attention. The usage of emotional scenes from the soldiers between the conflict is a poor attempt of humanising shallow characters. The landscape of the mountain could had give us amazing shots was mediocrely filmed. What surprises me more is the high rating at IMDb, clearly product of bots or rating farms as this film is not up to any standards to be considered cinema.
- joao-madrid
- Aug 1, 2017
- Permalink
"The Mountain" is a Drama - Thriller movie in which we follow two soldiers trying to survive after their team fell into a terrorist ambush on the peaks of a mountain. They have to cooperate and try very hard to survive.
I found this movie very interesting because it had a mesmerizing plot and beautiful cinematography. The direction which was made by Alper Caglar who is also the writer was simply breathtaking and he succeeded on making the audience not only follow his main characters but also relate to them and what they have been through. The interpretations of both Caglar Ertugrul who played as Oguz and Ufuk Bayraktar who played as Bekir were very good and they both made the difference. Finally, I have to say that "The Mountain" is an interesting movie and I highly recommend everyone to watch it.
I found this movie very interesting because it had a mesmerizing plot and beautiful cinematography. The direction which was made by Alper Caglar who is also the writer was simply breathtaking and he succeeded on making the audience not only follow his main characters but also relate to them and what they have been through. The interpretations of both Caglar Ertugrul who played as Oguz and Ufuk Bayraktar who played as Bekir were very good and they both made the difference. Finally, I have to say that "The Mountain" is an interesting movie and I highly recommend everyone to watch it.
- Thanos_Alfie
- Mar 26, 2023
- Permalink
Full Review on my blog max4movies: Dag is a good example for an efficient war movie, as only few locations, characters, and action scenes are featured. By creating an impressive scenery, the movie does give the viewer a sense of the dread the two main characters are facing. It's basically an independent movie, shot on a low budget with a small crew, and amateur actors; the lack of production values often shows and the actors often don't carry the more complex scenes. Generally, though, the characters are authentic and relatable, and the dialogues are mostly well-written. Together with the amazing scenery and the decent pacing, this makes for a worthwhile experience. However, the viewer should keep the nationalist perspective in mind. Read my full review on my blog movie-discourse.
From a technical standpoint, 'The mountain' ('Dag') is pretty great. The filming locations provide us with outstanding natural beauty to enjoy with image quality that is crisp and clear. Sound design is likewise pristine. Blood effects and makeup, wardrobe, and props all look good. I think the chief actors are fine. I also admire the core concept of the film: Two soldiers, at odds with one another, are forced to work together when a routine mission goes far astray under adverse conditions high on a mountain.
I admit I was curious to watch in no small part because the root premise reminded me, superficially, of the 'Star Trek: Deep Space 9' episode 'The ascent' - two generally opposed individuals, working in common cause. With that central focus in mind, I think writer-director Alper Çaglar guides his small primary cast into some neatly arranged scenes, and captures some particularly swell shots. If 'The mountain' were tightly focused on the active narrative, it would have benefited greatly.
Unfortunately, that's not what we actually get. The film's original score is frankly over the top, adding grossly dramatic flair that's overwrought and overbearing. Frequent flashback scenes provide unnecessary background for protagonists Oguz and Bekir in past moments that are dubious at best, maudlin at worst, and mostly just awkward or counterproductive. Dialogue commonly includes absolutely superfluous, tasteless homophobic slurs, and where it isn't concentrated on the plot atop the mountain it broadly echoes the same tawdry slant. The rare kernel of profundity that 'The mountain' has to impart is lost, subsumed amidst gaudy embellishment and otherwise poor writing so garish as to be grotesque.
As if all this weren't bad enough, the picture is saturated through and through with grandstanding so horridly heavy-handed as to be arrogant. Patriotism! National pride! Service! Army, hoo-rah! Such blatantly kitschy pretension would be direly unwelcome and deservedly criticized in a Hollywood blockbuster; for a different country's military to be the apple of a feature's eye is no better. A few key words come to mind, like haughty, condescending, stuffy, uptight, smug, and obnoxious. Blech!
It's a shame, really. 'The mountain' could have been a short film of certainly no more than half its final length of 90 minutes without meaningfully sacrificing any substance. That short could easily be a plainspoken survival thriller - further cut or simply revise a great deal of dialogue, do some pick-up shots focused on the core premise - presto, a winner. That short could also easily maintain the spirit of what the full-length feature represents; careful writing, editing, sequencing, and overall consideration would have allowed for much more sparing use of flashback scenes to be significantly more impactful, and for what wisdom the screenplay has to convey to readily flourish.
But that hypothetical short is not what 'The mountain' is. The execution is dressed up so ostentatiously as to be vulgar. The fundamental story beats of the active plot are great, and the technical craft is on point; for this, I wish I could say I like the movie more than I do. Yet almost everything else is questionable in the least, and emphatically dispensable at worst, making me wonder I'm not being too generous as it is in how I regard the final product.
If you can't get enough of go-getter, chest-beating, jingoistic military bravado, and you don't care about how overblown or tacky it may be - well done, this is the movie for you. For anyone else, I can't think of a situation in which I'd recommend 'The mountain.'
It had potential. That potential was wasted.
I admit I was curious to watch in no small part because the root premise reminded me, superficially, of the 'Star Trek: Deep Space 9' episode 'The ascent' - two generally opposed individuals, working in common cause. With that central focus in mind, I think writer-director Alper Çaglar guides his small primary cast into some neatly arranged scenes, and captures some particularly swell shots. If 'The mountain' were tightly focused on the active narrative, it would have benefited greatly.
Unfortunately, that's not what we actually get. The film's original score is frankly over the top, adding grossly dramatic flair that's overwrought and overbearing. Frequent flashback scenes provide unnecessary background for protagonists Oguz and Bekir in past moments that are dubious at best, maudlin at worst, and mostly just awkward or counterproductive. Dialogue commonly includes absolutely superfluous, tasteless homophobic slurs, and where it isn't concentrated on the plot atop the mountain it broadly echoes the same tawdry slant. The rare kernel of profundity that 'The mountain' has to impart is lost, subsumed amidst gaudy embellishment and otherwise poor writing so garish as to be grotesque.
As if all this weren't bad enough, the picture is saturated through and through with grandstanding so horridly heavy-handed as to be arrogant. Patriotism! National pride! Service! Army, hoo-rah! Such blatantly kitschy pretension would be direly unwelcome and deservedly criticized in a Hollywood blockbuster; for a different country's military to be the apple of a feature's eye is no better. A few key words come to mind, like haughty, condescending, stuffy, uptight, smug, and obnoxious. Blech!
It's a shame, really. 'The mountain' could have been a short film of certainly no more than half its final length of 90 minutes without meaningfully sacrificing any substance. That short could easily be a plainspoken survival thriller - further cut or simply revise a great deal of dialogue, do some pick-up shots focused on the core premise - presto, a winner. That short could also easily maintain the spirit of what the full-length feature represents; careful writing, editing, sequencing, and overall consideration would have allowed for much more sparing use of flashback scenes to be significantly more impactful, and for what wisdom the screenplay has to convey to readily flourish.
But that hypothetical short is not what 'The mountain' is. The execution is dressed up so ostentatiously as to be vulgar. The fundamental story beats of the active plot are great, and the technical craft is on point; for this, I wish I could say I like the movie more than I do. Yet almost everything else is questionable in the least, and emphatically dispensable at worst, making me wonder I'm not being too generous as it is in how I regard the final product.
If you can't get enough of go-getter, chest-beating, jingoistic military bravado, and you don't care about how overblown or tacky it may be - well done, this is the movie for you. For anyone else, I can't think of a situation in which I'd recommend 'The mountain.'
It had potential. That potential was wasted.
- I_Ailurophile
- Sep 22, 2021
- Permalink
- davidarmenta-00728
- Jul 24, 2019
- Permalink
- ayyildiz-bulent
- Dec 27, 2016
- Permalink
- xacebop-09424
- Jul 1, 2018
- Permalink
Not sure why this film has such a high rating - I watched it based on the rating and was very disappointed. The story is choppy, acting is poor and the cinematography given the amazing scenery they are in is not good. Continuity was lacking - in one scene the aggressors remove a soldiers gloves and 5 minutes later he has them on again! His face is red from a beating and 10 minutes later it is black.
Its a waste of time, no need to watch this film.
If you are a stranger and wanna learn what's going on in East Turkey or wanna see Turkish military movie close this clone hollywood movie and watch The Breath (Nefes). I guarantee you won't regret.
- kagangul-45770
- Jun 14, 2020
- Permalink
- ger55champ
- May 11, 2020
- Permalink
Dag (2012) is a disappointing Turkish film that earns a 1/10 for its numerous shortcomings. The acting is unconvincing, with performances lacking depth and authenticity, which undermines the film's dramatic impact. The cinematography is basic and fails to capture the intensity of the military setting, missing opportunities to enhance the film's atmosphere. The story is poorly developed, with a weak narrative that struggles to engage or convey its intended message effectively. The soundtrack is generic and does little to enhance the viewing experience. Overall, it's a poorly executed film that falls short in almost every aspect.
- chera_khalid
- Aug 12, 2024
- Permalink