Locked

My only advice for potential criminals who are reading this review is I would advise against breaking into a nice car lol. You will get locked in.

I caught the trailer and I was pretty hooked, went into this one open minded with zero expectation and it was a pleasant surprise.

Bill Skarsgård plays a really slimy character who at first I just wanted to see him suffer. But as the story progresses you start to feel for him, and start rooting for this guy.

Anthony Hopkins plays a narcissist rich man who is really sick and twisted. But you understand why he does certain things as you learn about his back story. His weapon of justice is a modified car that feels indestructible.

The suspense is great and I really liked the film's atmosphere and setting. There's never a dull moment and the pacing moves along really well. Twards the end I found Locked a little predictable but overall this is an enjoyable time at the theater. Go out and see it, at least watch it on vod when it comes out.

I was able to catch a sneak peek of this movie and I must say it was better than I expected! The suspenseful buildup with Hopkins' character and Skarsgard's character! It was definitely intense! I didn't expect it to end that way, but glad it did! Bravo to the legend Anthony Hopkins and great job to Bill Skarsgard! The games and trickery were pretty on point! The unknowing of how they can keep the audience engaged with a man locked in a car deserves props! Hopkins will always be Hannibal Lecter to me so I was glad to see him in a role like this. Can't forget Sam Raimi either as his movies always stick to me even after I'm done watching them!

Locked tries to be an intense, claustrophobic survival thriller, but it never quite stands out in the genre. As a fan of these types of films, I appreciate when a simple, single-location premise can be turned into something tense and immersive. But Locked spends way too much time leaning on clichés without bringing anything new or truly engaging in the first half. The pacing drags, the narrative barely moves forward, and the attempts at suspense just don't land.

The second half is definitely an improvement-it picks up the intensity and has moments that actually manage to grab your attention. But even then, it never reaches a level where it feels memorable. The concept has potential, but the execution falls short, failing to dive deep into the psychological dynamics of the main character or create a truly suffocating atmosphere.

Bill Skarsgård, as always, delivers a solid performance, though this is far from his best work. He has the screen presence and charisma to carry a film almost entirely on his own, and he does a good job of selling the frustration and desperation of the situation. But the script doesn't give him much to work with, leaving his character too one-dimensional for his performance to truly shine.

One of the film's most interesting aspects is the car's design, which was adapted to function as the main setting. The way the space is utilized adds to the sense of confinement and gives the experience a layer of realism. That said, Locked could have tapped into something deeper-whether about the economy, modern society, or even humanity's relationship with technology. Instead, it settles for being a middle-of-the-road thriller, entertaining enough but lacking any real impact.

In the end, Locked is fine for a 90-minute distraction, but it's the kind of movie you'll probably forget as soon as the credits roll. It does the job, but it never pushes itself beyond just being "good enough."

Totally boring, implausible and pointless. Another disappointing flop featuring Skarsgård. It's not tense so much as just tedious. The back and forth moralizing of the protagonist and his captor seems like a stale attempt at courting the public discontent. The protagonist's complaint that laws serve to only protect the rich elicited a real groan from me. Fortunately this evaporates quickly, and never returns. However there's else here to captivate. All of the characters are ugly, and unlikeable. Save yourself the time and watch the 2000s classic 'Phone Booth' instead, which is much more thrilling.

A man, sick and tired of people breaking into his car, traps the next thief and extend his torture for longer than necessary by making his own justice. A man willing and capable to do anything, and a youngster at the wrong place.

I wasn't expecting the sound design to be so crunchy, or for it to be as gore-y as it was. The setup isn't particularly memorable, and most of the dialogue isn't that good. I enjoyed Collateral (2004) much more than this for that simple reason. But it takes its premise and goes places with it.. but not enough to fill in 90 minutes. Sadly, there's a LOT of "empty space" and the pacing suffers a lot because of its content. The acting is good, but not great.

Overall, it's okay.

You understand what it is doing/saying, and you know where it is going to go (more or less). The sad part is that there is no particular reason to watch this.