Stranded on a toxic moon, Ortegas must defy her deepest beliefs to survive.Stranded on a toxic moon, Ortegas must defy her deepest beliefs to survive.Stranded on a toxic moon, Ortegas must defy her deepest beliefs to survive.
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Finally after this season's ups and downs we are treated to proper science fiction! Okay so the story may have been done before, pilot crash lands on a strange planet with little hope of survival, but when done in a Trekkie way it seems original.
It's a striking episode with great effects, tension and proper science fiction! But at the heart of this episode is the hope that 2 arch enemies can become friends in their time of need.
It's a heartfelt episode with a heartwrenching twist at the end. Best of the season so far!
It's a striking episode with great effects, tension and proper science fiction! But at the heart of this episode is the hope that 2 arch enemies can become friends in their time of need.
It's a heartfelt episode with a heartwrenching twist at the end. Best of the season so far!
Was losing interest in the series but this episode brought my interest back. Best episode of the season. The plot was more serious, more syfy, and was more true to the strange new world theme. I think the series should be written to follow this type of plot versus the season's previous episodes so far.
Lt. Erica Ortegas finally gets the spotlight she deserves, and the result is nothing short of exceptional. Melissa Navia brings her to life with striking humanity, humor, and pathos. The script and direction stand among the finest that Star Trek has offered in years, delivering both tension and heart. By the closing moments, I found myself unexpectedly moved. It has left a far deeper impact than I anticipated. This is top-tier Star Trek.
A return to form after a few uneven episodes this season. It's clear the writers are drawing inspiration from earlier seasons to recapture those classic Trek vibes, sometimes it really works.
Some Trek staples I noticed:
Unbelievable Starfleet competency: Ortegas pulls off incredible feats of engineering mometimes literally building life saving devices in a cave with a box of scraps. Starfleet officers are supposed to be the absolute best of the best and the show doesn't always highlight this, so newer viewers might find it far fetched. But of course Ortegas can engineer amazing solutions, she's Starfleet.
Wild sci-fi mysteries: We've got a seemingly unexplained wormhole, an impossible planetary system, physics and biology laws being broken left and right... with an explanation for it all by the end.
Moral dilemmas everywhere: Nearly every scene brings ethical questions, and through them we get more insight into Spock, Una, Uhura, and Pike. I liked seeing a new side to Una, she's the source of conflict rather than the usual mediator. Strong character moments all around.
Visual spectacle: Some episodes this season have felt smaller, mostly on ship with even the view screen not having anything to show. This episode changed that with some beautiful, cinematic shots. Maybe they've been saving the budget for something big in episode 10? I hope so.
If I have one complaint, it's that Batel's storyline didn't progress at all. Given the setting, there was room for at least a quick call to Pike so we could see her reaction to the situation-and how her changed circumstances affect her perspective now.
Overall, a solid episode with classic Trek energy throughout.
Some Trek staples I noticed:
Unbelievable Starfleet competency: Ortegas pulls off incredible feats of engineering mometimes literally building life saving devices in a cave with a box of scraps. Starfleet officers are supposed to be the absolute best of the best and the show doesn't always highlight this, so newer viewers might find it far fetched. But of course Ortegas can engineer amazing solutions, she's Starfleet.
Wild sci-fi mysteries: We've got a seemingly unexplained wormhole, an impossible planetary system, physics and biology laws being broken left and right... with an explanation for it all by the end.
Moral dilemmas everywhere: Nearly every scene brings ethical questions, and through them we get more insight into Spock, Una, Uhura, and Pike. I liked seeing a new side to Una, she's the source of conflict rather than the usual mediator. Strong character moments all around.
Visual spectacle: Some episodes this season have felt smaller, mostly on ship with even the view screen not having anything to show. This episode changed that with some beautiful, cinematic shots. Maybe they've been saving the budget for something big in episode 10? I hope so.
If I have one complaint, it's that Batel's storyline didn't progress at all. Given the setting, there was room for at least a quick call to Pike so we could see her reaction to the situation-and how her changed circumstances affect her perspective now.
Overall, a solid episode with classic Trek energy throughout.
This was a good episode, the "agree"/"disagree" translator was clever and funny. Ortega's running commentary perhaps a bit overdone. This plot harks back to the great but forgotten 80s sci-fi classic movie Enemy Mine with Dennis Quaid and Lou Gossett Jr. The story is of two astronauts from different species who are at war. They are stranded on a barren and dangerous moon and have to work together to survive and become friends. Sound familiar?
Did you know
- TriviaCaptain Decker is the captain of the USS Constellation. This is most likely Matt Decker, who appears in The Doomsday Machine (1967), in which he is now a Commodore, and sacrifices his life to try and stop a world-killer machine before it reaches an inhabited planet.
- ConnectionsReferences Star Trek: Arena (1967)
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