Directed by
| Lexi Giovagnoli | ||
Writing Credits (in alphabetical order)
| Lexi Giovagnoli | ... | (story by) |
| Ferguson Sauvé-Rogan | ... | (screenplay by) |
| Ferguson Sauvé-Rogan | ... | (story by) |
| William Shakespeare | ... | (based on: "Taming of the Shrew" by) |
| Elizabeth Snoderly | ... | (screenplay by) |
Cast (in credits order)
Produced by
| Lexi Giovagnoli | ... | producer |
| Vanessa Shapiro | ... | executive producer |
| Elizabeth Snoderly | ... | executive producer / producer |
Music by
| Tom Jemmott | ||
Cinematography by
| Ferguson Sauvé-Rogan | ||
Editing by
| Ferguson Sauvé-Rogan | ||
Production Design by
| Rebecca Groth | ||
Art Direction by
| Jacob O'Keefe | ||
Costume Design by
| Kyla Little | ... | (as Kyla Ann Little) |
Makeup Department
| Ashley Aldridge | ... | key makeup artist |
| Ella Misenheimer | ... | makeup artist |
Production Management
| Devin Hamilton | ... | post-production supervisor |
| Beau Harris | ... | production manager |
Second Unit Director or Assistant Director
| Regina LaCarrubba | ... | first assistant director |
| Erik Rollins | ... | second assistant director |
Art Department
| Sydney Allen | ... | art department assistant |
| Robert Cantwell | ... | design: wine label, Cantwell Design, Inc. |
Sound Department
| Chris Crowell | ... | boom operator / set sound mixer |
| George Flores | ... | Supervising Sound Editor / sound mixed at: George Flores Sound Post |
| Julian Miguel Flores | ... | audio quality control |
Visual Effects by
| Devin Hamilton | ... | titles: additional |
| Paul Winkels | ... | opening titles / visual effects |
Camera and Electrical Department
| John Bolden | ... | aerial unit director of photography / second unit director of photography |
| Brian Elder | ... | key grip |
| Jonathan Elder | ... | best boy electric |
| Kai Hunte | ... | best boy grip |
| Benjamin Labrie | ... | gaffer (as Ben Labrie) |
| Brandon Lohaus | ... | first assistant camera |
| Dustin Masters | ... | second assistant camera |
| Kimberyn Mccoy | ... | dolly grip (as Kimberlyn McCoy) |
| Ferguson Sauvé-Rogan | ... | digital imaging technician |
| Matt Wilson | ... | still photographer |
Costume and Wardrobe Department
| Emma Christine Morgan Jones | ... | costume designer assistant (as Emma Christine Morgan) |
Editorial Department
| Ferguson Sauvé-Rogan | ... | colorist |
Script and Continuity Department
| Merritt K. Jenkins | ... | script supervisor |
Additional Crew
| Sherry Birt | ... | accounting services: Webster Rogers LLP |
| Alex Blattel | ... | catering chef |
| Megan Ferguson | ... | accounting services: Webster Rogers LLP |
| Mitchel Fleming | ... | Production Counsel |
| Hermann Hill | ... | caterer: Doxie Slosh |
| Gregory Jacquin | ... | production assistant |
| Mike Jacquin | ... | production assistant |
| John Leahey | ... | accounting services: Webster Rogers LLP |
| Nathanael Lirio | ... | production assistant (as Nathanael Jon Lirio) |
| Andrew Miller | ... | production insurance: Pacific United |
| Patricia Mosteller | ... | production insurance: Pacific United |
| Craig Nunnally | ... | caterer: Doxie Slosh |
| Adam Puchta | ... | caterer: Adam Puchta Winery |
| Nick Renfroe | ... | caterer: Doxie Slosh |
Thanks
| Tammy Bruckerhoff | ... | special thanks |
| Jim Dierberg | ... | special thanks |
| Mary Dierberg | ... | special thanks |
| Terry Hammer | ... | special thanks: and staff |
| Sheri Hausman | ... | special thanks |
| Bryan Haynes | ... | special thanks |
| Alicia Jett | ... | special thanks |
| Brian Jett | ... | special thanks |
| Lainee Landolt | ... | special thanks |
| Krista Lane | ... | special thanks: and family |
| Melissa Lensing | ... | special thanks |
| Julie Carpenter Lotz | ... | special thanks |
| Roger Lotz | ... | special thanks |
| Beth Osler | ... | special thanks: and family |
| Renee Poulson | ... | special thanks |
| Nick Renfroe | ... | special thanks: and family and staff |
| Pam Schroeder | ... | special thanks |