The film surprised me with an unusual presentation of the material. It is being built in a
complex language, similar to many other art films. The author is searching for expression of the
language for his idea throughout the film. Till the very end, it feels eternally unfinished.
Bearing in mind the principles of using incompleteness in classical Japanese graphics, this
incompleteness intrigues the viewer to seek, together with the author, the form and means of
finding the realization of the idea. This penetrates the audience mind for creative thinking.
At some point, the main character and the viewer find themselves in a difficult situation,
and it seems that there's no way out. But the persistence of the heroine again and again brings her
and the viewer into a state of search.
The film raises the viewer to understanding that the connection between man and nature is
not as simple as it seems. We can lose connection with the nature, but Melody shows us how to
restore it again within persistent work, which liaises with a harmony of spirit of creative power of
man.
Thinking over the form of presenting the idea of the author of the film, I agree with the
opinion of Ingmar Bergman, who said that not only literature lies at the heart of the creation of
cinema. Cinema is more like music: both are opposed to the logic of a momentary goal. Cinema,
like music, has a cosmic property. That is why it becomes meaningful and ambiguous, polyphonic,
valuable ...
In general, any work of art becomes valuable and always in demand if it is based on the
eternal values of being.
