Lazarus

"LAZARUS" is set in the future, where the NSA "hired" a group of talented and skilled people, in order to track down Skinner, the creator of a drug that once taken does not let you fall sick. However, this pill contains a toxin that will cause the death of anyone that ingested it. The only person that has the vaccine is the doctor that disappeared. Hence, an international manhunt starts against time, in order to obtain the cure before humanity is completely wiped out. The premises are simple and straight-forward. All the different missions involving the task force are set in different parts of the world. There are episodes set in more exotic locations such as Turkey or Pakistan, but also in cold and inhospitable environments like Antarctica, adding a lot of variation.

The series shines especially on the action sequences, which are dynamic and overall well directed. We can see shootouts and bare hand fights accompanied by energetic electronic or jazz music. Watanabe did a good job with Axel that has the most compelling combats, thanks to his acrobatic abilities and the capacity of always finding a way to escape the most deadly situations. Overall all the characters have their own peculiarities and personalities, and even if they all fall into well defined tropes, they all have something unique that make this group engaging. Every single member of Lazarus served a specific purpose and actively contributed to progress the investigation, complementing each other. My favourite characters were Christine and Doug. The first is the perfect balance of a sensual and skilled agent that manages multiple times to trick others into giving out crucial intel, while the latter is practically the critical brain of the group that handles all the logistics.

On the other hand, I have to say that the plot overall feels lazy and uninspired. Certain dynamics are very predictable. The screenwriter played it safe, but this also means that there is very little on this TV show that stands out. It seems to watch the umpteenth spy story involving yet another global crisis. We have plenty of those and there are productions that made it way better than "LAZARUS". What saved the show were the characters that, as I mentioned before, have some unique peculiarities. Moreover the ending felt rushed and quite disappointing, with everything explained in the very last minutes of the 13th episode. All the efforts to create an international web of conspiracies and subterfuges was ruined by the fact that the story needed to be wrapped as quickly as possible. Clearly the series required a few more episodes to go full circle, maybe even a full second season, especially considering that the episodes do not even last 30 minutes. My final rate is 6.5.

It was a good show that explored similar themes of loneliness, much like Cowboy Bebop. The animation was solid-Mappa, as always, delivered incredible work. However, I felt the story lacked depth. While the characters' backstories were touched on, there were still many unanswered questions, and I didn't really connect with any of the characters, not even Axel. Given that Cowboy Bebop had twice the number of episodes, that's understandable. I wouldn't call this a bad anime, but I wouldn't say it's a great one either. If you're after action, good animation, a strong soundtrack, and themes similar to Cowboy Bebop, you might enjoy it. I hope that if there's a season 2, we'll see stronger character development.

Cool concept, great music, solid animation, but the writing is abominable. Some of the worst dialogue ever recorded for animation. Characters are just inscrutable with near-incoherent motivations. Even when they explain their choices and motives, which is what they spend most their time talking about, the logic is flimsy at best.

I kept watching just to hear more from Kamasi, Bonobo, and Floating Points and to see if the story would ever make sense. There are moments, but way too few. The payoffs have weak setups, sometimes none at all. Sometime a plot line seems to set up something but goes nowhere.

Bottom line: almost all style, minimal substance.

I watched anime when I was in middle school and I put this on every Saturday night, and.... it's terrible. It feels like a poor man's attempt at writing a Call of Duty campaign (replace Makarov with Skinner) but it's so weeb-ish.

Every episode is essentially -mission briefing -villain of the week that's somehow connected to the big bad (just like Call of Duty) -2d flat character making 2d flat jokes -the choppiest fight scenes ever -villain of the week losing for being a misogynist and giving info that leads to the next mission.

It's like when you go to anime move in theater and all the nerds laugh at unfunny jokes, this is what watching this feels like.

I was more of an Outlaw Star than Cowboy Bebop fan anyway.

I would give it a 5, but I like Eleina.

Edit I'm watching the cult episode. Holy Jesus.... It's like the writers watched "Top 10 scary cults" vid on YouTube and wrote characters based on it.

It's like someone gave the writers the cult episode from the simpsons family guy South Park and king of the hill and told them to give their own modern take on it.

Except there's no modern take and they somehow made the the take more flat and outdated then something from the 90s and a cartoon.

I like this show, but it lacks the real depth Of his past animes, like Cowboy Bebop and Samurai Champloo, it's about middle of the road good. The characters don't get explored enough, and it doesn't have the intensity. All in all, it fell short of expectations. I was so hyped when this was announced, and now it's already been forgotten. Maybe Watanabe just doesn't have what he used to when he was younger when it comes to creativity? Honestly, that's what I get from watching this series. It's not terrible. It's not great either.