Naga

The movie is about a girl who despite a curfew and controlling parents, decides to attend a party with her boyfriend in a camp in the middle of nowhere.

As a person from Iran, I was very curious about this movie as didn't know much about Saudi's. After watching, to me at least, this movie showed that despite our politicians' intentions, we have pretty similar beliefs and fears, and our societies are not much different. The movie has almost everything: thrill, horror, drama and mystery, but makers tried to not just scare or thrill, but also address some other issues, like honor killings and controlling parents, which some of them may not make sense for western viewers, but they are extremely familiar for the people from other countries in the region, problems which we hope and pray that would solve soon.

So while I liked the movie, I reckon that it is kind of unusual movie, I hope to see more from my Saudi buddies in the future.

Meshal Aljaser definitely has a vision with this story as the narrative and concept is an interesting idea about culture, freedom and so forth but unfortunately, despite some really good visual scenarios and a pretty good performance from the main actress, the sloppy structure of the narrative, messy camerawork, and uninteresting characters causes the movie to feel disjointed and unfulfilling.

Saudi Arabian cinema is something I have seen much from and I like to explore new films from Middle East but there are some good moments but the messy writing and lack of emotional connection to the characters made the movie more dull and boring to observe. Aljaser's direction is doing his best but it seems there is a lot more missing than fully achieved.

The movie opens with a gut wrenching scene and slowly fades into igniting the curiosity of the viewer. A Saudi girl with some issues of her (or they would become spoilers) has a date which proves to be a hell of a ride for the memory. The cinematography is excellent. Not even for one second you can doubt that it is not a Hollywood level flick. The angles add to the story and so does the creepy and eerie music that gets under the skin. In the middle of the movie, the film does begin to drag a little but the last quarter of the movie is a refreshing part in itself.

The cast did a very honest job. The vfx shine. I really wish more of such great films come out of the kingdom. 7/10.

Naga offers a good storyline that initially draws you in. However, a major drawback is the excessive use of light effects and frequent camera rotations, which unfortunately overshadow the narrative's strengths. This excessive visual flair reached a point where it became a hindrance to my viewing experience, to the extent that I had to stop watching due to feeling dizzy. Despite the intriguing story, these overpowering visual choices made it challenging to continue. This film, while promising in concept, fails to maintain a balance between visual spectacle and storytelling, ultimately detracting from what could have been an engaging experience.

This looks like an indie movie made by a struggling film school student who had just learned a few visual tricks. So much camera movement from unnecessary angles. I know it's the trend nowadays but the movements have to serve a purpose which I am not sure the director had one.

It seems that the story was intended for a short movie and for some reason somebody thought it was a good idea to make it a 113 minutes long film!

I could keep going but it was so awful that writing about it -even negatively- only makes it less awful than it actually is. You have to see it for yourself.

Finally, a word for young filmmakers: focus on writing. It's what separates a good movie from a bad one.