Montage from the Te-i-seu-cheu o-beu ho-reo (2021) series, which is composed of ten short films directed by five of the most acclaimed directors of the genre in South Korea.Montage from the Te-i-seu-cheu o-beu ho-reo (2021) series, which is composed of ten short films directed by five of the most acclaimed directors of the genre in South Korea.Montage from the Te-i-seu-cheu o-beu ho-reo (2021) series, which is composed of ten short films directed by five of the most acclaimed directors of the genre in South Korea.
Yoo Da-in
- Segment - Ddok ddak ddok ddak
- (as Da-in Yoo)
Kim Ho-jung
- Segment - Ne bal dal-lin jim-seung
- (as Ho-jung Kim)
Seunghee
- Segment - Ding-dong chae-lin-ji
- (as Oh Seung-hee)
Seungyeon
- Segment - Ding-dong chae-lin-ji
- (as Jang Seungyeon)
Ban So-young
- Segment - he-i, ma-mon-seu
- (as So-Young Ban)
Storyline
Did you know
- TriviaJae-hwal segment in English is entitled 'Rehabilitation'.
- ConnectionsEdited from Te-i-seu-cheu o-beu ho-reo: Ddok ddak ddok ddak (2021)
Featured review
Tastes of Horror, is a 2023 South Korean anthology film that attempts to blend horror, mystery, and social commentary into six distinct segments. Directed by five acclaimed directors-Sang-hoon Ahn, Johnny Chae, Yoon Een-Kyoung, Yong-gyun Kim, and Dae-wung Lim-the film is an ambitious adaptation of a popular webtoon series. While it delivers some genuinely unsettling moments and creative storytelling, it ultimately falls short of its potential due to uneven pacing, underdeveloped narratives, and a lack of cohesive thematic depth.
The anthology format allows for a variety of horror subgenres, from supernatural curses to psychological thrillers, but this diversity is both a strength and a weakness. Standout segments like Ding Dong Challenge and Resident-Only Fitness Center showcase the directors' ability to craft tension and atmosphere. Ding Dong Challenge follows a group of schoolgirls who stumble upon a cursed viral dance video, blending urban legends with the pressures of K-pop stardom. The eerie visuals and chilling payoff make it a highlight, though the rushed ending leaves some narrative threads dangling. Similarly, Resident-Only Fitness Center uses its unique setting-a haunted gym-to deliver a mix of horror and dark humor, though the comedic elements occasionally undercut the suspense.
On the other hand, segments like Jackpot and Rehabilitation struggle to find their footing. Jackpot explores themes of greed and desperation but suffers from a lack of context and emotional depth, making its climax feel unearned. Rehabilitation, while visually striking, is bogged down by its convoluted plot and insufficient runtime to fully explore its intriguing premise of cruel clinical trials.
The film's technical aspects are commendable, with strong cinematography and sound design enhancing the eerie atmosphere. However, the reliance on shock value and graphic imagery sometimes overshadows the storytelling, leaving viewers with more style than substance. The acting is solid across the board, with standout performances from Oh Seung-hee and Kim Ho-jung, who bring emotional weight to their respective segments.
At its core, Goe-dam-man-chan is a mixed bag. It offers enough scares and creativity to satisfy horror enthusiasts but lacks the narrative cohesion and emotional resonance to leave a lasting impact. With a runtime of 118 minutes, it's a decent watch for those seeking a quick horror fix, but don't expect a masterpiece.
The anthology format allows for a variety of horror subgenres, from supernatural curses to psychological thrillers, but this diversity is both a strength and a weakness. Standout segments like Ding Dong Challenge and Resident-Only Fitness Center showcase the directors' ability to craft tension and atmosphere. Ding Dong Challenge follows a group of schoolgirls who stumble upon a cursed viral dance video, blending urban legends with the pressures of K-pop stardom. The eerie visuals and chilling payoff make it a highlight, though the rushed ending leaves some narrative threads dangling. Similarly, Resident-Only Fitness Center uses its unique setting-a haunted gym-to deliver a mix of horror and dark humor, though the comedic elements occasionally undercut the suspense.
On the other hand, segments like Jackpot and Rehabilitation struggle to find their footing. Jackpot explores themes of greed and desperation but suffers from a lack of context and emotional depth, making its climax feel unearned. Rehabilitation, while visually striking, is bogged down by its convoluted plot and insufficient runtime to fully explore its intriguing premise of cruel clinical trials.
The film's technical aspects are commendable, with strong cinematography and sound design enhancing the eerie atmosphere. However, the reliance on shock value and graphic imagery sometimes overshadows the storytelling, leaving viewers with more style than substance. The acting is solid across the board, with standout performances from Oh Seung-hee and Kim Ho-jung, who bring emotional weight to their respective segments.
At its core, Goe-dam-man-chan is a mixed bag. It offers enough scares and creativity to satisfy horror enthusiasts but lacks the narrative cohesion and emotional resonance to leave a lasting impact. With a runtime of 118 minutes, it's a decent watch for those seeking a quick horror fix, but don't expect a masterpiece.
- tropicaltiger
- Jan 25, 2025
- Permalink
Details
Box office
- Gross worldwide
- $554,990
- Runtime1 hour 58 minutes
- Color
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