Directed by
| Bryn Higgins | ... | (directed by) |
Writing Credits
| Sukey Fisher | ... | (screenplay by) (as Joe Fisher) |
| Ray Robinson | ... | (based on the novel 'Electricity' by) |
| Sukey Fisher | ... | (writer) (as Joe Fisher) |
| Ray Robinson | ... | (voice over writer) |
Cast (in credits order)
Produced by
| Jenny Allenby | ... | co-producer |
| Ameenah Ayub Allen | ... | associate producer |
| Andrew Chapman | ... | line producer |
| Chris Collins | ... | executive producer (as Christopher Collins) |
| Sam Cryer | ... | associate producer |
| Clare Duggan | ... | executive producer / producer (produced by) |
| Bryn Higgins | ... | producer (produced by) |
| Rachel Hillman | ... | executive producer |
| Alison Morgan | ... | executive producer |
| Suzy Strong | ... | assistant producer: Stone City Films |
Music by
| John Lunn | ... | (original music) |
Cinematography by
| Si Bell | ... | director of photography |
Editing by
| Ben Yeates | ||
Casting By
| Michelle Smith | ||
Production Design by
| Beck Rainford | ||
Art Direction by
| Mike McLoughlin | ||
Costume Design by
| Andrew Cox | ||
Makeup Department
| Florence May Carter | ... | hair artist: development promo (as Florence Carter) / make-up artist: development promo (as Florence Carter) |
| Amy Pilkington | ... | hair artist: additional photography, London / make-up artist: additional photography, London |
| Nicole Stafford | ... | hair designer / make-up designer |
| Laura Tallentire | ... | hair supervisor / make-up supervisor |
Production Management
| Ameenah Ayub Allen | ... | post-production supervisor |
| Katie Bleakley | ... | production manager |
| Eugene Galbraith | ... | unit manager |
| Sean Gatenby | ... | post production manager: post production |
| Fiona Morham | ... | head of production: BFI |
| David Segal Hamilton | ... | development executive: BFI |
| Tom Ziessen | ... | production executive: The Wellcome Trust |
Second Unit Director or Assistant Director
| Mark Fenn | ... | first assistant director |
| Karl Hall | ... | first assistant director |
| Jamie Hamer | ... | second assistant director |
| Greig Liddell | ... | third assistant director |
| Adam Morris | ... | first assistant director: additional photography, London |
| Michael Pentney | ... | directed by: EPK |
| Adam Seifert | ... | third assistant director: additional photography, London |
Art Department
| James Allan | ... | property master |
| Isis Asia | ... | graphics: Revolver AV |
| Will Brady | ... | graphic artist |
| Kim Carr | ... | skill set art department trainee |
| Matt Curtis | ... | titles designed by: post production |
| Lisa Davidson | ... | production buyer (as Lisa O'Grady) |
| Benjamin James Davis | ... | runner art department |
| Ken Davy | ... | painter |
| Natalie Agnes Edwards | ... | original paintings |
| Anisha Fields | ... | art department assistant |
| Anne Gry Skovdal | ... | assistant art director |
| Natalie Higgins | ... | additional illustration: additional photography, London |
| Mark Hopton | ... | additional dressing props |
| Harry Hull | ... | painter |
| Rebecca Mason | ... | standby props |
| Kay McGlone | ... | prop buyer: development promo |
| Sarah Mursal | ... | standby art director: development promo (as Sara Mursal) |
| Tilly Paul | ... | assistant art director: development promo |
| Gareth Procter | ... | standby props |
| Anthony Rutter | ... | stand-by art director |
| Chris Warren | ... | art department: Itch Film: pinhole camera sequence |
| Angus Young | ... | prop still |
Sound Department
| Aris Anastassopoulos | ... | sound recordist: additional photography, London (as George-Aris Anastassopoulos) |
| Chris Atkinson | ... | boom operator: additional photography, London |
| Tim Barker | ... | sound effects editor |
| Wayne Brooks | ... | dialogue editor: post production |
| Simon Gillman | ... | sound recordist: additional photography, London |
| Andrew Godwin | ... | re-recording mixer: The Farm Group: post production |
| Peter Gregory | ... | boom operator: additional photography, London |
| Edgar Maldonado | ... | dubbing mixer (french version) |
| Stefano Marchetti | ... | ADR recordist |
| Rich McCoull | ... | ADR recordist |
| Nick Netsall | ... | ADR recordist |
| Alessandro Pascale | ... | sound maintenance |
| Chris Prosho | ... | sound trainee: additional photography, London (as Christopher Prosho) |
| Isaac Ravenscroft | ... | archive sound (as Issac Ravenscroft) |
| Tristan Rose | ... | adr recordist |
| Jamie Selway | ... | ADR recordist |
| Blair Slater | ... | foley editor: The Farm Group: post production / foley recordist: The Farm Group: post production |
| Stu Wright | ... | sound recordist (as Stuart Wright) |
Special Effects by
| Ben Ashmore | ... | special effects supervisor / special effects |
| Steve Cawood | ... | special effects technician |
| Kristyan Mallett | ... | prosthetics |
Visual Effects by
| Michael Agoulas | ... | VFX artist: Outpost VFX: post production (as Michail Agoulas) |
| Adam Burnett | ... | VFX artist: Outpost VFX: post production |
| Alex Cameron | ... | VFX artist: Outpost VFX: post production |
| Andrea Falcone | ... | VFX artist: Outpost VFX: post production |
| Mark Harrison | ... | CG supervisor: Outpost VFX: post production |
| Daniel Kmet | ... | VFX artist: Outpost VFX: post production |
| Marcin Kolendo | ... | 2D supervisor: Outpost VFX: post production |
| Duncan McWilliam | ... | visual effects producer / visual effects supervisor |
| Steve Molloy | ... | VFX artist: Outpost VFX |
| Tom Rowell | ... | VFX artist: Outpost VFX: post production |
| David Sadler-Coppard | ... | VFX artist: Outpost VFX: post production |
| Elena Estevez Santos | ... | VFX artist: Outpost VFX: post production |
Stunts
| Neil Finnighan | ... | stunt coordinator |
| Curtis Rivers | ... | stunt coordinator |
Camera and Electrical Department
| Isis Asia | ... | archive footage: Revolver AV |
| Sean Beasley | ... | first assistant: B camera: second unit |
| Darren Bird | ... | electrician |
| John Bracewell | ... | underwater camera: second unit |
| George Bremners | ... | riggers: GBS Scaffolding / rigging equipment: GBS Scaffolding |
| Robin Brigham | ... | gaffer: Itch Film: pinhole camera sequence |
| Jordan Templar Clarke | ... | camera trainee: second unit |
| Josh Close | ... | grip: B camera: second unit |
| Scott Coulter | ... | second assistant camera: additional photography, London |
| David Dalton | ... | best boy |
| Tom Evans | ... | camera trainee (as Thomas Patrick Evans) / second assistant camera: additional photography, London (as Thomas Patrick Evans) |
| Tom Finch | ... | first assistant camera |
| James Gillett | ... | camera assistant: Itch Film: pinhole camera sequence / motion control rig operator: development promo |
| Ariel Grandoli | ... | first assistant camera: additional photography, London |
| Stephen Hedley | ... | digital imaging technician additional support |
| Kyle Heslop | ... | additional photography: second unit |
| Jamie Hutchinson | ... | camera supplied by: Picture Canning North / lenses supplied by: Picture Canning North |
| Andy Johnson | ... | steadicam operator: second unit |
| Paul Kemp | ... | key grip |
| Jason Knox | ... | electrician |
| Jamie Korn | ... | additional camera assistant: additional photography, London |
| Neil McEvul | ... | digital imaging technician additional support |
| Ali Moore | ... | camera assistant: development promo |
| Paul Otter | ... | camera: development promo / lighting: development promo |
| Thomas Patrick | ... | digital imaging technician |
| Charlie Paul | ... | pinhole camera: Itch Film: pinhole camera sequence |
| Michael Pentney | ... | digital imaging technician manager |
| Alan Ramsay | ... | additional lighting equipment / gaffer (as Allan Ramsay) |
| Steven Rundle | ... | digital imaging technician additional support |
| Jack Sands | ... | second assistant: B camera: second unit |
| Jon Scaife | ... | first assistant: B camera: second unit |
| Richard Scott | ... | digital imaging technician additional support |
| Steven Lee Sinclair | ... | second assistant: B camera: second unit |
| Paul Stephenson | ... | stills photographer |
| Tomoi Summers | ... | second assistant camera |
| Fraser Trench | ... | electrician |
Casting Department
| Corrina Bonicelli | ... | casting |
| Rachael Hamer | ... | supporting artists supplied by |
| Camilla Fox Lansley | ... | casting / extras casting |
| Andrea Layfield | ... | casting associate |
| Carole Louise Machin | ... | supporting artists supplied by (as Carole Machin) |
Costume and Wardrobe Department
| Elizabeth Healy | ... | costume designer: development promo |
| Gabriella Morpeth | ... | costume assistant |
| Samantha Yeoman | ... | costume supervisor |
Editorial Department
| Joseph French | ... | editor: development promo (as Joe French) |
| Marta Galindo | ... | editor: EPK |
| Barney Jordan | ... | digital intermediate online editor: post production |
| Rebecca Kibble | ... | post production assistant: post production |
| Nick Long | ... | editing equipment provided by: Salon |
| Reshma Makan | ... | post production co-ordinator: post production |
| Thy Quach | ... | assistant editor: post production |
| Mark Redfern | ... | digital intermediate co-ordinator: post production |
| Sonny Sheridan | ... | digital intermediate colourist: post production |
Location Management
| Chris Edwards | ... | location manager |
| Mark Gales | ... | additional location scout |
| Camilla Fox Lansley | ... | location manager / location scout |
| EJ Richards | ... | location manager: additional photography, London (as Emma Jane Richards) |
Music Department
| Derroll Adams | ... | written by: "Roll On Babe" |
| Dan Auerbach | ... | produced by: "Keep Me" (as Daniel Auberbach) / written by: "Keep Me" (as Daniel Auberbach) |
| Nick Banks | ... | written by: "Common People" (as Banks) |
| Bies | ... | performed by: "Alarm Call" |
| The Black Keys | ... | performed by: "Keep Me" |
| Sega Bodega | ... | performed by: "Konerak" / produced by: "Konerak" / written by: "Konerak" |
| Lucy Bond | ... | music clearance assistant: Intermission |
| Peter Boyes | ... | written by: "Tranquil Seas" |
| Bugbug | ... | performed by: "Unresolved" |
| Patrick J. Carney | ... | produced by: "Keep Me" (as Patrick James Carney) / written by: "Keep Me" (as Patrick James Carney) |
| Slim Chance | ... | performed by: "Roll On Babe" |
| Tim Charlton | ... | written by: "Tranquil Seas" |
| Emma Chilinski-Reed | ... | written by: "Unresolved" |
| Jarvis Cocker | ... | written by: "Common People" (as Cocker) |
| Candida Doyle | ... | written by: "Common People" (as Doyle) |
| Paul Golding | ... | music mixed by: Scratchtime Studio A: post production / music recorded by: Scratchtime Studio A: post production |
| Christopher Gutch | ... | composer agent |
| Jamie Hince | ... | written by: "Goodnight Bad Morning" |
| The Kills | ... | performed by: "Goodnight Bad Morning" |
| Ronnie Lane | ... | performed by: "Kuschty Rye" / performed by: "Roll On Babe" / produced by: "Kuschty Rye" / written by: "Kuschty Rye" |
| Steve Mackey | ... | written by: "Common People" (as Mackey) |
| DJ Mako | ... | performed by: "Blu" / produced by: "Blu" / written by: "Blu" |
| Nick McCall | ... | written by: "Unresolved" |
| Alison Mosshart | ... | written by: "Goodnight Bad Morning" |
| Ben Mühlethaler | ... | written by: "Spinning Around" (as Ben Muehlethaler) |
| Michael J Patterson | ... | written by: "Les Cox Special" (as Patterson) |
| Reg Presley | ... | written by: "With a Girl Like You" |
| Shahrooz Raoofi | ... | written by: "Systematic" |
| David Robinson | ... | written by: "Unresolved" |
| Christopher Rollen | ... | written by: "Les Cox Special" (as Rollen) |
| Russell Senior | ... | written by: "Common People" (as Senior) |
| Paul Smyth | ... | produced by: "Alarm Call" / written by: "Alarm Call" |
| Les Cox Sportifs | ... | performed by: "Les Cox Special" |
| The Troggs | ... | performed by: "With a Girl Like You" |
| Christo Wallers | ... | written by: "Les Cox Special" (as Wallers) |
| Stu Wright | ... | produced by: "Alarm Call" / written by: "Alarm Call" |
| Adrian Zagoritis | ... | written by: "Spinning Around" |
Script and Continuity Department
| Hilary Norrish | ... | script executive |
| Tamsin Spivey | ... | script supervisor |
Transportation Department
| Paul Deluce | ... | minibus driver: additional photography, London |
| Chas McCahill | ... | unit driver: additional photography, London |
| Ian Pollard | ... | Al's car |
| Peter Trotman | ... | unit driver: additional photography, London |
Additional Crew
| Steve Akers | ... | financial director: Alison Morgan |
| Gonzalo Alarcon | ... | medical consultant (as Dr Gonzalo Alarcon MD. PHD) |
| Jenny Allenby | ... | post production accountant: post production |
| Elizabeth Andrew | ... | legal & business affairs: The Wellcome Trust |
| Reno Antoniades | ... | legal services: Lee & Thompson: Alison Morgan |
| Alice Bennett | ... | production secretary: additional photography, London (as Alice McGlinchey) |
| Robert Berry | ... | chaperone |
| Eleanor Boddington | ... | legal & business affairs: The Wellcome Trust |
| John Bracewell | ... | unit medic |
| Lynn Bushell | ... | personal assistant: Alison Morgan |
| Lara Businaro | ... | production assistant: additional photography, London |
| Sue Clark | ... | animal handler: Sue Clark Animals |
| Steve Cronick | ... | production accountant |
| Matt Curtis | ... | titles designed by |
| Sam Davies | ... | animal handler: meg the dog |
| Ruth Jennifer Erskine | ... | production secretary |
| Edward Fletcher | ... | managing director: Soda Pictures |
| Lee Gibbons | ... | chaperone |
| Sofia Guiotto | ... | production assistant: additional photography, London |
| Stephen Hall | ... | finance advisor: Alison Morgan |
| Howard Harris | ... | auditing services by: Schulmans |
| John Harrison | ... | unit drivers |
| Frances Harvey | ... | acquisitions & development manager: Soda Pictures |
| Rebecca Heathcote | ... | floor runner |
| Stephen Hedley | ... | additional crew: EPK |
| Ray Henderson | ... | location catering |
| Rebecca Horsburgh | ... | production assistant |
| Andy Johnston | ... | unit medic |
| Emma Kayee | ... | production co-ordinator: BFI |
| Sabien Khan | ... | legal & business affairs: The Wellcome Trust |
| Kasia Jander Majewska | ... | floor runner: development promo (as Kasia Majewska) |
| Roy Monks | ... | unit drivers |
| Keeley Naylor | ... | unit publicist |
| Andy Parry | ... | health & safety advisor |
| Thomas Patrick | ... | additional crew: EPK |
| Bill Petford | ... | double: Tom Georgeson |
| Alison Pollard | ... | chaperone |
| Amanda Pyne | ... | production finance: BFI |
| Tara Riley | ... | production co-ordinator: Itch Film: pinhole camera sequence |
| Ben Roberts | ... | director of: Lottery Film Fund: BFI |
| Ieva Sabaliauskaite | ... | production assistant: additional photography, London |
| Angela Scurrah | ... | legal services: Lee & Thompson: production |
| Jason Shaw | ... | insurance arranged by: Media Insurance |
| Neville Shulman | ... | business advisor (as Neville Shulman OBE) |
| Linton 'Bullet' Small | ... | facilities driver |
| Mark Stafford | ... | legal services: Lee & Thompson: production |
| Suzy Strong | ... | assistant producer: Stone City Films |
| Jonah Sugden | ... | runner: Itch Film: pinhole camera sequence |
| Faith Taylor | ... | unit publicist |
| Martina Ternstrom | ... | sales & distribution consultant: Stone City Films (as Martina Ternström) |
| Radhika Thakrar | ... | banking provided by: HSBC |
| Mark Timmons | ... | studio security |
| Peter Trotman | ... | security: additional photography, London |
| Natalie Usher | ... | legal services: Lee & Thompson: production |
| Mark Walton | ... | floor runner |
| Ben Wilkinson | ... | for BFI: Business Affairs Manager |
| Melissa Wills | ... | trainee floor runner |
Thanks
| Dan Auerbach | ... | special thanks to (as Daniel Auerbach) |
| Beck | ... | special thanks to (as Beck Hansen) |
| Matt Bounsall | ... | thanks to |
| Sarah Camlett | ... | thanks to |
| Elaine Chapman | ... | thanks to |
| Otto Chapman | ... | thanks to |
| Micky Cochrane | ... | thanks to |
| Jarvis Cocker | ... | special thanks to |
| Tara Cook | ... | thanks to |
| Jon Croker | ... | thanks to |
| John Daniels | ... | thanks to |
| Emily Deyn | ... | special thanks to |
| Lesley Dobson | ... | thanks to |
| Ian Dodd | ... | special thanks to: The Farm Group |
| Elisha Doi | ... | thanks to |
| Angela Duggan | ... | thanks to |
| Philip Duggan | ... | very special thanks to |
| Philippa Duggan | ... | thanks to |
| Rona Eade | ... | special thanks to: Epilepsy Society |
| Martha Gehman | ... | thanks to |
| Jo Geldard | ... | thanks to |
| Howard Harris | ... | thanks to |
| Paul Jobling | ... | thanks to: Mercedes-Benz Club UK |
| Lisa Johnston | ... | thanks to |
| Sean Kelly | ... | thanks to |
| Kristine Kiilerich | ... | thanks to (as Kristine Killerich) |
| Mark Leese | ... | special thanks to |
| Mari Lucaccini | ... | special thanks to |
| Lynne | ... | thanks to: Seaton Carew Arcade |
| Michael Meisel | ... | thanks to |
| Steve Mercer | ... | special thanks to |
| Thelma Miller | ... | thanks to |
| Agnieszka Moody | ... | special thanks to |
| Arthur Moore | ... | thanks to |
| Carol Moore | ... | thanks to |
| Dave Morrison | ... | thanks to |
| Malcolm Murray | ... | thanks to |
| Charlie Paul | ... | special thanks to (as Lucy & Charlie Paul) |
| Lucy Paul | ... | special thanks to (as Lucy & Charlie Paul) |
| Giovanni Ribisi | ... | special thanks to |
| Marissa Ribisi | ... | special thanks to |
| Joshua Rose | ... | thanks to |
| Madi Ruby | ... | thanks to |
| Scott Shearsmith | ... | thanks to |
| John Silva | ... | thanks to |
| John Smart | ... | thanks to |
| Danie Streisand | ... | thanks to |
| Nicola Swanborough | ... | special thanks to: Epilepsy Society |
| Brian Swardstrom | ... | thanks to |
| Sarah-Jane Wheale | ... | thanks to (as Sarah Jane Wheale) |
| Neil Woolley | ... | thanks to |
| Debra Young | ... | thanks to |