Happy Christmas

This is a film I would like to forget, a complete waste of time. The only entertainment I found in this came from watching the performance of the little boy, Jude Swanberg, who was very cute and amusing.

Also, while I was trying to keep track of the number of times Lena Dunham was using the word "like", Anna Kendrick started trying to outdo her. I just stopped counting. I was like, is she like making like fun of her like, or like just like unconsciously like copying her like way of like talking?

I saw an old interview with Lena Dunham and she really did talk that way all the time.

I've just checked out a more recent interview, and she seems cured now, thank goodness.

OK it's mumblecore. You knew that before you hit the pay button. What did you expect? There is no script. It is actors improvising trying to be natural and create real drama out of pure inspiration. It's an interesting idea at least, especially for actors I imagine. You are not going to get bloody Shakespeare are you. But what you do get is a real sense of being present in the lives of the people involved. I feel like I know Joe Swanberg, or the gorgeous wife, or Lena Dunham... but most of all, and praise be to Jesus, it's like I know Anna Kendrick. She gives a superb performance of a very funny dysfunctional character with some very funny scenes and for me it was worth it just to watch her. The baby is hilarious too. It's about as entertaining as watching a real family fight going on if you are just a spectator. But hey, sometimes that is a lot of fun.

One thing's for sure – anyone who expects "Happy Christmas" to be some kind of indie Christmas movie is going to be sorely disappointed. Joe Swanberg's follow-up to "Drinking Buddies" has the same naturalistic style and relationship focus as that breakout film – both are short and seemingly aimless movies exploring different interpersonal dynamics between characters.

"Happy Christmas" centers around a young husband and wife (Swanberg and Melanie Lynskey) and their 2-year-old (Jude Swanberg) and what happens when the husband's 20-something sister (Anna Kendrick), who's in a much different place in life and coming off a break-up, moves in. The film is very much an experiment in how the younger sister's presence in the home shakes up dynamics and behaviors, especially when she engages in her own irresponsible behavior.

Swanberg's goal is to capture the subsequent interactions with as much authenticity as possible, which means a lot of improvised dialogue. Each conversation in the film probably only had one or two necessary scripted moments. What's beautiful about this approach is that relating to these characters takes no effort, especially those of us who count ourselves as young adults. That naturalism makes Swanberg's films so refreshing, even when it doesn't seem to have a point other than to be natural.

To some extent, the casting really makes a difference. One could argue that without established talents in this movie and "Drinking Buddies" that both films would flounder. To see a big star and talent like Kendrick appearing in a super grounded film playing a character that has none of her stuff together matters; Jenny is not Kendrick's usual type and this role showcases her raw acting ability in a way no other has. Lena Dunham, on the other hand, is right at home playing Jenny's friend Carson, and seems to have only been cast to help facilitate the improvisational style.

Of course the best casting of all is Swanberg's son, who easily gives the best performance by a 2-year-old in a movie ever. Presumably the presence of his dad made it easy for him to just behave naturally with all the other actors, but he accounts for a majority share of the film's entertainment value.

"Happy Christmas" is not a bad movie, but we usually don't watch films just to watch characters have realistic interactions with each other. Swanberg crafts these really touching moments when two characters seemingly at odds with each other find a moment of mutual understanding and appreciation, but the fact of the matter is these moments don't serve any large purpose or narrative, so they fall flat. Tack on the film's anti-climactic ending, both in terms of plot and themes, and it feels like all the good work Swanberg does is for naught. For his films to be special and resonant, he's going to need to give audiences a little more of what they want and expect. It would definitely be possible for him to achieve this without compromising his style and vision. For starters, don't put "Christmas" in the title if Christmas has minimal relevance to your movie.

~Steven C

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This movie is the most boring movie I have ever seen. How is a baby a better actor than the mess of schlumps in it. You people give white people a bad name. I swear we are not as boring as this movie portrays. Please don't watch this movie. There. My paragraph is a better script for a movie than what I just watched 😂

Kelly (Melanie Lynskey) and Jeff (Joe Swanberg) are happily married with infant son Jude in Chicago. Jeff's younger sister Jenny (Anna Kendrick) moves in with them. She's irresponsible and makes a drunken scene at her friend Carson (Lena Dunham)'s party. Kevin (Mark Webber) is the manny. She convinces Kelly to make some life changes.

Director Joe Swanberg is doing his improvisational thing. Lynskey is great. Jenny is supposed to be the flighty irresponsible sister. I don't think that's Kendrick's natural range. She has made a career out of try-hard uptight girls. I can see her trying to expand her range. I think she is capable. I don't think the character is written completely right. If she's irresponsible, she needs to do more than getting drunk and smoking weed. During her sexual encounters, she reverts back to her uptight persona. She needs to let loose and go crazy with this character. This movie has a simple story without much drama. It needs to go a little crazier to heighten the intensity.