In 2008, during the last month of summer before high school begins, an impressionable 13-year-old Taiwanese American boy learns what his family can't teach him: how to skate, how to flirt, a... Read allIn 2008, during the last month of summer before high school begins, an impressionable 13-year-old Taiwanese American boy learns what his family can't teach him: how to skate, how to flirt, and how to love your mom.In 2008, during the last month of summer before high school begins, an impressionable 13-year-old Taiwanese American boy learns what his family can't teach him: how to skate, how to flirt, and how to love your mom.
- Director
- Writer
- Stars
- Awards
- 11 wins & 18 nominations
- Cory
- (as Sunil Maurillo)
- Georgia
- (as Dalila George August)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaZhang Li Hua, the actress who plays grandma Nai Nai, is director Sean Wang's real-life grandmother. She had previously co-starred in Wang's Academy Award-nominated documentary short Nai Nai & Wài Pó (2023).
- GoofsOne of the Paramore posters in Vivian's room features a logo with three slashes for the E in "Paramore", which the band didn't start using until 2013. The film takes place in 2008.
- Quotes
Vivian Wang: [Bursts into Chris' room, grabs him by the neck] If you ever pee in my bottle of lotion again, I'm gonna period in your mouth when you're asleep.
Chris Wang: [Yells] Mom!
- ConnectionsFeatures Superbad (2007)
Very Good Direction (The direction on a macroscale is very good as they set the area and time-period very well (2000s, Bay Area); the direction on a microscale is great as you see how the characters' emotions and relationships change in the interpersonal scenes, and this might be one of the most accurate portrayals of Asian American adolescence I have seen; the direction of actors is very good as it feels like everyone's performance is elevated; the storytelling is very good as it tells a coming-of-age story through both the Asian-American lens and the lens from someone who grew up in the 2000s), Good to Very Good Acting (Good to Very Good from Izaac Wang (Shows a wide range of emotions as you can see how he changes his personality to fit in, all while being incredibly anxious/feeling lost), Very Good to Great from Joan Chen (Delivers a very powerful performance as the matriarch in the family as she tries her best to hold the family together while also trying to pursue her own passions; her final monologue is truly Oscar worthy as it comes second to Ellen Burstyn's Red Dress monologue in how emotional and well executed it is), Good from the rest of the cast (Really emulates the time-period and adolescence)), Good to Very Good Story (The concept is simple and self-explanatory as it is an Asian-American, coming-of-age story set in 2000s Fremont; the plot structure is pretty simple (short and to the point); flow between sequences is very good; the character writing is great as you really get a grasp of what each character in the family is going through (especially the protagonist and the mother)), Great Screenplay (The dialogue is great as it mimics the time-period/location/age of the characters; the Cantonese dialogue is used very well as it helps show the identity of the family and show this dichotomy of being an Asian American in that time-period; the emotional dialogue is very powerful as it invokes a lot of strong emotions in both the cast and the audience; the humor is very true to the time and well written; the symbolism is very powerful as it realistically shows Asian-American Identity and adolescence; the foreshadowing is pretty standard for a coming-of-age story), Pretty Good to Good Score (Helps with establishing the tone, especially in the more depressing scenes), Good Cinematography (Enjoyed the how they interweaved 2000s camcorder shots in with the standard shots, and I felt the more large scale shots did a good job at showing the emotions of the characters (especially the protagonist)), Very Good Editing (Feels very polished and interjects the message/social-media scenes very well), , Pretty Bad Visual Effects (Feels pretty tacky and out of place), Good Production Design (Did a good job in emulating 2000s Fremont, CA), Pacing is pretty fast as it tries to go through a decent amount in its short runtime (but there really could not have been any more runtime that could've been added), Climax is executed very well as it is the epiphany/lowest for the protagonist and displays an incredible monologue from the mother (showing her identity in relation to her family and personal ambitions), Tone feels like a coming-of-age movie set in 2000s Bay Area (and executes this very well), Saw the Texas Premiere at SXSW.
- cinemapersonified
- Mar 18, 2024
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The Year in Posters
The Year in Posters
Details
Box office
- Gross US & Canada
- $4,839,360
- Opening weekend US & Canada
- $207,307
- Jul 28, 2024
- Gross worldwide
- $5,135,050
- Runtime1 hour 33 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1