In the Bleak Midwinter
- Episode aired Dec 5, 2024
- TV-MA
- 52m
IMDb RATING
7.6/10
2.4K
YOUR RATING
Armed with evidence and bent on vengeance, Helen goes searching for the Clarks. As the conspiracy starts to unravel, she has a deadly decision to make.Armed with evidence and bent on vengeance, Helen goes searching for the Clarks. As the conspiracy starts to unravel, she has a deadly decision to make.Armed with evidence and bent on vengeance, Helen goes searching for the Clarks. As the conspiracy starts to unravel, she has a deadly decision to make.
Featured reviews
This show doesn't hold up to other similar spy type shows that have recently debuted; the agency and the diplomat season 2, but it's solid and worth a watch if you like spy stuff. The acting is fantastic, the characters are well developed.
A minor critique, the time jumping doesn't work well and is unnecessarily confusing given everyone looks the same despite decade long jumps.
The show swaps in funny in place of being realistic and it works. In fact, the more preposterous and unrealistic the show gets, the more I accepted it and ultimately enjoyed it.
Not sure if there will be a season 2 but I will watch. I have the finale a 9/10 best of the season; which is hard to finish with your best. Overall , more like 7.5/10 and again, worth the watch.
A minor critique, the time jumping doesn't work well and is unnecessarily confusing given everyone looks the same despite decade long jumps.
The show swaps in funny in place of being realistic and it works. In fact, the more preposterous and unrealistic the show gets, the more I accepted it and ultimately enjoyed it.
Not sure if there will be a season 2 but I will watch. I have the finale a 9/10 best of the season; which is hard to finish with your best. Overall , more like 7.5/10 and again, worth the watch.
I should have heeded the danger signs of amateur writing when one of Sam's captors actually says, "Wakey, wakey."
The last straw was a climactic scene consisting of the hackneyed drawn out yawn: "drop it," "no, YOU drop it."
Lancashire bravely tries to weave together the semblance of a cohesive story out of the random collection of poorly spliced scenes by reciting a plot. Sadly, there was no qualified director to pull arguably well-acted parts into any whole. Having the plot recited by one of the actors, in this case Reed, in the closing moments of the production, is a proven surefire way to kill any screenplay. Just another desperate rescue attempt when one of the producers finally notices, "oops, we haven't told a story."
A waste of Whishaw.
Well, here we are, then. The grand finale of Black Dove. After the blistering pace of the last installment, the pressure was truly on for this one to stick the landing, and by Jove, for the most part, it did.
Ep 6 was a proper culmination, tying up a good many of the tangled threads that have kept us gripped. The pacing was, once again, commendably sharp, delivering the high-stakes confrontations and emotional beats with precision. It felt earned, rather than rushed, as the consequences of Helen (Keira Knightley) and Sam's (Ben Whishaw) desperate gambits finally came home to roost. The script managed to deliver some genuinely impactful moments, providing satisfying answers to key questions without feeling like a mere exposition dump.
Knightley and Whishaw, as expected, were nothing short of brilliant. Their performances throughout this final hour were compelling, showcasing the toll this whole ordeal has taken, while also hinting at where their complex relationship might go next. The direction kept things taut, ensuring the tension never quite let up.
As for the ending itself, it felt largely appropriate. It delivered a sense of closure for this particular arc, offering consequences that felt earned by the characters' choices. However, it also cleverly leaves just enough tantalising questions dangling to suggest there's more story to tell. It avoids the pitfall of tying everything up in a neat bow, which, for a spy thriller, often feels disingenuous. While not every single loose end is snipped clean, the major narrative beats are resolved in a way that feels true to the series' tone.
A strong finish to a surprisingly engaging season. Could have been a 9/10 if not for the last 10 min of nothing.
Ep 6 was a proper culmination, tying up a good many of the tangled threads that have kept us gripped. The pacing was, once again, commendably sharp, delivering the high-stakes confrontations and emotional beats with precision. It felt earned, rather than rushed, as the consequences of Helen (Keira Knightley) and Sam's (Ben Whishaw) desperate gambits finally came home to roost. The script managed to deliver some genuinely impactful moments, providing satisfying answers to key questions without feeling like a mere exposition dump.
Knightley and Whishaw, as expected, were nothing short of brilliant. Their performances throughout this final hour were compelling, showcasing the toll this whole ordeal has taken, while also hinting at where their complex relationship might go next. The direction kept things taut, ensuring the tension never quite let up.
As for the ending itself, it felt largely appropriate. It delivered a sense of closure for this particular arc, offering consequences that felt earned by the characters' choices. However, it also cleverly leaves just enough tantalising questions dangling to suggest there's more story to tell. It avoids the pitfall of tying everything up in a neat bow, which, for a spy thriller, often feels disingenuous. While not every single loose end is snipped clean, the major narrative beats are resolved in a way that feels true to the series' tone.
A strong finish to a surprisingly engaging season. Could have been a 9/10 if not for the last 10 min of nothing.
Did you know
- TriviaMartin Phipps, the composer, present at the mix and final review, was called upon at the last minute to redo a voice that they were not completely happy with. It is his first acting credit.
- GoofsWhen Sam talks to Lenny at the cafe and puts his gun away, she is not holding a cigarette. However, in the next immediate cut, she is now holding a cigarette.
Additionally, the orientation of where she places her back changes from cut to cut. One moment, she is leaning forward, and then her back is against the rear of the seat.
Details
- Runtime52 minutes
- Color
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