721 reviews
The Conjuring was a shocking horror film. It combined every creepy trope you can think of (ghosts, dolls, music boxes, mirrors, you name it), and it actually worked thanks to a genre-savvy director behind the curtains. James Wan has proved himself a capable producer on projects such as Saw and Insidious, and with The Conjuring, he cemented himself as a master of the genre. It had the perfect amalgam of horror tropes crafted in such a way that felt as fresh and spine-tingling as classic haunted house movies did in the '80s. The Conjuring 2 is another "based on true events" tale that has us follow expert paranormal investigators, the Warrens, this time solving the mystery of the Enfield Haunting.
Similar to the Amityville Haunting, the Enfield Haunting sees an English family plagued with a poltergeist that doesn't seem to enjoy the presence of anyone in the house. What The Conjuring 2 succeeds at is giving us both character development and another great story, which is exactly what a good sequel should do. The acting is uniformly great, but the true star of the film is James Wan. His shots are designed in a way to imbue dread and stir it around our heads for a while before hitting us with the scare. That's what true horror lacks these days, patience. The longer the anticipation is built and the more atmosphere is created, the more unsettling the situation becomes until it's like a ticking time bomb that you anxiously wait to go off. It uses familiar tropes, such as self-starting children's toys, slamming doors, and smashing furniture, but they're used as tools to mask the truly frightening fact that this family is up against something utterly beyond their control - they're hopeless, and we can feel it.
Mind you, The Conjuring 2 isn't without its faults. The runtime is a blatant offender. Pushing the 2-hour mark is never a good idea for a horror film, and some fat definitely could have been trimmed. There are a handful of cheap scares, audio scares to be precise - when the music gets extremely loud all of a sudden and you find yourself more annoyed than scared, quickly reaching for the remote to turn the volume down at the risk of enduring another ear drum shattering noise. It also doesn't feel as unique as its predecessor, understandably due to the very nature of sequels, but there are moments that drag on long enough to remind you that the first Conjuring didn't have these plodding plot points. For example, it takes about an hour for the Warrens to even get to England. Also, while in the haunted house, they're able to sleep through some horrifying sounds that would snap a bear right out of hibernation. But these dull spots and plot inconsistencies are few and far between.
The Conjuring 2 is how a horror sequel should be done. It's slick, stylish, fun, and at times, quite terrifying. When a horror movie makes me want to turn on the lights as I go roaming around the house at night, I consider that a job well done. The Conjuring 2, well done.
Similar to the Amityville Haunting, the Enfield Haunting sees an English family plagued with a poltergeist that doesn't seem to enjoy the presence of anyone in the house. What The Conjuring 2 succeeds at is giving us both character development and another great story, which is exactly what a good sequel should do. The acting is uniformly great, but the true star of the film is James Wan. His shots are designed in a way to imbue dread and stir it around our heads for a while before hitting us with the scare. That's what true horror lacks these days, patience. The longer the anticipation is built and the more atmosphere is created, the more unsettling the situation becomes until it's like a ticking time bomb that you anxiously wait to go off. It uses familiar tropes, such as self-starting children's toys, slamming doors, and smashing furniture, but they're used as tools to mask the truly frightening fact that this family is up against something utterly beyond their control - they're hopeless, and we can feel it.
Mind you, The Conjuring 2 isn't without its faults. The runtime is a blatant offender. Pushing the 2-hour mark is never a good idea for a horror film, and some fat definitely could have been trimmed. There are a handful of cheap scares, audio scares to be precise - when the music gets extremely loud all of a sudden and you find yourself more annoyed than scared, quickly reaching for the remote to turn the volume down at the risk of enduring another ear drum shattering noise. It also doesn't feel as unique as its predecessor, understandably due to the very nature of sequels, but there are moments that drag on long enough to remind you that the first Conjuring didn't have these plodding plot points. For example, it takes about an hour for the Warrens to even get to England. Also, while in the haunted house, they're able to sleep through some horrifying sounds that would snap a bear right out of hibernation. But these dull spots and plot inconsistencies are few and far between.
The Conjuring 2 is how a horror sequel should be done. It's slick, stylish, fun, and at times, quite terrifying. When a horror movie makes me want to turn on the lights as I go roaming around the house at night, I consider that a job well done. The Conjuring 2, well done.
The Conjuring 2 doesn't waste time in bringing the scares in. By that, I mean you're pretty much in the thick of it from the get-go, being given some background (via another very notorious haunting incident) for what is to follow.
The Warrens are sent on behalf of the church to investigate some paranormal activity which is whipping up a media storm in Enfield, England and, as per the first movie, they go and attempt to work their magic on the situation. Once again, a family is being haunted and they fear for their sanity and lives. There are a few new twists this time round, so all does not play out as before - but it's not a complete departure from the format, which might have made it a bit more gripping in places.
James Wan's trademark visual style is repeated in this movie - his bag of tricks sometimes yielding a sense of deja vu but generally working like a charm. When it's intended to scare, it really does. The scares come a bit more frequently than in the first movie and do manage to build a lot of tension, even if you've seen the original, so well done to Wan for that.
What's really enjoyable about this movie, is its nostalgic recreation of 70s England. Wan has really done a great job of this, which is surprising given that he's not from there. Also, the central support role of Janet Hodgson is pretty crucial to empathising with the Enfield family and Madison Wolfe gives a solid performance.
It's arguable this one is as strong as the first. I really enjoyed it and would recommend it to anyone who enjoyed part one, or indeed likes movies of a haunting or possession theme.
Some awesome, unsettling and creepy music in places too.
The Warrens are sent on behalf of the church to investigate some paranormal activity which is whipping up a media storm in Enfield, England and, as per the first movie, they go and attempt to work their magic on the situation. Once again, a family is being haunted and they fear for their sanity and lives. There are a few new twists this time round, so all does not play out as before - but it's not a complete departure from the format, which might have made it a bit more gripping in places.
James Wan's trademark visual style is repeated in this movie - his bag of tricks sometimes yielding a sense of deja vu but generally working like a charm. When it's intended to scare, it really does. The scares come a bit more frequently than in the first movie and do manage to build a lot of tension, even if you've seen the original, so well done to Wan for that.
What's really enjoyable about this movie, is its nostalgic recreation of 70s England. Wan has really done a great job of this, which is surprising given that he's not from there. Also, the central support role of Janet Hodgson is pretty crucial to empathising with the Enfield family and Madison Wolfe gives a solid performance.
It's arguable this one is as strong as the first. I really enjoyed it and would recommend it to anyone who enjoyed part one, or indeed likes movies of a haunting or possession theme.
Some awesome, unsettling and creepy music in places too.
It's 1976. Ed (Patrick Wilson) and Lorraine Warren (Vera Farmiga) investigate the Amityville house. After the incident, they are attacked for participating in a hoax. Lorraine is haunted by the nun and visions of Ed's death. She convinces him to stop. Meanwhile in London, the Hodgson family is suffering from a haunting. Peggy Hodgson (Frances O'Connor) is a single mom with four kids. Janet, the 11 year old, is possessed by the spirit intermediately. As more incidents occur and a media crisis gather, the church calls in the Warrens.
At its core, this is a simple haunted house horror. There are a few good horror moves but by itself, it's not that special. The Warrens make it special. They have create a compelling horror universe. Lorraine and the nun have a great nightmare scene. The best is Lorraine having a heart to heart with Janet. They make all the difference.
At its core, this is a simple haunted house horror. There are a few good horror moves but by itself, it's not that special. The Warrens make it special. They have create a compelling horror universe. Lorraine and the nun have a great nightmare scene. The best is Lorraine having a heart to heart with Janet. They make all the difference.
- SnoopyStyle
- Aug 19, 2017
- Permalink
The Conjuring 2 (2016)
*** 1/2 (out of 4)
Ed and Lorraine Warren (Patrick Wilson, Vera Farmiga) are coming off the Amityville case when they decide to take a break. This break doesn't last too long as Ed has a vision of a possessed nun, which is the same person Lorraine previously saw. Meanwhile over in London a mother and her four children are being haunted by an evil spirit, which appears to be attached to an elderly man.
THE CONJURING came out of nowhere and become a huge hit among critics and horror fans. The box office numbers meant a sequel was bound to follow since the number one rule with horror films is that if one makes money you rush another into production. Thankfully this film wasn't rushed into production and it's great that they actually took their time to deliver a good screenplay. I must admit that I'm quite shocked but I thought the film was much better and much creepier than the first film.
Director James Wan is really becoming an expert at these types of films and this here is certainly among the best that has been made. I thought the first film was quite good due to its performances and a nice story but I didn't find a single thing creepy. That certainly wasn't the case here as the movie had my blood turning cold several times including the before mentioned nun, which was downright creepy at times. I also thought the first hour was perfectly done as the director slowly builds up the suspense and once it hits he just keeps it going with one sequence after another. I will say that the "crooked man" didn't work and the finale wasn't as great as I was hoping but these are just small issues.
Once again the film really benefits from the two great leads performances. Both Wilson and Farmiga are perfectly believable in their roles and they certainly sell the viewer that everything you're watching is actually happening. Madison Wolfe and Frances O'Connor are also very good in their supporting roles as is Simon McBurney. The film also benefits from some terrific cinematography and a very eerie music score. On a technical level the film is very impressive and this here helps build up the atmosphere.
THE CONJURING 2 is a very rare sequel that actually manages to be much better than the first film. It also shows why sequels shouldn't be rushed into production and that if you take your time with them something as good as this can be made.
*** 1/2 (out of 4)
Ed and Lorraine Warren (Patrick Wilson, Vera Farmiga) are coming off the Amityville case when they decide to take a break. This break doesn't last too long as Ed has a vision of a possessed nun, which is the same person Lorraine previously saw. Meanwhile over in London a mother and her four children are being haunted by an evil spirit, which appears to be attached to an elderly man.
THE CONJURING came out of nowhere and become a huge hit among critics and horror fans. The box office numbers meant a sequel was bound to follow since the number one rule with horror films is that if one makes money you rush another into production. Thankfully this film wasn't rushed into production and it's great that they actually took their time to deliver a good screenplay. I must admit that I'm quite shocked but I thought the film was much better and much creepier than the first film.
Director James Wan is really becoming an expert at these types of films and this here is certainly among the best that has been made. I thought the first film was quite good due to its performances and a nice story but I didn't find a single thing creepy. That certainly wasn't the case here as the movie had my blood turning cold several times including the before mentioned nun, which was downright creepy at times. I also thought the first hour was perfectly done as the director slowly builds up the suspense and once it hits he just keeps it going with one sequence after another. I will say that the "crooked man" didn't work and the finale wasn't as great as I was hoping but these are just small issues.
Once again the film really benefits from the two great leads performances. Both Wilson and Farmiga are perfectly believable in their roles and they certainly sell the viewer that everything you're watching is actually happening. Madison Wolfe and Frances O'Connor are also very good in their supporting roles as is Simon McBurney. The film also benefits from some terrific cinematography and a very eerie music score. On a technical level the film is very impressive and this here helps build up the atmosphere.
THE CONJURING 2 is a very rare sequel that actually manages to be much better than the first film. It also shows why sequels shouldn't be rushed into production and that if you take your time with them something as good as this can be made.
- Michael_Elliott
- Oct 11, 2016
- Permalink
"The Conjuring 2" is an excellent example of what more sequels should aspire to be. It is a perfectly executed haunting movie from James Wan that dives deep below the surface to explore themes of vision, belief and faith. The family drama is still right at the center and is quite effective, and Vera Farmiga and Patrick Wilson are excellent to their roles. The film doesn't give anything new at the horror movie genre, but its set pieces are often impressive, even if sometimes rely a bit on jump scares. The truth is that "The Conjuring 2" has enough suspense and story to have appeal for all kinds of horror fans and is a film clever enough to scare us. nikisreviews.com
- nogodnomasters
- Nov 26, 2017
- Permalink
- BandSAboutMovies
- Feb 15, 2020
- Permalink
Decided to re-watch both 'The Conjuring' films, with memories of really liking both, after watching, and not liking all that much, 'The Nun' (which was watched as part of my watching as many films of 2018 as possible quest) very recently. Just to see whether they held up, as good as remembered and whether they succeeded where 'The Nun' didn't and didn't make that film's mistakes.
On re-watch, 'The Conjuring 2', like its very good predecessor, does hold up very well and actually just as good as remembered. It succeeds splendidly in where 'The Nun' failed and has none of its mistakes. 'The Conjuring 2', like its predecessor, is not a perfect film, but it is very atmospheric, well made and genuinely scary, or at least to me it was. It is a very familiar premise, done to death actually, but the atmosphere stops it from being too predictable and there is enough freshness. As a sequel, it fares very well and one of not many to actually be on the same level as its predecessor.
'The Conjuring 2' is overlong, which is its biggest issue. This would have been rectified by 20 minutes being trimmed and the pace of the first act, with a beginning that doesn't attention-grab or unsettle as it should have done, tightened up.
Other than those, 'The Conjuring 2' is very good. It looks great, especially for horror films released in recent years (too many of which have looked like they were made on the schlocky cheap). It looks slick and stylish while having a spooky setting and suitably nightmarish lighting. The music is haunting and not over-bearing, recorded in a way that is not overly loud or obvious that it spoils the atmosphere (which was great because many horror films seen recently failed in this regard).
Script is not too awkward and is structured coherently, with nothing cheapening it like sluggish exposition or cheesy misplaced humour. The direction is meticulous in detail and clearly shows an engagement and ease with the material. The story takes time to unfold but doesn't get dull once it gets going, while the ending is leagues better, much more momentum and the resolution didn't feel rushed. As said too, 'The Conjuring 2' yet again is genuinely scary, with actual tension, suspense and dread, in a palm-sweating and heart-pounding sense at its best, while not relying too much on jump scares (they are there but have build up and were surprising).
Found myself liking the characters more than expected. The leads were ones worth caring for, didn't get frustrated with them, wish for more personality or annoyed by them. The antagonist was frightening, was neither over-used or under-utilised and didn't look cheap. The acting also comes off well, especially Vera Farmiga who is superb, Patrick Wilson is even better here, while also impressed with how Frances O'Connor coped with a role that on paper seemed limited.
Summarising, very good. 8/10 Bethany Cox
On re-watch, 'The Conjuring 2', like its very good predecessor, does hold up very well and actually just as good as remembered. It succeeds splendidly in where 'The Nun' failed and has none of its mistakes. 'The Conjuring 2', like its predecessor, is not a perfect film, but it is very atmospheric, well made and genuinely scary, or at least to me it was. It is a very familiar premise, done to death actually, but the atmosphere stops it from being too predictable and there is enough freshness. As a sequel, it fares very well and one of not many to actually be on the same level as its predecessor.
'The Conjuring 2' is overlong, which is its biggest issue. This would have been rectified by 20 minutes being trimmed and the pace of the first act, with a beginning that doesn't attention-grab or unsettle as it should have done, tightened up.
Other than those, 'The Conjuring 2' is very good. It looks great, especially for horror films released in recent years (too many of which have looked like they were made on the schlocky cheap). It looks slick and stylish while having a spooky setting and suitably nightmarish lighting. The music is haunting and not over-bearing, recorded in a way that is not overly loud or obvious that it spoils the atmosphere (which was great because many horror films seen recently failed in this regard).
Script is not too awkward and is structured coherently, with nothing cheapening it like sluggish exposition or cheesy misplaced humour. The direction is meticulous in detail and clearly shows an engagement and ease with the material. The story takes time to unfold but doesn't get dull once it gets going, while the ending is leagues better, much more momentum and the resolution didn't feel rushed. As said too, 'The Conjuring 2' yet again is genuinely scary, with actual tension, suspense and dread, in a palm-sweating and heart-pounding sense at its best, while not relying too much on jump scares (they are there but have build up and were surprising).
Found myself liking the characters more than expected. The leads were ones worth caring for, didn't get frustrated with them, wish for more personality or annoyed by them. The antagonist was frightening, was neither over-used or under-utilised and didn't look cheap. The acting also comes off well, especially Vera Farmiga who is superb, Patrick Wilson is even better here, while also impressed with how Frances O'Connor coped with a role that on paper seemed limited.
Summarising, very good. 8/10 Bethany Cox
- TheLittleSongbird
- Oct 6, 2018
- Permalink
For the most part, I came out with a positive vibe with the film. Production-wise, I thought it was exceptionally well done, and coming off the original one I can definitely say this held its own very well. Sequels have this innate ability to overdo what the previous installment did, and one might say this did it in some sense, but for the most part it played with a dialed-back approach. I mean look, what am I supposed to say about a film that is supposedly based on a true story? Sure, they will take their liberties here and there regarding what to make happen and how, but if they say it happened what am I to do in telling them they're doing what happened wrong or overly much? It was the right amount of "more done."
In my opinion alone (which will not be consistent with everybody here), the first hour was terrifying (depends on what one considers scary). The crowd interacted with the film appropriately, and the actors on screen did their due diligence to make you fearful for their well-being. Pacing-wise, the second hour took a strange turn. I was fine with what they did by creating more of a slow-burn effect to build up to a large climax, but considering there wasn't much to be considered scary in the second hour, it kind of felt like we got slow-burn for nothing (the end punch was fine, just not nearly as frightening as anything in the first hour is all). I can't really explain it. That's okay I guess, but I'm sure this film ran over two hours long, and I think the most appropriate cut would have been about right at two hours. I was only slightly fatigued by the end of it all.
James Wan has a terrific eye for the horror genre, and likes to display an array of emotions in his films, especially comedy where needed. Nothing slapstick at all, just the perfect blend of realism like "This is how a person acts in real life," something that Christopher Nolan has never been able to do himself. The characters aren't just pieces to tell a larger story, they are the story. Patrick Wilson is silently one of my favorite actors, often taking the non-blockbuster role but still holding his own in a natural way. I have only seen Vera Farmiga in a few films now (The Departed, Orphan, Up in the Air, Source Code, Safe House, and The Conjuring), and with every scene she is in, she just encapsulates me. I would love to sit down and have a dinner conversation with her, if you know what I mean.
Compared to the first film I'd say this resorted with a few more jump scares, but I'm going to credit Wan for not cheapening them and doing them where they fit (no kids scaring each other, etc). This film did not play with the "less is more" mantra as much as the first film though, but like I said I'll go with that in a sequel. The first one also had much more even pacing and left with the right amount of questions unanswered; not to be unfair with this, but I also "believe" the story of the first film more than this one (only regarding what was seen on the screen). However, in The Conjuring 2 I cared more about this family, and I think the tension was equally as good in this film, save the night scenes being just a little too well-lit for my taste. I'd say I might like the first one just a little bit more, at least in that I own the first one on Blu-ray and I don't know if I need this one immediately.
Oh, and just be aware that the official trailer reveals way too much. I'm not even talking about jump scare material (which it does overdo), but I mean story material. Avoid please! Watch the teaser trailer instead, that one is perfect and reveals nothing substantial. Also make sure you stay for the first billing credits sequence at the end of the movie just because of how well it is crafted, as was the film itself! If only they cut out 10 minutes and maybe even $10 million in the budget, I think it would have served its purpose a little more appropriately. Unlike Sinister 2 though, this film didn't disappoint in the slightest.
In my opinion alone (which will not be consistent with everybody here), the first hour was terrifying (depends on what one considers scary). The crowd interacted with the film appropriately, and the actors on screen did their due diligence to make you fearful for their well-being. Pacing-wise, the second hour took a strange turn. I was fine with what they did by creating more of a slow-burn effect to build up to a large climax, but considering there wasn't much to be considered scary in the second hour, it kind of felt like we got slow-burn for nothing (the end punch was fine, just not nearly as frightening as anything in the first hour is all). I can't really explain it. That's okay I guess, but I'm sure this film ran over two hours long, and I think the most appropriate cut would have been about right at two hours. I was only slightly fatigued by the end of it all.
James Wan has a terrific eye for the horror genre, and likes to display an array of emotions in his films, especially comedy where needed. Nothing slapstick at all, just the perfect blend of realism like "This is how a person acts in real life," something that Christopher Nolan has never been able to do himself. The characters aren't just pieces to tell a larger story, they are the story. Patrick Wilson is silently one of my favorite actors, often taking the non-blockbuster role but still holding his own in a natural way. I have only seen Vera Farmiga in a few films now (The Departed, Orphan, Up in the Air, Source Code, Safe House, and The Conjuring), and with every scene she is in, she just encapsulates me. I would love to sit down and have a dinner conversation with her, if you know what I mean.
Compared to the first film I'd say this resorted with a few more jump scares, but I'm going to credit Wan for not cheapening them and doing them where they fit (no kids scaring each other, etc). This film did not play with the "less is more" mantra as much as the first film though, but like I said I'll go with that in a sequel. The first one also had much more even pacing and left with the right amount of questions unanswered; not to be unfair with this, but I also "believe" the story of the first film more than this one (only regarding what was seen on the screen). However, in The Conjuring 2 I cared more about this family, and I think the tension was equally as good in this film, save the night scenes being just a little too well-lit for my taste. I'd say I might like the first one just a little bit more, at least in that I own the first one on Blu-ray and I don't know if I need this one immediately.
Oh, and just be aware that the official trailer reveals way too much. I'm not even talking about jump scare material (which it does overdo), but I mean story material. Avoid please! Watch the teaser trailer instead, that one is perfect and reveals nothing substantial. Also make sure you stay for the first billing credits sequence at the end of the movie just because of how well it is crafted, as was the film itself! If only they cut out 10 minutes and maybe even $10 million in the budget, I think it would have served its purpose a little more appropriately. Unlike Sinister 2 though, this film didn't disappoint in the slightest.
- Brandon_Walker_Robinson
- Jun 6, 2016
- Permalink
First, the all-important question: Is The Conjuring 2 scary? Like, jump out of your seat, watch through your outstretched fingers scary? The answer to that is "yes." Under James Wan's direction, even the most clichéd haunted-house tropes (and this movie is bursting with them) are genuinely creepy, and although the movie isn't overly reliant on jump scares, the ones it does use—well, they work. On a lizard-brain level, The Conjuring 2 taps into the universal childhood fear of the dark, and some of its simplest moments—like a little girl hiding under the covers with a flashlight—are its most effective, bolstered by skillfully executed sound design and Don Burgess' gloomy cinematography.
Speaking of tropes, that's where the "based on a true story" bit comes in. The main plot of the film revolves around a real-life incident known as the Enfield Poltergeist, an extremely well-documented case of a supposed ghost who terrorized the Hodgson family of North London from 1977 to 1979 and was apparently a fan of the classics: knocking on walls, shaking beds, throwing furniture, and even the occasional haunted kid's toy. And as malevolent spirits often do, it picked on one of the children in particular, 11-year-old Janet Hodgson (Madison Wolfe). Call it a collective delusion, or a desperate cry for attention from a disturbed child. Or call it what the movie very explicitly calls it: The Devil.
With this installment, the Conjuring movies may have overtaken The Exorcist as the most Christian of horror franchises, taking place in a universe where the Catholic Church is the spiritual S.H.I.E.L.D. and demon hunters Ed (Patrick Wilson) and Lorraine Warren (Vera Farmiga) its holy roller super-agents. The film opens with the Warrens investigating the famous Amityville case, during the course of which Lorraine first encounters the hellish presence that will haunt her for the next few years. Fearing for his life, she begs her husband to suspend any future paranormal investigations, to which he reluctantly agrees. Until, that is, a priest arrives to give them their next mission: Travel to London and confirm the veracity of reports of a demonically tinged haunting.
Both Farmiga and Wilson are given their chance to shine in spooky set pieces—Farmiga early on in the film, Wilson later. But while they're both convincing in spiritual warrior mode, Wan's decision to play up the romance between the two doesn't quite work. We knew that the Warrens were a happily married couple in the first movie, but having them each individually tell the story of their paranormal love and Ed make suggestive comments about the sleeping arrangements seems odd, maybe because they're flirting in front of a possessed pre-teen whose soul is currently in the process of being swallowed by the Pit. (On the other hand, this is just another day at the office for the Warrens.) The non-horror elements of the film are uneven in general: The score, so effective in the fright scenes, suddenly evokes eye rolls when things start to get sentimental, and there's one scene of unintentional comedy where the film's retro '70s setting—another element downplayed in the first film but foregrounded here—collides with its demonic imagery in an honestly pretty silly way. (The Conjuring 2 shares its predecessor's eye for period details, some of which seem out-and-out ridiculous until they're juxtaposed with photos of their real-life counterparts in the end credits. The on-the-nose pop music gets no such redemption.) That being said, there are also some truly funny moments, like a shot of the Hodgson family running from their haunted house after a particularly intense bout of psychokinetic activity that riffs on smartasses' favorite retort, "Why don't they just move?" (And, for the record, they don't move because it's public housing, and the local council, which is naturally quite skeptical of the whole "ghost" thing, has to approve the relocation.) It's also worth noting that The Conjuring 2 is more than two hours long, allowing for lots of escalation. And while each individual haunting scene can be white-knuckle intense, by the dozenth or so such shock, the film starts to lose momentum. So the final confrontation, when it does come, is a relief in more ways than one. The long running time also allows Wan to overthink his demonology: The main villain, an infernal nun, is appropriately nightmarish, if reminiscent of the veiled "Bride In Black" from Wan's own Insidious. What's less compelling is the insertion of the "Crooked Man," a storybook scarecrow monster that starts spreading Babadook-esque chaos about halfway through and is explained as the demon assuming a form that's familiar to the Hodgsons. Which would be fine, if it weren't for the two familiar forms that the spirit has taken already.
When The Conjuring 2 focuses its efforts on scaring the audience, it succeeds, wildly. And why wouldn't it? Wan's got his horror technique locked down at this point. It's the parts where it wanders away from the basics of creating and releasing tension that prevent it from outdoing its predecessor.
Speaking of tropes, that's where the "based on a true story" bit comes in. The main plot of the film revolves around a real-life incident known as the Enfield Poltergeist, an extremely well-documented case of a supposed ghost who terrorized the Hodgson family of North London from 1977 to 1979 and was apparently a fan of the classics: knocking on walls, shaking beds, throwing furniture, and even the occasional haunted kid's toy. And as malevolent spirits often do, it picked on one of the children in particular, 11-year-old Janet Hodgson (Madison Wolfe). Call it a collective delusion, or a desperate cry for attention from a disturbed child. Or call it what the movie very explicitly calls it: The Devil.
With this installment, the Conjuring movies may have overtaken The Exorcist as the most Christian of horror franchises, taking place in a universe where the Catholic Church is the spiritual S.H.I.E.L.D. and demon hunters Ed (Patrick Wilson) and Lorraine Warren (Vera Farmiga) its holy roller super-agents. The film opens with the Warrens investigating the famous Amityville case, during the course of which Lorraine first encounters the hellish presence that will haunt her for the next few years. Fearing for his life, she begs her husband to suspend any future paranormal investigations, to which he reluctantly agrees. Until, that is, a priest arrives to give them their next mission: Travel to London and confirm the veracity of reports of a demonically tinged haunting.
Both Farmiga and Wilson are given their chance to shine in spooky set pieces—Farmiga early on in the film, Wilson later. But while they're both convincing in spiritual warrior mode, Wan's decision to play up the romance between the two doesn't quite work. We knew that the Warrens were a happily married couple in the first movie, but having them each individually tell the story of their paranormal love and Ed make suggestive comments about the sleeping arrangements seems odd, maybe because they're flirting in front of a possessed pre-teen whose soul is currently in the process of being swallowed by the Pit. (On the other hand, this is just another day at the office for the Warrens.) The non-horror elements of the film are uneven in general: The score, so effective in the fright scenes, suddenly evokes eye rolls when things start to get sentimental, and there's one scene of unintentional comedy where the film's retro '70s setting—another element downplayed in the first film but foregrounded here—collides with its demonic imagery in an honestly pretty silly way. (The Conjuring 2 shares its predecessor's eye for period details, some of which seem out-and-out ridiculous until they're juxtaposed with photos of their real-life counterparts in the end credits. The on-the-nose pop music gets no such redemption.) That being said, there are also some truly funny moments, like a shot of the Hodgson family running from their haunted house after a particularly intense bout of psychokinetic activity that riffs on smartasses' favorite retort, "Why don't they just move?" (And, for the record, they don't move because it's public housing, and the local council, which is naturally quite skeptical of the whole "ghost" thing, has to approve the relocation.) It's also worth noting that The Conjuring 2 is more than two hours long, allowing for lots of escalation. And while each individual haunting scene can be white-knuckle intense, by the dozenth or so such shock, the film starts to lose momentum. So the final confrontation, when it does come, is a relief in more ways than one. The long running time also allows Wan to overthink his demonology: The main villain, an infernal nun, is appropriately nightmarish, if reminiscent of the veiled "Bride In Black" from Wan's own Insidious. What's less compelling is the insertion of the "Crooked Man," a storybook scarecrow monster that starts spreading Babadook-esque chaos about halfway through and is explained as the demon assuming a form that's familiar to the Hodgsons. Which would be fine, if it weren't for the two familiar forms that the spirit has taken already.
When The Conjuring 2 focuses its efforts on scaring the audience, it succeeds, wildly. And why wouldn't it? Wan's got his horror technique locked down at this point. It's the parts where it wanders away from the basics of creating and releasing tension that prevent it from outdoing its predecessor.
The Conjuring felt so grounded, making it all the more terrifying. I was expecting the same from this sequel, but the over-the-top scenes with the Nun and Crooked Man really made me hesitant to finish watching (forced additions by the studio to push The Conjuring "universe"?).
I'm glad that I continued watching, though, because Ed Warren's first interaction with the demon speaking through Janet was masterfully done... aaaaand of course they had to bring the Nun and Crooked Man back... and the hanging on to the curtains for dear life... I... I just can't.
I wanted The Conjuring 2 to be so much more considering the director AND writers returned, but it just ended up feeling like another cash-grab sequel to push a "cinematic universe." James Wan is one of my favorite horror directors and I remember Insidious: Chapter 2 being pretty good, so this was unfortunately a huge disappointment.
I'm glad that I continued watching, though, because Ed Warren's first interaction with the demon speaking through Janet was masterfully done... aaaaand of course they had to bring the Nun and Crooked Man back... and the hanging on to the curtains for dear life... I... I just can't.
I wanted The Conjuring 2 to be so much more considering the director AND writers returned, but it just ended up feeling like another cash-grab sequel to push a "cinematic universe." James Wan is one of my favorite horror directors and I remember Insidious: Chapter 2 being pretty good, so this was unfortunately a huge disappointment.
- yoshimasu_k
- Feb 26, 2023
- Permalink
Wow wow wow!! I've never been much of a fan of sequels but The Conjuring 2 was incredible. I'm never one to jump at everything 'scary' I see in movies as usually you've seen it all before & let's be honest, nothing really scares you much when your not a teenager anymore. However The Conjuring had me jumping all over the place. At one point I even yelped, much to my embarrassment, but that's why we go to horror movies! To be scared & the conjuring didn't disappoint. All actors gave amazing performances & the story had you never in a state of boredom. Walking out of the cinema I couldn't wait to see what The Conjuring 3 would bring! (Assuming we're lucky enough for another). Definitely a movie to see in the cinema. I give it 10/10!! Great movie!!
This to me is a very slow burner. I've watched it like 4 times and I think this time, the 5th time, I've enjoyed it the most. I think the relationship / connection that Wilson and Farmiga have on screen is fantastic.
Other than that the movie is pretty cheesey. Especially with how they wrap up the case. 6/10.
Other than that the movie is pretty cheesey. Especially with how they wrap up the case. 6/10.
- wandernn1-81-683274
- Apr 4, 2021
- Permalink
Amazing how little of what actually happened is shown in the film, according to any documentary or article on the film, instead they try and make it more 'action packed' and thus totally unrealistic.
Interesting that you'd think with all the noise and shouting going on there that at least one of the neighbours would have gone outside to at least find out what was going on. That would have probably killed what little suspense there was though.
Now I did enjoy the first one and I don't blame the producers of these films for employing some 'artistic licence' as the stories in themselves aren't particularly exciting as they are fascinating. In fact the original stories are far more engrossing than these films.
Sadly with this film they've decided to continue with the non scary looking ghost routine and somewhat OTT with the effects when playing on peoples senses is far more effective a medium to scare people without the need for pointless special effects and overplaying on 'action' scenes that bear no familiarity to the actual story, adds nothing to the film and makes the finished output look a bit silly
Interesting that you'd think with all the noise and shouting going on there that at least one of the neighbours would have gone outside to at least find out what was going on. That would have probably killed what little suspense there was though.
Now I did enjoy the first one and I don't blame the producers of these films for employing some 'artistic licence' as the stories in themselves aren't particularly exciting as they are fascinating. In fact the original stories are far more engrossing than these films.
Sadly with this film they've decided to continue with the non scary looking ghost routine and somewhat OTT with the effects when playing on peoples senses is far more effective a medium to scare people without the need for pointless special effects and overplaying on 'action' scenes that bear no familiarity to the actual story, adds nothing to the film and makes the finished output look a bit silly
- tomasstanger
- Sep 18, 2016
- Permalink
- robdeceased
- Nov 25, 2016
- Permalink
I was really counting on this movie to raise my scare level to the top, and if you haven't seen this movie, you have no idea what I am talking about! Oh my gosh, this film was freaking terrifying! For three years I was plagued with nightmares of the first movie, and i didn't think any movie could be more scary. Conjuring 2 definitely proved me wrong! Not only were there jump scares but REAL horror, not just being startled by a loud noise but James Wan shows us what real horror is. There were many rising suspense scenes and you have no idea what will happen. That is what scary is! Demons are what true scariness are. What lurks in the darkness is something to be terrified about. And this movie shows us this perfectly. Like I said it does have jump scares, and I appreciated that, why? BECAUSE NONE IF THEM ARE FALSE, they were not a cat jumping out or a character popping out, every single one was real and lived up to the rising suspense that was built up. Not only is it scary but it is an awesome story. As a matter of fact a TRUR STORY. It was very well told and unlike most horror movies today it actually had a PLOT. The twist in the end is brilliant, unpredictable and pieced together the plot elements well. Also greatly shot, greatly acted and great character development. Unlike most horror movies this has Likable CHARACTERS. Unlike most horror movies it's not a gore fest or has countless swear words, it's rated R JUST because of how SCARY it is. I love James Wan he is terrific at what he does. Every horror director now days NEEDS to see the insidious trilogy and of course the 2 conjuring movies. This has restored my faith in horror movies! I definitely recommend it. See it with your spouse, friends, girlfriend or boyfriend (definitely do not bring your kids) and you will have the thrill of a lifetime! By the way you might want to look under your bed tonight! 😉
I absolutely love the first Conjuring movie. When I watch that movie, it gets under my skin. I actually feel troubled and somewhat terrible after watching it. I rank the first movie rather high. It bothers me almost as much as the Exorcist does. I don't even like to watch it at night. The feeling of dread in that movie is heavy. In the sequel, my patience was challenged a bit. It plays out like a sampler of far better films such as Poltergeist and The Evil Dead. It's fun for what it is: a popcorn movie. If you enjoy fun ghost movies, see this one. If you're expecting a movie on the level of the first Conjuring, you may find yourself a bit disappointed.
The Conjuring 2 is directed by James Wan and stars Vera Farmiga and Patrick Wilson. The Conjuring 2 is an excellent horror movie and just a flat out great movie in general. From the camera-work to the performances this movie delivers on all fronts. The plot follows a family in poverty in Einfield,England that start experiencing strange happenings in their home. After things become much worse over a period of time The Warrens are contacted to come and help. This is a very scary movie thanks to James Wan's direction from lingering and tracking shots he is truly a master behind the camera. The scares come quite often as scenes will linger and bring a huge sense of tension and get you when your not expecting it bringing some very frightening scenes. Vera Farmiga and Patrick Wilsons performances are excellent as you buy into their relationship and learn some lessons on marriage. The children actors have the be given credit too as they are great in this film. These kids are terrified of the haunting and you will feel their dread. I am so satisfied with this film generally people worry about horror sequels usually because they can turn out unsuccessful, but I am happy to report as a big fan of the first movie this is just as great.
- burnham-42353
- Jun 11, 2016
- Permalink
After immediately watching this after the first Conjuring film, I found myself ridiculously let down. It pales in comparison and even stand alone it's quite unbearably boring for the first half of the movie. It's a shame this wasn't handled with more care as the storyline itself showed major potential.
Once we reached the second half of the film where the possession has reached its climax and things are truly discovered to be how they are, the film finally begins to glisten in all its glory. It was truly a shame the encounters before this point weren't handled as well as they were in this moment.
Once we reached the second half of the film where the possession has reached its climax and things are truly discovered to be how they are, the film finally begins to glisten in all its glory. It was truly a shame the encounters before this point weren't handled as well as they were in this moment.
The thing about The Conjuring series is that it screams classic right at the first few scenes and just works its way up from there. While The Conjuring is definitely being remembered as one of the most excellent horror movies in decades, its sequel does even a better job by providing some extra well-done scenes that are not normally seen within the gerne.
But how about the scare part? Is it scary? Definitely yes. Don't bother comparing it to the first one. Just enjoy the movie and you will find yourself holding your breath until the very last moment.
Vera Farmiga was superb. Her presence was so strong, and powerful that she managed to pull the viewer through all kind of emotions. Patrick Wilson was also wonderful indeed. There are some subtle little hints about a sequel here and there in the movie. If those two continues to star (and also with James Wan), there is no doubt that it would be another masterpiece.
But how about the scare part? Is it scary? Definitely yes. Don't bother comparing it to the first one. Just enjoy the movie and you will find yourself holding your breath until the very last moment.
Vera Farmiga was superb. Her presence was so strong, and powerful that she managed to pull the viewer through all kind of emotions. Patrick Wilson was also wonderful indeed. There are some subtle little hints about a sequel here and there in the movie. If those two continues to star (and also with James Wan), there is no doubt that it would be another masterpiece.
In 1977, in London, Peggy Hodgson (Frances O'Connor) has financial difficulties to raise her children Margaret (Lauren Esposito), Janet (Madison Wolfe), Johnny (Patrick McAuley) and Billy (Benjamin Haigh) since her husband has left her to live with a neighbor. When her daughter Janet sleepwalks and claims to talk to the spirit of an old man, Peggy does not believe in the beginning. But soon she witnesses supernatural phenomena in the house and concludes that Janet is possessed by a demon. Her neighbor and friends call the police and the officers also see the mysterious event. One of them tells the local priest and Ed Warren (Patrick Wilson) and his wife Lorraine Warren (Vera Farmiga) are invited to travel to London by the church to team up with the paranormal investigators Maurice Grosse (Simon McBurney) and the skeptical Anita Gregory (Franka Potente) to see whether it would be a hoax. They witness weird events but they do not conclude it is true. What is happening in the Hodgson house?
"The Conjuring 2" is another great supernatural film directed by James Wan. The film keeps the creepy atmosphere with great performances, highlighting the girl Madison Wolfe. The explanation that the spirit of Bill Wilkins is a pawn of the evil Demon Nun is confused and hard to be understood. My vote is seven.
Title (Brazil): "Invocação do Mal 2" ("Conjuring of the Evil 2")
Note: On 27 June 2024, I saw this film again.
"The Conjuring 2" is another great supernatural film directed by James Wan. The film keeps the creepy atmosphere with great performances, highlighting the girl Madison Wolfe. The explanation that the spirit of Bill Wilkins is a pawn of the evil Demon Nun is confused and hard to be understood. My vote is seven.
Title (Brazil): "Invocação do Mal 2" ("Conjuring of the Evil 2")
Note: On 27 June 2024, I saw this film again.
- claudio_carvalho
- Aug 28, 2016
- Permalink
Being a huge fan of the horror genre, one must be disappointed with the quality of movies being churned out by "Hollywood" in the last 4-5 years. Conjuring was one of the exceptions, albeit partially. It managed an effective combination of jump scares and build-up. I, for one, love the horror genre, not for the former but the latter. Extensive experience in this genre has trained us well on the wheres, hows and whats and hence, build-up is what should matter most.
It is extremely disappointing to see the extent to which jump scares were employed by the makers having established themselves in the 'true story' mould with the first movie. They even aped camera angles adopted in the documentaries on the Enfield haunting, for crying out loud!
I was distraught when I read somewhere that the nun sequences were added as an afterthought. Wonder if the movie would have been better without these scenes?!
The Elvis part, bad. The climax, worse. The unwanted VFX, worst.
Hoping for a better 'true story' with the next installment.
It is extremely disappointing to see the extent to which jump scares were employed by the makers having established themselves in the 'true story' mould with the first movie. They even aped camera angles adopted in the documentaries on the Enfield haunting, for crying out loud!
I was distraught when I read somewhere that the nun sequences were added as an afterthought. Wonder if the movie would have been better without these scenes?!
The Elvis part, bad. The climax, worse. The unwanted VFX, worst.
Hoping for a better 'true story' with the next installment.
- donquixotewillbe
- Jun 18, 2016
- Permalink