Together

I enjoyed it. It was a unique wtf horror/romance with some moments of humour. I thought Dave and Alison played their parts very well and as a real life couple it helped with their on screen chemistry. I hope they continue to do horror together because it worked. The story is pretty much spoiled in all the trailers but the ending caught me off a bit and the final scene before credits was a bit laughable and silly but overall I enjoyed the film and was glued to it til the end.

It doesn't happen that often that we get genuinely fresh, original ideas in horror - and when it does, it feels so bloody good. 'Together' (2025) is exactly that. A grotesque, clever, and oddly funny little gem that had me cringing, laughing, and totally hooked the entire time.

The concept is unhinged in the best way: a couple moves to the countryside... and starts getting TOO attached. What unfolds is what I can best describe as a rom-com body horror (yes, really) that somehow makes co-dependency literal... and it weirdly works. So well.

Body horror isn't for everyone, but this is so well done. The practical effects are gnarly in the best way - just the right amount of gross to make your stomach turn while keeping you glued to the screen. It leans into the absurdity, but underneath the chaos is a surprisingly honest look at toxic love, compromise, and identity.

Alison Brie and Dave Franco are absolutely fantastic. You totally buy into them as a couple who love each other but maybe shouldn't be together. Or maybe should? I don't even know. That's part of the fun.

And I have to say - any film shot in Melbourne gets an automatic bonus point from me. There's something so satisfying about seeing our suburbs twisted into something this surreal.

Cringey in all the right ways. Disgusting in the best possible sense. 'Together' is one of the most original horror films I've seen in ages - and it will absolutely satisfy genre lovers looking for something bold, grotesque and new.

"Humans were originally created with four arms, four legs and a head with two faces. Fearing their power, Zeus split them into two separate parts, condemning them to spend their lives in search of their other halves." Plato, The Symposium

Although the current horror film Together doesn't pretend to parse Plato's discourse on love, it relies heavily on the idea that true love is the comingling of minds and bodies that were once separated by Zeus out of envy. Tim (David Franco) and Millie (Alison Brie) spend time in a country house seeking to regain the passion they once had.

After a stroll that ends up in a cave (how very Platonic!), they devolve into maddened humans, literally getting under each other's skin. The visuals, even without excessive CGI, are body horror at its best, and allegorically land us in discussion about what love means and how it affects the struggling relationship the drama began with.

Thematically Together wishes to show how much the stressed couple loves each other, even willing to sacrifice their very flesh to reconcile their affections. No couple in the audience can ignore the commentary on the emotional demands of love, the millennial fear of commitment, and the strains that modern lonely life make on romance.

After all, Millie has sacrificed a higher teaching order to take a rural job while he is still at 35 years old trying to play in an indie-rock band. His intermittent impotency, while understandable given his lack of professional success, still seems like a major impediment to taking their love to the next level.

While treating the aud to some icky body horror, writer-director Michael Shanks comments on the challenges of modern living that needs the therapy of communal sharing, of overcoming horrors together to emerge from that cave together toward the future.

While some of the cliched tropes in the horror genre are sticked within it's narrative and characters, the original horror concept, great atmosphere, visual make-up designs and the strong performances from Dave Franco and Alison Brie offers a fun horror, comedy and body horror tale.

For a debut project, director Michael Shanks really captures the horrific and bonkers nature of the body horror genre. Raving with great atmosphere, practical effects (which some were grossly cringeworthy which succeeds on the good aspects about body horror), and the direction. The writing explores some interesting themes about relationships, dependency and how bonds can be a fear within the self of someone. While I do admit some aspects, especially the way how characters are approached and some of the elements feel cheesy, the narrative works for the most.

Franco and Brie has some great chemistry between one another, especially when the horror body elements are shown every time they are on screen. Although some of the dialogue moments were a bit strange, as a whole, the horror and body elements of this movie was successful.

Overall, a good Midnight movie.

I'll be honest when I say that the trailers never properly sold me on this movie, it made it seem like a completely different movie than what we got.

The concept is really unique. While there's been some chatter online about possible plagiarism, that's not my place to weigh in on. What I can say is that this film stands on its own with a bold and bizarre approach. The effects are striking, and some moments hit a level of fear and discomfort that really stays with you. It does an excellent job portraying anxiety and the disorienting terror of dreams that blur into reality.

Dave Franco delivers what might be his best performance to date, giving the character a desperate vulnerability that anchors the whole thing. Alison Brie complements him perfectly, and their chemistry helps ground the madness with emotional weight and some dark humour.

It's disturbing, oddly beautiful and full of surprises. If you're into surreal horror with emotional undercurrents and a touch of body horror, it's absolutely worth checking out.