Set in a village on the edge of Belgium, Bob, Flemish, and Marcel, Walloon share their solitude, sense of humor and craving for alcohol.Set in a village on the edge of Belgium, Bob, Flemish, and Marcel, Walloon share their solitude, sense of humor and craving for alcohol.Set in a village on the edge of Belgium, Bob, Flemish, and Marcel, Walloon share their solitude, sense of humor and craving for alcohol.
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I watched as long as I could, as this tedious ordeal revealed itself on the screen, but I could not make it to the end without walking out. Watching these men live one joyless, wasted moment after another, was sheer torture. Pointless, plot less, and ultimately meaningless would be the best description I could offer of this film, and if you suffer through the scenes in the dentist chair with the hope that the film goes somewhere with this material, you will be disappointed. But the topper was watching the children being subjected to a kind of psychological torture--merely by being forced to appear in it--that drove me out of the theater pulling my hair. I'm guessing the filmmakers decided to test audiences to see just how much of this boredom they would bear in the name of art.
I really enjoyed the first half of this oddball 'documentary', in it's dark humored portrait of two aging eccentric sad sack alcoholics, and their 'us against the world' friendship. It feels like something out of Jim Jarmusch, or a less wacky "Toni Erdman". But at least on first viewing, the 2nd half --which grows somewhat more serious as one of the men tries to kick his alcohol addiction -- also felt more a little more familiar and even emotionally manipulative.
The question also arises 'how much of this is staged?'. While the film calls itself a documentary (something I was not aware of as I watched it), and the film-makers have said they were essentially only flies on the wall for the 2 years of filming, everything from the intimacy of some of what they filmed (e.g. filming in the middle of the night in people's homes, or filming in a hospital and showing various nurses and patients, all of whom seem unaware of and/or unfazed by the camera), to the camera angles, to sometimes seeming to have multiple angles on a scene, bespeak at least some level of controlled or scripted storytelling is going on here.
In addition, if these men are truly are in the self destructive state we see, then the film starts to feel cold and uncaring. It's one thing to enjoy the decline of fictional characters in a black comedy, another if these are real people seriously discussing suicide, and slowly drinking themselves to death.
I need to see this one again.
The question also arises 'how much of this is staged?'. While the film calls itself a documentary (something I was not aware of as I watched it), and the film-makers have said they were essentially only flies on the wall for the 2 years of filming, everything from the intimacy of some of what they filmed (e.g. filming in the middle of the night in people's homes, or filming in a hospital and showing various nurses and patients, all of whom seem unaware of and/or unfazed by the camera), to the camera angles, to sometimes seeming to have multiple angles on a scene, bespeak at least some level of controlled or scripted storytelling is going on here.
In addition, if these men are truly are in the self destructive state we see, then the film starts to feel cold and uncaring. It's one thing to enjoy the decline of fictional characters in a black comedy, another if these are real people seriously discussing suicide, and slowly drinking themselves to death.
I need to see this one again.
Details
- Runtime1 hour 47 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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