Four tales unfold in writer-director Wes Anderson's anthology of short films adapted from Roald Dahl's beloved stories.Four tales unfold in writer-director Wes Anderson's anthology of short films adapted from Roald Dahl's beloved stories.Four tales unfold in writer-director Wes Anderson's anthology of short films adapted from Roald Dahl's beloved stories.
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I read these stories in the early eighties as a child, and they have never left my consciousness. They're gripping, sinister, disturbing and yet also greatly uplifting. You never forget having read Dahl's work, especially the more adult work. It's uniquely compelling, beautifully written stuff and should rightfully take its place amongst the established greats of twentieth century literature.
They transferred passably well to television in the 1980's as Tales of the Unexpected in a very straight up and slightly cliched manner. However, Wes Anderson's adaptations are superb. They take all the language, style, wit and intelligence of Dahl's writing and combine it with his own wit, style, intelligence and visual language. The amalgamation is deeply entertaining, intellectually fulfilling and wholly satisfying. As befits Dahl's stories, the film is unusual in the telling and quite unsettling. I can understand why some might find it difficult, it's better for it. I absolutely love this.
They transferred passably well to television in the 1980's as Tales of the Unexpected in a very straight up and slightly cliched manner. However, Wes Anderson's adaptations are superb. They take all the language, style, wit and intelligence of Dahl's writing and combine it with his own wit, style, intelligence and visual language. The amalgamation is deeply entertaining, intellectually fulfilling and wholly satisfying. As befits Dahl's stories, the film is unusual in the telling and quite unsettling. I can understand why some might find it difficult, it's better for it. I absolutely love this.
These four short stories are brilliant. With Wes' style it's like a match made in heaven. The stories almost feel like bed time stories. And the cast choice was superb. The only member i didnt like was Richard Ayoade, just because his lifeless acting and voice annoys me 😂. First time watching all these in the big combined film
Story 1 - ' The Wonderful Story of Henry Sugar', was great seeing Benedict in a Wes production. And the arc it took was supering interesting.
Story 2 - 'The Swan', was effortlessly told by Rupert Friend. Never seen him before, very talented.
Story 3 - 'The Rat Catcher', Ralph finnes at his best. Diving into this character, creepy, the voice, costume and mannerisms
Story 4 - 'Poison', was brilliant as Dave Patel & Bendicts chemistry was great. Would love to see these two together for future wes productions. Was quite comical which I loved.
Story 1 - ' The Wonderful Story of Henry Sugar', was great seeing Benedict in a Wes production. And the arc it took was supering interesting.
Story 2 - 'The Swan', was effortlessly told by Rupert Friend. Never seen him before, very talented.
Story 3 - 'The Rat Catcher', Ralph finnes at his best. Diving into this character, creepy, the voice, costume and mannerisms
Story 4 - 'Poison', was brilliant as Dave Patel & Bendicts chemistry was great. Would love to see these two together for future wes productions. Was quite comical which I loved.
The Wonderful Story of Henry Sugar and Three More (2024) is the final movie in Wes Anderson's filmography that I watched for the first time ever and it was awesome.
Positives for The Wonderful Story of Henry Sugar and Three More (2024): The short stories are very engaging and fun to watch with a fun cast. The cast does a great job with their performances and you have Ralph Fiennes, Benedict Cumberbatch, Dev Patel, Ben Kingsley, Richard Ayoade and Rupert Friend are playing different roles into these short stories. The set designs look great and are having fun with their characters. The dialogue is amazing and very witty. While these stories are separate from each other, they have their own stories with themes that come fill circle by the end of each segment. And finally, this movie has excellent pacing that kept me invested during each short story.
Overall, The Wonderful Story of Henry Sugar and Three More (2024) is a wonderful anthology movie from Wes Anderson and I can't wait for his newest movie coming out later this month.
Positives for The Wonderful Story of Henry Sugar and Three More (2024): The short stories are very engaging and fun to watch with a fun cast. The cast does a great job with their performances and you have Ralph Fiennes, Benedict Cumberbatch, Dev Patel, Ben Kingsley, Richard Ayoade and Rupert Friend are playing different roles into these short stories. The set designs look great and are having fun with their characters. The dialogue is amazing and very witty. While these stories are separate from each other, they have their own stories with themes that come fill circle by the end of each segment. And finally, this movie has excellent pacing that kept me invested during each short story.
Overall, The Wonderful Story of Henry Sugar and Three More (2024) is a wonderful anthology movie from Wes Anderson and I can't wait for his newest movie coming out later this month.
A series of four adaptations by Wes Anderson of Roald Dahl stories. Wes Anderson adapting a Roald Dahl story seems a perfect combination: the clever innocence of Dahl's writing, Anderson's whimsical, stylised direction. It's been done before, to great effect; 'Fantastic Mr Fox' (2009) was brilliant.
However, while none of the episodes are terrible, they are a bit of a mixed bag.
The Wonderful Story of Henry Sugar - 7/10
An interesting plot, some highly engaging characters, some spot-on performances from an all-star cast (Ralph Fiennes, Benedict Cumberbatch, Ben Kingsley, Dev Patel, Richard Ayoade, all in multiple roles) and Anderson's use of seemingly basic effects, props and settings create a whimsical, child-like atmosphere.
On the negative side the matter-of-fact tone makes you feel like you're consuming bullet points of a plot rather than being engrossed in the movie. It's the downside to the whimsicalness, I guess. In addition, I was expecting a punchier ending which never came.
The Swan - 8/10
The best of the lot, with Dahl's emotional story of innocence-meets-thuggery set to Anderson's clever backdrops and special effects and imbued with the usual Anderson whimsicalness and child-like atmosphere. Rupert Friend is great as the narrator.
Not perfect though. The film seemed set up for a powerful ending but this never came, just fizzling out. The Wonderful Story of Henry Sugar was similar - great journey, lacklustre destination. Hopefully this isn't a characteristic of all these films.
The Rat Catcher - 6/10
From the previous two, the style and presentation of the films are a given. A quirky, reasonably engaging story, narration with the narrator talking in short, bullet-point-like sentences, highly-stylised backdrops and props, great performances (in this case from Ralph Fiennes, Rupert Friend and Richard Ayoade).
A less positive aspect has been that while the story is engaging, it has no punchline. It simply fizzles out. The Rat Catcher is no exception.
Here it is a touch worse in that the story never really seems to fully get going anyway. At least the other two had a fair degree of momentum.
Still, it's interesting and watchable enough.
Poison - 6/10
Poison is similar to the other three short films in the series in that it contains narration with the narrator talking in short, bullet-point-like sentences, an engaging story and some quirky backdrops and props. The backdrops are bit less of a factor here, due to this film being set almost entirely in one location.
The other three had a nasty habit of leaving you dangling at the end - setting you up with an engaging, seemingly set up for a powerful ending and then just fizzling out, sans punchline. This one seemed to be heading to buck the trend but, alas, it is more of the same. There is a half-theme around ungraciousness and racism at the end but it really isn't developed well enough to have an impact.
Interesting enough, just don't expect too much of the conclusion.
However, while none of the episodes are terrible, they are a bit of a mixed bag.
The Wonderful Story of Henry Sugar - 7/10
An interesting plot, some highly engaging characters, some spot-on performances from an all-star cast (Ralph Fiennes, Benedict Cumberbatch, Ben Kingsley, Dev Patel, Richard Ayoade, all in multiple roles) and Anderson's use of seemingly basic effects, props and settings create a whimsical, child-like atmosphere.
On the negative side the matter-of-fact tone makes you feel like you're consuming bullet points of a plot rather than being engrossed in the movie. It's the downside to the whimsicalness, I guess. In addition, I was expecting a punchier ending which never came.
The Swan - 8/10
The best of the lot, with Dahl's emotional story of innocence-meets-thuggery set to Anderson's clever backdrops and special effects and imbued with the usual Anderson whimsicalness and child-like atmosphere. Rupert Friend is great as the narrator.
Not perfect though. The film seemed set up for a powerful ending but this never came, just fizzling out. The Wonderful Story of Henry Sugar was similar - great journey, lacklustre destination. Hopefully this isn't a characteristic of all these films.
The Rat Catcher - 6/10
From the previous two, the style and presentation of the films are a given. A quirky, reasonably engaging story, narration with the narrator talking in short, bullet-point-like sentences, highly-stylised backdrops and props, great performances (in this case from Ralph Fiennes, Rupert Friend and Richard Ayoade).
A less positive aspect has been that while the story is engaging, it has no punchline. It simply fizzles out. The Rat Catcher is no exception.
Here it is a touch worse in that the story never really seems to fully get going anyway. At least the other two had a fair degree of momentum.
Still, it's interesting and watchable enough.
Poison - 6/10
Poison is similar to the other three short films in the series in that it contains narration with the narrator talking in short, bullet-point-like sentences, an engaging story and some quirky backdrops and props. The backdrops are bit less of a factor here, due to this film being set almost entirely in one location.
The other three had a nasty habit of leaving you dangling at the end - setting you up with an engaging, seemingly set up for a powerful ending and then just fizzling out, sans punchline. This one seemed to be heading to buck the trend but, alas, it is more of the same. There is a half-theme around ungraciousness and racism at the end but it really isn't developed well enough to have an impact.
Interesting enough, just don't expect too much of the conclusion.
Big fan of Anderson's story in a story-just wasn't as interesting in the story itself. He preserved Dahl's whimsical details while adding his own artistic touch. And the meandering storyline, happening in real time with rearranged stage play- it's the story itself brought into the physical realm. If you love Anderson you'll appreciate the art.
I hadn't read these before but I felt it would have described the story perfectly (would have loved to see the BFG!) My favorite was The Swan - thought provoking, sad, twisted, yet childish in Dahl's classic manner. I personally liked the other stories more than Henry Sugar and was glad I watched the rest.
I hadn't read these before but I felt it would have described the story perfectly (would have loved to see the BFG!) My favorite was The Swan - thought provoking, sad, twisted, yet childish in Dahl's classic manner. I personally liked the other stories more than Henry Sugar and was glad I watched the rest.
Did you know
- TriviaIn the original book the title finishes with six more (short stories) whereas Wes Anderson changed the title to three more to reflect the fact he was only making four movies in total.
- ConnectionsEdited from The Wonderful Story of Henry Sugar (2023)
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- La maravillosa historia de Henry Sugar
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- Runtime1 hour 28 minutes
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