When his past and his debts start to catch up with him, a high-stakes gambler laying low in Macau encounters a kindred spirit who might just hold the key to his salvation.When his past and his debts start to catch up with him, a high-stakes gambler laying low in Macau encounters a kindred spirit who might just hold the key to his salvation.When his past and his debts start to catch up with him, a high-stakes gambler laying low in Macau encounters a kindred spirit who might just hold the key to his salvation.
- Awards
- 1 nomination total
Chik-Ka Lai
- Royale Casino Receptionist
- (as Jessica Whitney Lai)
Margaret Cheung
- Royale Casino Assistant Manager
- (as Margaret Mun-Yee Cheung)
Tsz-Wai Suen
- Grandma Bodyguard
- (as Suen Tsz Wai)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
BE YOUR OWN JUDGE
I will no longer go off imbd user reviews anymore, we live in a time if there's no capes, no old grey haired men flying in the sky, or webs shooting out a boys A** the movie is disliked and labeled as a bad movie, this is why the box office blockbusters are crashing this movie was outstanding from start to finish Colin Farrell's range just keeps expanding his performance alone makes this movie and amazing watch I'm not going to say anything about the movie go see it for yourself and don't go off these reviews, don't even go of this review just watch this for yourself and you be the judge.
Worth a watch for Colin Farrell fans
A three-time loser in Macau attempts to find some way to get into one last game and reverse his fortunes.
I avoided watching this the first time Netflix stuck it in my face. I'm honestly tired of this setup. How many times do we have to watch a gambling addict in a casino before we get to say, "Yeah, I get it"? But this one stars Colin Farrell, and he's been in some really great movies over the past decade or two. Who can forget In Bruges?
Speaking of Bruges, this is set in Macau, another exotic location if, like me, you've never done much travel. It's an interesting place, and it's a bit surprising that Macau doesn't show up in gambling movies more often. One thing you may notice is the vibrant colors, both because North Americans often seem to prefer more muted colors and because the director enjoys being stylistic.
There's a moral to this story, and it's not particularly subtle. It's not particularly hard to guess what it is, either. However, Farrell makes his loser more of a lovable rogue than many actors would probably be able to pull off given the protagonist's issues. When he finally bares his soul, it feels genuine. So, while the story isn't exactly a completely original one, it's pulled off with what I felt was enough talent that I remained interested.
That said, I pulled out my smartphone near the end because it seemed to be going well past the obvious stopping point. If you're interested in Chinese culture, you should find the climax interesting, though. It goes in a direction I wasn't quite expecting, which is always a nice thing in a gambling movie.
This part goes a bit more surreal, which I liked, but I felt it wasn't as original as it could have been, It seemed to take influence from American and Japanese psychological thrillers of the 1990s, which is cool but a bit played out these days.
I enjoyed Colin Farrell's acting. I'd say it's worth a watch if you're a fan. His love interest was also cool, though I didn't feel I got to know her too well. This seems mostly Farrell's show. Besides that, it's a fun watch if you like stylistic movies with a touch of surrealism.
I avoided watching this the first time Netflix stuck it in my face. I'm honestly tired of this setup. How many times do we have to watch a gambling addict in a casino before we get to say, "Yeah, I get it"? But this one stars Colin Farrell, and he's been in some really great movies over the past decade or two. Who can forget In Bruges?
Speaking of Bruges, this is set in Macau, another exotic location if, like me, you've never done much travel. It's an interesting place, and it's a bit surprising that Macau doesn't show up in gambling movies more often. One thing you may notice is the vibrant colors, both because North Americans often seem to prefer more muted colors and because the director enjoys being stylistic.
There's a moral to this story, and it's not particularly subtle. It's not particularly hard to guess what it is, either. However, Farrell makes his loser more of a lovable rogue than many actors would probably be able to pull off given the protagonist's issues. When he finally bares his soul, it feels genuine. So, while the story isn't exactly a completely original one, it's pulled off with what I felt was enough talent that I remained interested.
That said, I pulled out my smartphone near the end because it seemed to be going well past the obvious stopping point. If you're interested in Chinese culture, you should find the climax interesting, though. It goes in a direction I wasn't quite expecting, which is always a nice thing in a gambling movie.
This part goes a bit more surreal, which I liked, but I felt it wasn't as original as it could have been, It seemed to take influence from American and Japanese psychological thrillers of the 1990s, which is cool but a bit played out these days.
I enjoyed Colin Farrell's acting. I'd say it's worth a watch if you're a fan. His love interest was also cool, though I didn't feel I got to know her too well. This seems mostly Farrell's show. Besides that, it's a fun watch if you like stylistic movies with a touch of surrealism.
What movie did people watch?
The Ballad of a Small Player is a stunningly crafted cinematic noir that further proves Colin Farrell's knack for brooding, morally complex roles.
Set against the electric and chaotic landscape of Macau, the film's cinematography is nothing short of breathtaking. The visuals paint the city as both a playground and a prison: rich neon reflections shimmer off rain-soaked streets, casinos glow like sirens calling the desperate, and the humid haze clings to every frame. Even when the film ventures to a rained soaked ocean top village or shadowy back-alleys, the camera finds beauty in the grit-each shot meticulously composed to echo the protagonist's internal decay and eventual rebirth.
Director Edward Berger brilliantly transports the audience into the sensory overload of Macau. You feel the sweltering humidity pressing down, the stickiness of a desperate night spent chasing fortune, the cathartic chaos of monsoon downpour washing away sins long clung to. Berger doesn't merely show this world-he makes the viewer physically inhabit it. The sound of taught rope swaying an ocean barge and the potential for stress induced cardiac arrest become a pulse that drives the narrative forward.
At the heart of this film -- is Farrell's mesmerizing performance as a disgraced British lawyer turned compulsive gambler on the edge of oblivion. His portrayal is raw, vulnerable, and unpredictable-oscillating between self-loathing and flickers of hope. Tilda Swinton, enigmatic as ever, plays a force of both temptation and salvation, her presence commanding and quietly devastating. The supporting cast provides depth and humanity, ensuring the emotional stakes remain grounded even amid high-rolling spectacle.
The storytelling grips from the outset, charting an arc that feels both tragic and uplifting. It is a journey of ruin and redemption, executed with elegance and emotional intelligence. The Ballad of a Small Player is a haunting, visually arresting triumph-one that lingers long after the credits roll. Highly recommend!
Set against the electric and chaotic landscape of Macau, the film's cinematography is nothing short of breathtaking. The visuals paint the city as both a playground and a prison: rich neon reflections shimmer off rain-soaked streets, casinos glow like sirens calling the desperate, and the humid haze clings to every frame. Even when the film ventures to a rained soaked ocean top village or shadowy back-alleys, the camera finds beauty in the grit-each shot meticulously composed to echo the protagonist's internal decay and eventual rebirth.
Director Edward Berger brilliantly transports the audience into the sensory overload of Macau. You feel the sweltering humidity pressing down, the stickiness of a desperate night spent chasing fortune, the cathartic chaos of monsoon downpour washing away sins long clung to. Berger doesn't merely show this world-he makes the viewer physically inhabit it. The sound of taught rope swaying an ocean barge and the potential for stress induced cardiac arrest become a pulse that drives the narrative forward.
At the heart of this film -- is Farrell's mesmerizing performance as a disgraced British lawyer turned compulsive gambler on the edge of oblivion. His portrayal is raw, vulnerable, and unpredictable-oscillating between self-loathing and flickers of hope. Tilda Swinton, enigmatic as ever, plays a force of both temptation and salvation, her presence commanding and quietly devastating. The supporting cast provides depth and humanity, ensuring the emotional stakes remain grounded even amid high-rolling spectacle.
The storytelling grips from the outset, charting an arc that feels both tragic and uplifting. It is a journey of ruin and redemption, executed with elegance and emotional intelligence. The Ballad of a Small Player is a haunting, visually arresting triumph-one that lingers long after the credits roll. Highly recommend!
Saw its premiere at TIFF today.
Loved the performances in this movie. The setting was perfect. Macau is beautifully depicted, not just as a backdrop but as part of the story itself. Well acted and filmed, with Colin Farrell and Fala Chen bringing real depth to their characters. Some shots in the movie are really nice, capturing both the glamour and the loneliness of Doyle's world. I liked the story and message as well, about chance, redemption, and the people we meet along the way.
Redemption of a Hungry Ghost
Ballad of a Small Player is a visually hypnotic tale of addiction, alienation, and redemption. Directed by Edward Berger and starring Colin Farrell, it follows a self-styled British gambler spiraling through Macau's neon-lit casinos. The film's fusion of noir, psychological drama, and spiritual allegory turns the city itself into a haunting character. Farrell gives a magnetic performance, both desperate and dignified, embodying a "hungry ghost" consumed by endless desire. I enjoyed the story's atmosphere and Farrell's depth, though the side characters, especially Dao Ming, could have been more developed to balance his journey. While the plot leaves redemption ambiguous, the film's mood, visuals, and themes of cultural dislocation and craving make it a beautifully crafted exploration of loss and longing-less about winning and more about what's left when the gamble ends.
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Did you know
- TriviaThis is the first film in which Colin Farrell and Tilda Swinton have appeared together since The War Zone (1999). In that earlier film, Farrell had one of his first speaking parts and played the boyfriend of Swinton's daughter, whereas in this film their characters are closer in age.
- Crazy creditsDuring the final credits, we see the characters played by Colin Farrell and Tilda Swinton dancing in the large ballroom.
- ConnectionsReferenced in Bio min Bio podden: Bugonia, Ballad of a Small Player och The Goonies (2025)
- SoundtracksReunion in a Place of Light
Written by Lin Zhiyi
Performed by Zhi Zhi Shi Lin Zhi Zhi
By arrangement with Friendly Fire Licensing
Courtesy of Kanjian Music
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Details
- Release date
- Countries of origin
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- Also known as
- Балада про дрібного гравця
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 41m(101 min)
- Color
- Sound mix
- Aspect ratio
- 2.20 : 1
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