Directed by
Matt Harlock |
Writing Credits (in alphabetical order)
Matt Harlock |
Cast
Hussina Raja | ... | Daisy | |
Kellie Shirley | ... | Kelly | |
Joe Sims | ... | Mikey | |
Simon Meacock | ... | Stranger | |
Laura Evelyn | ... | Majorie | |
|
Richard Glover | ... | David Sykes |
Danny Horn | ... | Will Mercer | |
Neal Ward | ... | Neil | |
Charlotte Pyke | ... | Melissa Varney | |
Michele Moran | ... | Maggie | |
Solomon Israel | ... | Dax | |
Laila Pyne | ... | Pub Landlady | |
|
Darren James King | ... | Harry |
|
Marie Osman | ... | Cleo |
|
Maria-Anna Kyriacou | ... | Millie |
Jake Mavis | ... | Josh | |
|
Paul Glynn | ... | Fake Shemp |
|
Simon Lukacs | ... | Oliver Roman |
Produced by
Josh Barnes | ... | executive producer |
Chris Blaine | ... | associate producer |
Mike Chapman | ... | executive producer |
Evrim Ersoy | ... | executive producer |
Matt Harlock | ... | executive producer / producer |
Fatima Hayward | ... | executive producer |
Daniel Hewitt-Teale | ... | executive producer |
Oliver Kendall | ... | executive producer / producer |
Laura Kirby | ... | executive producer |
Carl Pappenheim | ... | executive producer |
Colin Pons | ... | associate producer |
Paul Thomas | ... | associate producer |
Paul Harry Thomas | ... | executive producer |
Music by
Adam Stafford |
Cinematography by
Stuart White |
Editing by
Chris Blaine |
Casting By
Zita Zutic Konak |
Production Design by
Jason Synnott |
Art Direction by
Jing Kam |
Costume Design by
Henry Pan |
Makeup Department
Will Harvey | ... | prosthetics assistant |
Sinead Kelly | ... | makeup artist |
Dan Martin | ... | Prosthetics designer |
Nicola O'Rourke | ... | makeup designer |
Megan Elizabeth Orton | ... | makeup artist |
Laura Odette Phipps | ... | on set prosthetics supervisor |
Production Management
Vicky Hawes | ... | post-production supervisor |
Oliver Kendall | ... | production manager |
Second Unit Director or Assistant Director
Emmy Brown | ... | second assistant director |
Stefani Nedanova | ... | third assistant director |
Danny Scott-Smith | ... | first assistant director |
Sound Department
Jonathon Cawte | ... | foley artist |
Tom Chilcott | ... | foley recordist |
Emily Compton | ... | boom operator |
George Ireland | ... | sound mixer |
Adam Palmer | ... | foley recordist |
Alex Short | ... | foley recordist |
Graeme Willetts | ... | sound recordist |
David Yapp | ... | sound designer |
Special Effects by
Elliot Lidgey | ... | fabrication |
Dan Martin | ... | special effects designer |
Visual Effects by
Josh Bower | ... | digital artist |
Cecile Ceppi | ... | compositor |
Sid Harrington-Odedra | ... | visual effects supervisor |
Ashton Hertz | ... | Executive Producer |
Stanton Waro | ... | visual effects |
Matt Young | ... | Post Producer |
Stunts
Tony Lucken | ... | stunt coordinator |
Camera and Electrical Department
Manu Amler | ... | first assistant camera |
Micheal Doran | ... | lighting technician |
Lauren Eldon | ... | lighting technician |
Daniel Emilov Svilenov | ... | gaffer |
Milo Sharpe | ... | lighting technician |
Grace St George | ... | second assistant camera |
Yared Stephenson | ... | second assistant camera |
Alex Styles | ... | lighting technician |
Costume and Wardrobe Department
Luiza Oliveira | ... | costume assistant |
Linda Savini | ... | costume assistant |
Editorial Department
Franz Ketterer | ... | on-line editor |
Music Department
Ceylan Hay | ... | musician |
Robbie Lesiuk | ... | Recording Engineer |
Natalia Maus | ... | Music Advisor |
Patricia Arévalo Puerta | ... | singer |
Andréas Toressi | ... | singer |
Andréas Torresi | ... | musician |
Script and Continuity Department
Paul Glynn | ... | script supervisor |
Richard Pengelley | ... | script consultant |
Additional Crew
Kidist Adamu | ... | runner |
Arlo Carter | ... | Runner |
Justine Franco-Okedigun | ... | runner |
Erin Large | ... | Scheduling 1st Assistant Director |
Max Rolles | ... | Runner |
Thanks
Josh Bower | ... | special thanks to |
Greg Duffield | ... | thanks to |
Jimmy Kiddell | ... | thanks to |
Tony Lucken | ... | special thanks to |
Paul Murphy | ... | thanks to |