Jafaican

This has to be one of the most controversial movies released this year. There is alot of commentary regarding the plot, acting ability and topic, not all positive I must say... however at times there is a necessity to see before you believe and I would encourage you to do exactly that before making a judgement. I for one enjoyed the movie, understood its intension and lighthearted humour whilst celebrating a culture with icons from a generation I crew up with. In America a rising star called Spike Lee was once embraced by his community to pursue his talent, recognising an opportunity to showcase topics to a wider audience historically blockaced from main stream entertainment. Fredi Nwaka is a talented British born film director ready to distrup the status quo of the British film industry, let's not miss out on our opportunity. 🙏🏿👏🏿👏🏿

Jafakean is total garbage. If the IMBD rating system allowed me to offer a minus rating, I would have dropped one on it FAST. Enlisting the services of notorious sell out Sizzla (remember his forgettable collabos with the talentless DJ Khaled?) won't imbue this trash with any credibility. We understand that Jamaican culture is coveted across the globe and one of the fastest ways for Black non-Jamaican producers to raise funds for their projects lies with emphasising a Jamaican connection, no matter how tenuous, but this outing provides zero example of creativity, has zero credibility and worst of all? It is so TEDIOUS my teenage grandson preferred to retire to bed, rather than watch to the end. A first, he usually has to be banished to his room kicking and screaming on a weekend. Rejoice. A cure for insomnia has been discovered. A big fat Zero on EVERYONE involved in this yesterday's chip wrapping of a movie.

I appreciate that this is a very low-budget film (boy does it show), but it amazes me that a bunch of people get together in the hope that their particular cheap film, will defy the odds and become a cult or must-see movie. Occasionally it does happen, but when it does, it's because of something special, an original script, a stand out performance, decent direction, anything. This has none of those things. Every aspect of the film is bad amateur dramatics. It comes over like a very badly put together school play and like all school plays the only people who should be subject to having to sit through it are parents and relations. Seriously stay at home and wash your hair. Life is too short.

I saw this at the cinema last night, and for all the controversy and slating of this film, I found it a genuinely enjoyable way to spend an hour and a half and believe the intent of all involved is good. It's quite cliched in places, and very much had echoes of movies like Lock Stock & Two Smoking Barrels, but neither of those are necessarily bad things. My only real criticism was that the ending felt a little rushed and unfinished. If you're looking for a high-brow challenging movie, then this is absolutely not for you. However if you've got a soft spot for late 90s mockney gangster style comedies and just want an hour and a half of entertainment, you could do a lot worse.

"Gazza" (Peter Andre) is in the boozer regaling his mates with a story that is so remarkable that his best mate "Johnzie" (Jamie Lomas) thinks it's going to blow their socks off. He was facing disaster with his beloved nan looking like she was about to be turfed out of her care home unless he can find £35,000! There is virtually no hope he can manage this until he discovers that he is the doppelgänger of an imprisoned Jamaican gangster who is about to inherit a $3 millions. He comes up with a plan to learn the patois, don the dreads and head to the sunshine with his mentor "Winston" (Wil Johnson) to try and convince the local population that he is the true heir! Can he pull it off? Preposterous? Well, yes. It's clearly a labour of love for Andre and director Fredi Nwaka who did just about everything on this production, but the film just doesn't work. The script is weak and contrived and even though the supporting cast, especially the scene stealing "Uncle Godfrey" (Oliver Samuels) do inject some life into the film at times, the whole production is little better than amateur and misses way more than it hits. There's a lively soundtrack but that's about the height of it.