IMDb RATING
7.4/10
4.7K
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Fourteen-year-old Maria is a fundamentalist Catholic, living her life in a modern fashion, yet her heart belongs to Jesus. She wants to be a saint and go to heaven. No one, not even a nice b... Read allFourteen-year-old Maria is a fundamentalist Catholic, living her life in a modern fashion, yet her heart belongs to Jesus. She wants to be a saint and go to heaven. No one, not even a nice boy she meets, can stop her in this goal.Fourteen-year-old Maria is a fundamentalist Catholic, living her life in a modern fashion, yet her heart belongs to Jesus. She wants to be a saint and go to heaven. No one, not even a nice boy she meets, can stop her in this goal.
- Awards
- 9 wins & 8 nominations
Michael Kamp
- Vater
- (as Klaus Michael Kamp)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe fictitious Society of St Paul is based on the Society of Saint Pius X, a traditional Catholic Church organization of which the German co-writer Anna Brüggemann, and her director brother Dietrich Brüggemann, had first hand experience.
- ConnectionsReferenced in Film '72: Episode dated 17 December 2014 (2014)
- SoundtracksThe Look
Performed by Roxette
Featured review
Religious dramas are pretty uncommon in movies these days. I am guessing this is on account of this being a highly contentious subject which is tricky to bring to the screen, while serious studies of the subject tend to only appeal to a small demographic. Not being religious myself, I was a bit wary when approaching this one and wasn't entirely convinced I was going to like it. So, it was a pleasant surprise for me when I discovered that Stations of the Cross was a very engrossing film indeed. The story follows a teenage girl from a fundamentalist Catholic family who simultaneously tries to meet the strict demands of her faith while dealing with her more human desires. The events occur during the highly intense period when she prepares for Confirmation.
Ultimately, this film warns of the destructive potential of organised religion, in particular religious extremism. In this instance the fundamentalists believe in old school Catholicism which disregards any forms of modernism. They espouse a view that popular music and social media are satanic and personal sacrifice is to be encouraged. The film opens with a scene where a priest teaches young teens that sometimes death is better than moral failure. When I watched this opening scene, it did educate me in matters pertaining to religious practise and belief, yet it also reminded me how absolutely none of it makes the slightest bit of sense to me. It is detailed and ingrained yet highly absurd and illogical to me.
The movie itself is divided into fourteen chapters, which seemingly tell of the various 'Stations of the Cross' that detailed Christ's path to crucifixion. These scenes are dealt with cinematically in a manner which is simultaneously extremely minimalistic yet very bold. They take the form of fourteen long single takes, with all but three featuring static camera shots from one angle. It is a very austere method, yet the form accentuates the content and never feels for its own sake at any point. The intensity of the drama is enhanced by these extended takes and the serious tone of the material amplified. By the very nature of this approach, this calls for strong acting and excellent acting is what we certainly get here. Lea van Acken puts in a beautiful performance as the highly sympathetic tragic central character of Maria; it is a very mature turn from a teenage girl and highly effecting. Franziska Weisz is the other significant presence as her fundamentalist mother; a frighteningly monstrous character whose blind intolerance drains the life and vitality of all that surrounds her.
All-in-all, this one definitely qualifies as a very powerful bit of cinema. It challenges yet engages, has interesting things to say and does so using a very bold presentation. Definitely one to take a chance on.
Ultimately, this film warns of the destructive potential of organised religion, in particular religious extremism. In this instance the fundamentalists believe in old school Catholicism which disregards any forms of modernism. They espouse a view that popular music and social media are satanic and personal sacrifice is to be encouraged. The film opens with a scene where a priest teaches young teens that sometimes death is better than moral failure. When I watched this opening scene, it did educate me in matters pertaining to religious practise and belief, yet it also reminded me how absolutely none of it makes the slightest bit of sense to me. It is detailed and ingrained yet highly absurd and illogical to me.
The movie itself is divided into fourteen chapters, which seemingly tell of the various 'Stations of the Cross' that detailed Christ's path to crucifixion. These scenes are dealt with cinematically in a manner which is simultaneously extremely minimalistic yet very bold. They take the form of fourteen long single takes, with all but three featuring static camera shots from one angle. It is a very austere method, yet the form accentuates the content and never feels for its own sake at any point. The intensity of the drama is enhanced by these extended takes and the serious tone of the material amplified. By the very nature of this approach, this calls for strong acting and excellent acting is what we certainly get here. Lea van Acken puts in a beautiful performance as the highly sympathetic tragic central character of Maria; it is a very mature turn from a teenage girl and highly effecting. Franziska Weisz is the other significant presence as her fundamentalist mother; a frighteningly monstrous character whose blind intolerance drains the life and vitality of all that surrounds her.
All-in-all, this one definitely qualifies as a very powerful bit of cinema. It challenges yet engages, has interesting things to say and does so using a very bold presentation. Definitely one to take a chance on.
- Red-Barracuda
- Dec 6, 2017
- Permalink
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Details
Box office
- Gross US & Canada
- $1,505
- Opening weekend US & Canada
- $688
- Jul 12, 2015
- Gross worldwide
- $74,509
- Runtime1 hour 50 minutes
- Color
- Aspect ratio
- 2.35 : 1
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