Songs My Brothers Taught Me

« Songs My Brothers Taught Me » invites you to discover life in a Native American reservation, namely Pine Ridge Reservation in South Dakota. But definitely not in a superficial way: you will not find yourself on the side of a dusty road buying Indian trinkets and other souvenirs before having a couple of pancakes at the local restaurant and inserting a few coins into a slot machine at the local gambling house. No, this is real life indeed; and by real I mean drab, monotonous, without scope. Not that such a life is not worth living at all : the hero, Johnny Winters, a young Oglala Indian, does experience a few good times: in his final year of high school, in company with his thirteen-year-old sister Joshaun who is very fond of him and naturally with his beautiful girlfriend Aurelia.

But apart from social or personal intercourse, there is not much to do or to hope for in Pine Ridge. As far as employment is concerned, now that he is graduated, our young Native American struggles to get by while accommodating his mother and sister. A weak income earned from selling alcohol, not only a menial job but an illegal one into the bargain since drink is banned on the reservation's grounds. A better position is out of the question, the opportunities within a reservation being close to zero.The only hope for him to make a decent living is to get away from his place of birth. To this purpose he plans to accompany Aurelia to Los Angeles, where she is to further her studies. But that will mean leaving Joshaun behind. And the question is: will the sensitive little girl cope with the ordeal? And how will Johnny manage to square the circle?

As can be seen, a psychological side adds up to the sociological interest. Also the writer of the script, Chloé Zhao masters this dimension brilliantly. The characters (Johnny, his sister, his mother, the tattooist...) are as well drawn as is the aspect of life in the reservation. And the young Oglala's questions and expectations as well as his moral dilemma are examined in depth. Which makes this film a full immersion not only in the everyday life of a seldom shown environment but also a plunge into the psyche of several of its inhabitants. Very well interpreted by John Reddy as Johnny and the touching Joshaun St. John as his loving little sister, Chloé Zhao's movie could qualify as a masterpiece were it not a few defects: a rather disorganized, improvised approach and one or two tedious passages. But it is a first film after all and that should not be enough to deter you from watching this rare foray into a territory little seen on the big screen, thus getting to know worthwhile people you would be unlikely to meet in the flesh in real life.

First time director Chloe Zhao takes her cues from Terrence Malick in this beautiful portrait of two siblings on the Pine Ridge Res.

DeShaun is the youngest of two full biological siblings, taken care of by her older brother Johnny, who is about to graduate high school. A 3rd full sibling, Cody, is imprisoned, while the siblings' mother doesn't quite seem up to the task of taking care of any of her children. As graduation approaches Johnny faces a difficult decision; stay on the res where opportunity is limited but where he can take care of his sister and mother, or leave for L.A. where he knows no one and has nothing, in order to follow his girlfriend who has a full ride scholarship and who will be living in the dorms at school.

There's not a huge amount of plot outside this main conflict and the characters mostly amble in and out of situations and conversations with very little narrative threads connecting them. But Zhao remains committed to capturing the joys and hardship of residential life where everyone has to hustle for money but beauty, friends and family are everywhere to be seen.

Watched this to see Chloé Zhao's debut feature and was rewarded with a slow immersion into life on an Indian Reservation in South Dakota. There's a loose plot about a brother and sister who, after the death of a distant father figure, are working out what the future holds for them, but this is much more "scenes from the reservation".

It reminded me of Gummo (a film I love) in its depiction of a world almost without authority figures, where tragedy (In Gummo, a tornado, here; a loss of culture generations past, and decimation from alcohol) seems to leave the inhabitants disoriented, struggling to know what to do.

The performances from the non-professional cast are stellar. Zhao has somehow managed to capture what seems like a slice of real life but in a way that makes even a difficult life seem beautiful and achingly close to something bigger.

I have yet to see The Rider, or Nomadland, but from what I've seen of them, they look to have a similar energy. That Marvel tapped Zhao to direct the upcoming Eternals movie is fascinating. It will be interesting to see how this aesthetic looks when it has a bigger budget, but also must serve a wider audience seeking the next step in a connected narrative. I believe Zhao will deliver something special.

The director, Chloe Zaho said she's hoping "for the audiences to leave the theater feeling that they have gotten to know a group of very complex characters and to have a glimpse into just how diverse and vivacious the Lakota people of Pine Ridge really are, instead of the two dimensional stereotypes we often see represented in today's dominant culture". Well, it's a success.

This movie spoke to me of love and care. Of family - in the most broader sense that this big concept can be stretched to - and belonging. Of home and community. There's something real sweet about it... A real tenderness in the way it is filmed, in the way these characters' stories are told. Some sort of hope in the face of the disappointments and obstacles they may and do encounter. A hope that lies in the love and care of the siblings, Jashaun & Johnny for one another and, more broadly, in the bound the people of Pine Ridge have to each other - and for some to the land itself.

This is a stunningly true to life and tender movie. I had just watched Sky, in which Native Americans and their connections with a white woman were portrayed through the lens of a European romantic fantasy about NA life in America. Songs was the opposite - unsentimental, unsparing and filled with beautifully understated acting that let the story breathe. The photography was exquisite - I know that country and found myself longing to be there. The ragged weave of the story was precisely how life is lived by so many of us - no big epiphanies, no smarmed up resolutions, no miracles except for how people can hold fast to love. I thank the film-makers for their deep respect for the people and their recognition of the way the land is the base of hope for far too few of us.