Metacritic reviews

Cutting between present, childhood, and recent past, Bispuri constructs a subtle, richly emotional collage.

Given its nearly episodic structure, formal choices, and similar thematic inquiries, Sworn Virgin suggests an unofficial remake of Vivre Sa Vie.

Uplifting in a tiny, understated and very authentic way, Sworn Virgin shows us gently how its possible to be living in exile in the world you know best, and how it's possible to come home to a place you've never been before.

A poignant study of gender politics enshrined within an anthropologically fascinating drama.

The real-life setup is a knockout, both ancient and timely, and even though Rohrwacher never quite passes — she looks too much like Barbra Streisand’s "Yentl" — the movie is on to a larger point, namely about the fluidity of sexual identity and our universal penchant for self-reinvention. The film builds slowly but deserves an audience eager to discuss it.

It feels like every script-reader in the Italian-Swiss-German-Albanian-Kosovo coproduction cut out a line of dialogue in each scene, leaving behind an irritating silence and an enigmatic puzzle for the audience to second-guess.

The script puts artsy effect before character credibility.

[A] sensitive, deliberate debut feature.

Although Ms. Rohrwacher captures Mark’s uncertain, shifting physicality, the movie doesn’t always succeed in getting inside the character’s head.

Sworn Virgin is not the first film to give the impression that, in current European art cinema, religion is the one subject that dare not speak its name.