A modern-day witch uses spells and magic to get men to fall in love with her, with deadly consequences.A modern-day witch uses spells and magic to get men to fall in love with her, with deadly consequences.A modern-day witch uses spells and magic to get men to fall in love with her, with deadly consequences.
- Awards
- 3 wins & 5 nominations
April Schutte
- April Showers
- (as April Showers)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhile writing the script for The Love Witch, Anna Biller had been reading relationship self-help books, and one particular piece of advice that stuck out to her was that if a woman wants to keep a man around, she should love him less than he loves her. She noticed a parallel between this advice and the female characters in classic cinema who love someone to death such as Ellen in Leave Her to Heaven (1945), so she decided to created the character Elaine in the same vein.
- GoofsElaine performs a seductive dance for Richard, causing him to bite her rear end in a fit of lust. Before he bites her, red bite marks are already visible on her right buttock from previous takes.
- ConnectionsFeatured in Brows Held High: The Love Witch's Subtle Cinematic Subversion (2017)
Featured review
It´s been said, "The Love Witch" is technically brilliant. The imitation of older genre films is perfect. It´s not only the visuals, the scenery or the costumes, the sound design is just as good and every single character seems to be taken from another era. Even transitions from scene to scene are excellent. Anna Biller has a complete understanding of the movies she wants to emulate. It´s almost witchcraft.
From a feminist standpoint, it isnt´t subtle. I´m not sure if it should be taken entirely serious. I find it deceitully simple, though, and quite clever but it does at times seem taken from another era as well. The truth is i don´t get it completely. This film, feminist or not, is certainly feminine. The most feminine film I´ve ever seen. It´s a woman´s art, a woman´s idea, a woman´s everything. It´s absolutely drowning in estrogen.
The question is, if "The Love Witch" was actually a late 60s film would it be any good? I have no idea but I´m guessing it´s irrelevant. Revivalism is a crucial element. It uses older esthetics to prove a point now. The comedy works better in a 21st century context. It might be too long and slow, I´d recommend watching it in the morning, not a popular time to watch movies but a lot films work better that way, and this is definitely one of them.
From a feminist standpoint, it isnt´t subtle. I´m not sure if it should be taken entirely serious. I find it deceitully simple, though, and quite clever but it does at times seem taken from another era as well. The truth is i don´t get it completely. This film, feminist or not, is certainly feminine. The most feminine film I´ve ever seen. It´s a woman´s art, a woman´s idea, a woman´s everything. It´s absolutely drowning in estrogen.
The question is, if "The Love Witch" was actually a late 60s film would it be any good? I have no idea but I´m guessing it´s irrelevant. Revivalism is a crucial element. It uses older esthetics to prove a point now. The comedy works better in a 21st century context. It might be too long and slow, I´d recommend watching it in the morning, not a popular time to watch movies but a lot films work better that way, and this is definitely one of them.
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Details
Box office
- Gross US & Canada
- $228,894
- Opening weekend US & Canada
- $17,980
- Nov 13, 2016
- Gross worldwide
- $258,576
- Runtime2 hours
- Color
- Aspect ratio
- 1.85 : 1
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