Metacritic reviews

So, where do Shadyac and Atchison expect audiences to direct their frustration at such a miscarriage of justice? Well, that’s what makes “Brian Banks” special: It is not an angry film, but one that preaches forgiveness in the face of such adversity.

On one level, Brian’s story is meant to be inspirational; the real Banks would ultimately go on to play in the NFL. But it is also a painful reminder of how young black people still face overwhelming disadvantages. The film leaves you wondering: What might have happened if Brian hadn’t been a talented linebacker?

Hodge’s performance is what keeps Brian Banks on track. He is powerful in scenes of anger, but he may be even better in purely silent moments where his unspoken reactions are eloquent.

Conventional but effectively so, more tense and involving than might be anticipated as obstacles pile on obstacles, this emotionally affecting story knows enough not to push too hard and reaps the benefits from its relative restraint.

Brian Banks proceeds non-chronologically, toggling between high school years and Banks’ post-prison life. This helps keep the audience on its toes. But it’s the actors who complicate things most fruitfully.

Despite some real virtues, Brian Banks as a whole, is only a break-even experience.

Perhaps the worst thing a film can be, even more so than the binary of good or bad, is forgettable.

This is a movie that seems utterly convinced that it’s saying something profound, but proves difficult to actually parse.

Hodge sells it, just as he sells the rest of an otherwise chintzy film, a Lifetime movie-like drama that falls short of engaging with the many thorny issues it dramatizes.

Shadyac’s movie may ask difficult questions about the ills that society grapples with today, but it tackles them in a shallow, facile, sometimes uncomfortably out of touch manner.