berlinkubaner

This is a film which definitely makes an intelligent audience think. Beginning with its title, and on to its mysterious locations, characters and situations, this is a wonderful film addressing issues pertinent to all generations, and any culture. The script, the acting (particularly the village dwellers), and the art direction are especially outstanding and creative.

As a bonus, the movie provides an opportunity to view a seldom-seen national cinema (at least in the West), namely Bulgarian cinema. Besides the film itself which will leave you thinking for a long while, after watching this, you may wonder what other pearls like this one from Bulgaria remain unseen by other audiences, and why?

The above said, the film is typical of its director late in his career. The 96 year old Portuguese master, said to be the oldest major director still working, is known for the above traits in most, if not all, his films in the past decade.

While that style worked for me in 5 or 6 of his last 9 films I've seen, I expected more from a film billed as a historical epic. In my view, the film did little to advance my knowledge about this legendary Portuguese king, Sebastian. The synopsis read prior to my viewing gave me all the insight I still have.

I learned next to nothing about this king in the 2 hours plus (seems like 3 hours) duration of the movie. The script certainly did very little to explain why he is an enigmatic legend. In fact, there is only vague reference to his upcoming battle against the heathen Muslims, the main theme the director wanted to explore in the film according to his interviews.

That relevance to today's "battle" between the Christian Western World and the Muslim World is indeed timely. However, unless one is told in advance by a film festival catalog, a review, or the director's own comments, one would probably not notice this supposed statement at all. But knowing in advance, I looked for this relevant message, this connection between the sixteenth century and today in the most subtle ways. I just could not find it. I hope other users can see more in this film than I did. And if they do, please write about it.

Paris, 1914. A well-known psychiatrist becomes more and more involved with his patient Marie, an illiterate but kinky seamstress. They both share a fetish for silk...a strong sexual one.

So far, not so strange for a French art film. But it gets more interesting as the psychiatrist develops a thesis - one about this fetish. This thesis and the real fetish both characters share blend into one weird love story indeed. Many have found the plot especially well written. It won the award for Best European First/ Debut Script at Angers in 1994.