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6/10
Rushmore redux
26 February 2009
I found this to be a second-rate rehash of Rushmore. Second-rate movies being almost as good as first-rate, that means this is a pretty good film. Just not as good as Rushmore.

I am not sure why they require a minimum of 10 lines in each comment, but the above three lines encapsulate all I have to say about Igby Goes Down, and the rest of this is just filler. I apologise, but then again I didn't make up the 10 line rule. I'm not sure if the blank lines between paragraphs count (probably not), but at this point I'm only up to 9 lines. Just a few more words of blather and I'll be good to go. Is this far enough? We'll see...
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Cloud Dancer (1980)
Kung-Fu Flying!
30 September 2004
I remember seeing parts of this movie back in the 80's on Showtime or HBO or The Movie Channel or something like that, and being somewhat taken aback that they were showing aerobatics in prop-driven airplanes in a movie that wasn't a period piece!

I had a very difficult time tracking this down to rent, and had to pay a $150.00 deposit when I finally did.

The first 10 minutes alone were worth the price of the rental: excellent shots from inside and outside of the cockpit, fairly well edited. Anyone who is remotely interested in aerobatic flying will love this film.

As for the rest, the acting was poor and the plot was worse. But the flying made it all worthwhile!

PS They did an excellent job of making it look like David Carradine was actually flying the airplane. I assume that they used a two-place Pitts for the inside-cockpit shots, and Mr. Carradine really made it look like he was flying, rather than just being along for the ride! Fung-Ku pilot! It would have been better if they'd had him pack all his belongings in a tiny bedroll and head for the next airport on foot or something else more in the spirit of his old TV show.
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This movie got me interested in jazz!
11 September 2004
Before seeing this movie, I wasn't much into Jazz, focussing most of my musical interest in rock: especially punk, new wave, classic, and industrial.

This movie completely blew me away! I had never seen piano performance before (or since) that was remotely like this. Seeing Thelonius play made me realize that I had been entirely neglecting a musical genre that was at least as cutting edge as the rock I had been subsisting on.

_Straight, No Chaser_ works because Eastwood and the director realized that the best way to present Monk (or perhaps any musician) is to maximize performance footage and minimize commentary. There is copious footage of Monk performing here, and I defy anyone with a sliver of interest in music to watch it and not come away with deeper appreciation of jazz.

His technique must make piano instructors cringe, though!

Jason K.
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Donnie Darko (2001)
A treat at many levels
11 July 2004
Warning: Spoilers
I just saw the Director's Cut, and wow what a film. I would have seen the original cut, but it was only in town for a couple of weeks, so I didn't get a chance to see it. I was excited when it was re-released as the D.C., so I could see it on the big screen. I'm looking forward to renting the original cut, so I can compare the two.

The first thing I noticed about this movie is that it is a sheer pleasure to watch, an observation that I have not seen in any of the comments I've read so far! From the opening scene of Donnie sleeping on the road, to Frank's costume, to the brilliant montages, this movie is more visually appealing than most films I've seen in the past couple of years.

The other compelling aspect I found in this is of course Donnie himself. While I confess that I've never committed arson, nor felt the desire to, I can certainly relate to the craziness of trying to grow up in an environment where the only thing you know for sure is that nothing seems to make any sense, and maybe I'm just as disturbed as Donnie, but being haunted by a ghostly 6-foot bunny rabbit seemed oddly familiar.

I have the feeling there is far more to this movie than what I got at the first viewing, but its scathing commentary on American culture was spot on. (SPOILER AHEAD! ! !) It makes complete sense that the motivational speaker championing the troupe of little girls dressing and dancing like hookers has a secret collection of kiddie porn in a society that vilifies child pornography and child molestation on the one hand, but sexualizes child in advertising.
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Good musical numbers, but terribly unbelievable
27 October 2000
Warning: Spoilers
warning-warning-warning

SPOILERS FOLLOW

warning-warning-warning

I appreciate what Bjork and Lars Von Trier were attempting to do with the way they incorporated the musical numbers in this movie, but there were too many detractors:

1. I personally am tired of the current shakey-camera fad. It reminds of TV commercials trying to scare you into buying life insurance.

2. There were too many cheap emotional shots. It's pretty easy to make your audience feel like c**p by having horrible things happen to a pretty, weepy, altruistic, misunderstood female.

3. It was unbelievable in many key places. Do you really expect me to believe that a rather large man needed a gun to take that bundle of cash from a tiny, blind girl? What woman would believe that her son would be more traumatized by knowing that he might go blind someday than he would be by having his mother executed for murder? And why didn't her lawyer (who was willing to take her case for the exact sum that she had saved) refer her to a public defender when she refused to pay? In this country you cannot sign away your rights even if you want to, and there is no way they would refuse a retrial based on new evidence just because the defendant refused to pay. I could go on, but I'm beginning to feel sick, so I'll stop now.

Take my advice: Just download the music videos and skip the movie.
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