buckboard
Joined Jan 2001
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Reviews5
buckboard's rating
I'm more than a little amused by the current-day huffiness about smoking and other 21st century mores superimposed on a flick made more than 40 years ago. The movie is well-made, well-acted, and authentic--although the script is a little hackneyed. But that's mostly because it's a remake, not just of "Twelve O'Clock High" as pointed out elsewhere in comments, but also of "Above and Beyond" (the scenes between Hudson and Peach virtually mirror those between Robert Taylor and Eleanor Parker), screen-written by Sy Bartlett's collaborator on TOH, Beirne Lay Jr.
Where it fell flat was that it attempted to counter two books that soon after (as a result of Hollywood reaction to the Cuban Missile Crisis) became doomsday movies--"Fail-Safe" (the premise of which was then and eventually was proved by time to be totally false), and one of my personal favorites, "Dr. Strangelove etc". AGOE got caught in the anti-militaristic paradigm shift started by the Cuban Missile Crisis and the Kennedy Assassination, and ended by the Vietnam War.
I was a dependent on an Air Force base when I first saw this movie at the base theater (and at a SAC base when I saw Strangelove), and my friends and I thought the flick was a riot--the depiction of base housing in this and "X-15" were unlike anything we ever lived in!!!! (Jimmy Stewart's first set of quarters in "Strategic Air Command" was closer to the mark.)
It's a good flick--not great, but interesting and representative of its time.
Where it fell flat was that it attempted to counter two books that soon after (as a result of Hollywood reaction to the Cuban Missile Crisis) became doomsday movies--"Fail-Safe" (the premise of which was then and eventually was proved by time to be totally false), and one of my personal favorites, "Dr. Strangelove etc". AGOE got caught in the anti-militaristic paradigm shift started by the Cuban Missile Crisis and the Kennedy Assassination, and ended by the Vietnam War.
I was a dependent on an Air Force base when I first saw this movie at the base theater (and at a SAC base when I saw Strangelove), and my friends and I thought the flick was a riot--the depiction of base housing in this and "X-15" were unlike anything we ever lived in!!!! (Jimmy Stewart's first set of quarters in "Strategic Air Command" was closer to the mark.)
It's a good flick--not great, but interesting and representative of its time.
Peter Gibbons, meet Thadeus "call me Tad" Page. Selling life insurance may have been the 1940's equivalent of a cubicle job, but in any case Tad Page doesn't take to it much better than Peter Gibbons did in "Office Space", and they both appreciate fishing. Henry Fonda is the perfect personality for demonstrating the value of well-timed laziness. Don Ameche was either Alexander Graham Bell or a pleasant schemer in his films (until "Trading Places" at least) and his Dwight Dawson-ambitious-man-with-a-gimmick is nicely drawn here. I also appreciated the subtle manner in which the tune "Lazy Bones" was woven unobtrusively into the background during Fonda's scenes. Watch for it on TCM; worth your time.