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Reviews5
IKeiller's rating
This is a pretty film, often poignant, and a bit too close to the bone at times for my liking. Still, it carries you along quite nicely - making it's point that time grinds marriages down more often than affairs - and then sort of stops.
The leads were great: Willis was really good, Pfeiffer was fantastic (hey, i'm a fan, okay). But, the characters were tough to take. The self-pity was intercut with nice bits of comedy, but it felt like Reiner was cutting from a wake to a pratt-fall on occasions.
The final scenes, with Pfeiffer's frightening display of multi-emotional skill (at once excellent and utterly ghastly), betrayed the characters. Normality was implausibly resumed, and Pfeiffer came across as at fault for taking the whole film to get real, and Willis looked much relieved that she'd taken the sanity pill and he could quit trying to change himself.
And the end was a surprise. I thought there was going to be more: a deeper level of story. But it ended without a sense of closure.
The leads were great: Willis was really good, Pfeiffer was fantastic (hey, i'm a fan, okay). But, the characters were tough to take. The self-pity was intercut with nice bits of comedy, but it felt like Reiner was cutting from a wake to a pratt-fall on occasions.
The final scenes, with Pfeiffer's frightening display of multi-emotional skill (at once excellent and utterly ghastly), betrayed the characters. Normality was implausibly resumed, and Pfeiffer came across as at fault for taking the whole film to get real, and Willis looked much relieved that she'd taken the sanity pill and he could quit trying to change himself.
And the end was a surprise. I thought there was going to be more: a deeper level of story. But it ended without a sense of closure.
This film was stylishly made, exceptionally well cut, and held together by Michelle Pfeiffer's most edgy performance in years. A wonderful experience in the cinema, this film kept surprising me - given the Hitchcock qualities were made obvious (and well respected) from the start - and triggered yelps of shock from the audience.
The story is nothing special - the plot being almost totally given away in the trailers - but the stars and clever direction make it engrossing.
And of the stars: Harrison Ford pulls off intense by way of bemused throughout, whilst Pfeiffer made me more uptight with each sideways glance. It was a relief, incidentally, to see her in a story without soap opera tendencies.
Nope, this film was bloody excellent and, whilst I don't doubt it will fade to a memory of technique and little heart, achieved greater resonance than anything I've seen this year.
The story is nothing special - the plot being almost totally given away in the trailers - but the stars and clever direction make it engrossing.
And of the stars: Harrison Ford pulls off intense by way of bemused throughout, whilst Pfeiffer made me more uptight with each sideways glance. It was a relief, incidentally, to see her in a story without soap opera tendencies.
Nope, this film was bloody excellent and, whilst I don't doubt it will fade to a memory of technique and little heart, achieved greater resonance than anything I've seen this year.
This is as happy a celebration as a 20 year old science fiction programme could hope to have. A mish-mash of Doctors and monsters, it works better as a series of character vignettes than a dramatic story. The episode (it is best viewed as the 90 minute film of the original transmission) ambles spendidly through mini-adventures for all concerned, sort of aiming towards the showdown at the end, but with no great tension for the audience.
It's a little odd to think that we're now another 16 years on.
It's a little odd to think that we're now another 16 years on.