Welcome to the new profile
We're still working on updating some profile features. To see the badges, ratings breakdowns, and polls for this profile, please go to the previous version.
Reviews3
tataglia's rating
I was prepared for the worst - after the Matrix sequels and the reviews, I fully intended to give this one a pass, but my 8 year old daughter wanted to see it, so Speed Racer in IMAX it was. I'm so glad we went. She LOVED it, and so did I. The best cartoon-into-live-action movie ever made, I think. It put me in mind first of Tron, for its visual audacity, and of Altman's brilliant Popeye, the only other film to successfully bring a cartoon character to life, IMO. John Goodman was particularly noteworthy - he was the living embodiment of the anime dad, an amazing feat from a guy with some pedigree in trying to pull off the cartoon character thing.
I feel certain that this film will be revered and imitated in the coming years in ways that the latest Indy film and even Iron Man - excellent though that was - will not. It's an interesting landmark.
I feel certain that this film will be revered and imitated in the coming years in ways that the latest Indy film and even Iron Man - excellent though that was - will not. It's an interesting landmark.
A vicious satire of LA, and by extension American consumerist culture gone haywire.
A perfect companion piece to The Player, another masterpiece which screenwriter/director Michael Tolkin also wrote.
Peter Weller is note perfect, this is his best performance.
Judy Davis is heartbreaking.
Holy Adam West!
Michal Tolkin is a great director, here's hoping we see more from him soon.
I also thoroughly enjoyed Tolkin's The Rapture, as dark a film as has have ever come out of Hollywood.
A perfect companion piece to The Player, another masterpiece which screenwriter/director Michael Tolkin also wrote.
Peter Weller is note perfect, this is his best performance.
Judy Davis is heartbreaking.
Holy Adam West!
Michal Tolkin is a great director, here's hoping we see more from him soon.
I also thoroughly enjoyed Tolkin's The Rapture, as dark a film as has have ever come out of Hollywood.
I also remember this film as life-changing. I saw it at the TIFF many years ago and was baffled by it.
There is a small scene in an elevator that I remember as a transcendent cinematic moment.
Like so many of Herzog's films, it is deeply moving for reasons that aren't easy to put your finger on - often with Herzog it's an odd juxtaposition, an awkward silence, a strange edit, an inappropriate flash of humour or horror that produce a flash of insight.
This film, at the time, seemed conventional by Herzog's standards, but I still left the theatre feeling slightly drugged, always a good sign.
There is a small scene in an elevator that I remember as a transcendent cinematic moment.
Like so many of Herzog's films, it is deeply moving for reasons that aren't easy to put your finger on - often with Herzog it's an odd juxtaposition, an awkward silence, a strange edit, an inappropriate flash of humour or horror that produce a flash of insight.
This film, at the time, seemed conventional by Herzog's standards, but I still left the theatre feeling slightly drugged, always a good sign.