midnightsilvered-rose

I hoped for so much something as great as 'Vikings,' or 'The Last Kingdom,'but it felt like an episode of Doctor Who (i.e. more for kids and sets that look like sets). Then after a lot of irritated huffing and puffing on my part, I realised it has been made for a young audience who would get the most from this ambitious reworking and I expect these it would delight. I can't rate this properly as it wasn't made for me, but if I look back to my earlier tastes in life, am sure I'd have revelled in this show. The time slot should have given me a clue that it wasn't intended for me and all the gripes I had are answered by it being reworked for it's target audience which doesn't include me. From childhood to 24 I expect I'd have loved this version of Beowulf. I hope enough of it's target audience find it.

The great thing about this film is it's unique style, which has great flair, very like the best of Ken Russell. It doesn't try to be blandly mainstream, the director is too talented for that, he has too much vision to fit in with the prosaic , boring and anodyne rot usually filling our screens. This film entertains with gusto, flair, beauty and horror. One may quibble with any film and look for faults, but this film is fascinating and compelling, suitable for anyone interested in the drama of the life of Erzsebet Bathory. One soon comes to see through the eyes of the lead characters, their brutal and beautiful world lives and breathes again, shockingly, before our eyes.

Erzsabet's story is told in a such a colourful, dynamic and thoroughly gripping way, that certainly had me looking forward to seeing more, like asking for a second helping of a surprisingly delicious pudding, I relished what I found to be so enjoyable after having heard such bad reviews. Erzsabet's life and times were brutal and this is shown graphically but not too eye wateringly. The performances are highly entertaining and extremely powerful especially the characters of Erzsabet, Caravaggio and Thurzo. Some have quibbled about the English accents of the actors but actually I thought Ezsabet's Hungarian accent rather convincing, the chill of steel to the edge of her voice. It is a very accessible story, so who would be so daft as to require the actors to speak Hungarian and so lose half the audience, who are either too dense or lazy to read subtitles. Frankly a ridiculous quibble, one does not notice anything but how fine the performances truly are.

Visually stunning and beautiful, the script gives us a thumpingly good story and altogether it is a mesmerising piece of cinema. It is so powerful that twenty four hours after watching, it still haunts me and I look forward to seeing more from this director and creative team. I feel I've discovered, at last, a piece of English language cinema that isn't formulaic, that isn't dull and predictable, that isn't the same old same old, that isn't like every other pleasant enough but unimaginative 'product,' here is something unique and artistically brave and exciting.

Altogether I think one would have to be in a very sour and unforgiving mood to find fault. If you want to be entertained and why else watch, everyone should enjoy this unfairly maligned but unusually fascinating film.

Go and see the recent original film 'Death at a Funeral,' the British version, hilarious. It is a black comedy, which isn't depressing but is light hearted fun of the almost delicious Charles Addams school of macabre humour.

I can only surmise the US film industry thinks US viewers too thick or insular to watch a comedy in the same language with a (nowadays) slightly different accent.

If you aren't as puddle headed as they've assumed, see the original and laugh yourself sick, as I did. PS it so far has got 7. something on IMDb... enough said, you'll be pleased you did. What's more the whole family can enjoy this one without boring anyone at all let alone to death.