RitaSuperLove
Joined Feb 2023
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Blossom (2023) by Harel Goldstein is a movie that brings up the subject of women and abuses but with a distinct patriarchal take of the historical narrative used.
The acting is regrettable, especially by Norée Victoria and Blue Kimble, who both seem to be amateurs. There is no chemistry between the actors and they both deliver a lackluster and unconvincing performance. Due to their inexperience, the scenes are poorly executed and have little depth.
The soundtrack is the other key disappointing factor in the movie. Not only is the score terribly produced but it also lacks any melodic value or appreciation. The themes fail to bring any emotion or feeling to the scenes and make the movie feel like an outdated voice over.
Blossom is also a very slow and tedious movie; the plot feels extremely drawn out as there is no exciting twists or turns. We can predict various outcomes as the movie progresses and the predictability makes it difficult to remain interested in what is going on.
The bottom line is that Blossom is a forgettable movie; there is nothing special about it nor anything that allows us to really appreciate what it is trying to say. Furthermore, the acting, music, plot and direction take away dramatically from the filmmaking quality. If you're looking to watch an emotional, progressive and made with care movie, Blossom isn't it. It feels out of date, poorly produced, horribly written and lacks any emotional impact. Avoid this movie.
The acting is regrettable, especially by Norée Victoria and Blue Kimble, who both seem to be amateurs. There is no chemistry between the actors and they both deliver a lackluster and unconvincing performance. Due to their inexperience, the scenes are poorly executed and have little depth.
The soundtrack is the other key disappointing factor in the movie. Not only is the score terribly produced but it also lacks any melodic value or appreciation. The themes fail to bring any emotion or feeling to the scenes and make the movie feel like an outdated voice over.
Blossom is also a very slow and tedious movie; the plot feels extremely drawn out as there is no exciting twists or turns. We can predict various outcomes as the movie progresses and the predictability makes it difficult to remain interested in what is going on.
The bottom line is that Blossom is a forgettable movie; there is nothing special about it nor anything that allows us to really appreciate what it is trying to say. Furthermore, the acting, music, plot and direction take away dramatically from the filmmaking quality. If you're looking to watch an emotional, progressive and made with care movie, Blossom isn't it. It feels out of date, poorly produced, horribly written and lacks any emotional impact. Avoid this movie.
The Law According to Lidia Poet, a new Netflix TV series, recently released. Unfortunately, the show fails to impress, due to a myriad of reasons.
Firstly, our protagonist, Matilda De Angelis, fails to make her mark. Her acting is wooden and flat, leaving viewers without the experience of a compelling lead. Not only is this complaint valid, it's also unfair, as the material she is given by the script is paper thin and purely banal. Even the most talented actor would have a hard time bringing life to it.
The supporting cast members are worse. Do not confuse them with a colourful array of characters, but rather a selection of basic extra we'd usually find in a second-rate period piece. Their lack of presence can only be correlated to their lack of dialogue, as even their names are absent from the minds of attentive viewers.
The soundtrack is nothing short of a disaster. With clichéd sequences and overly dramatic strings, the music appears to be an afterthought, only slightly enhancing the atmosphere due to its total lack of originality.
When it comes to the show's aesthetic, there is a silver lining - the costumes. The Renaissance aesthetic shines through the pieces of clothing, delivering quality far superior to the rest of the production.
The Law According to Lidia Poet is a misfire on all fronts. Don't trust the reviews around the web cheerleading this show - I dubt those are real.
The Law According To Lidia Poet is certainly watchable, but for its total lack of ambition and unimpressive cast, you'd be better off investing your time in other projects. With its boring plot, wooden performances and poor soundtrack, there is little here to recommend beyond the stunning costumes.
Firstly, our protagonist, Matilda De Angelis, fails to make her mark. Her acting is wooden and flat, leaving viewers without the experience of a compelling lead. Not only is this complaint valid, it's also unfair, as the material she is given by the script is paper thin and purely banal. Even the most talented actor would have a hard time bringing life to it.
The supporting cast members are worse. Do not confuse them with a colourful array of characters, but rather a selection of basic extra we'd usually find in a second-rate period piece. Their lack of presence can only be correlated to their lack of dialogue, as even their names are absent from the minds of attentive viewers.
The soundtrack is nothing short of a disaster. With clichéd sequences and overly dramatic strings, the music appears to be an afterthought, only slightly enhancing the atmosphere due to its total lack of originality.
When it comes to the show's aesthetic, there is a silver lining - the costumes. The Renaissance aesthetic shines through the pieces of clothing, delivering quality far superior to the rest of the production.
The Law According to Lidia Poet is a misfire on all fronts. Don't trust the reviews around the web cheerleading this show - I dubt those are real.
The Law According To Lidia Poet is certainly watchable, but for its total lack of ambition and unimpressive cast, you'd be better off investing your time in other projects. With its boring plot, wooden performances and poor soundtrack, there is little here to recommend beyond the stunning costumes.