SpaceTimeWorx
Joined Mar 2002
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Reviews2
SpaceTimeWorx's rating
"The Audience Strikes Back" is a captivating exploration of human dynamics, fueled by passionate discussions and diverse viewpoints. Director Patrick Beacham masterfully weaves together the lives of eight individuals brought together by their shared love for Star Wars.
The film's strength lies in its unapologetic portrayal of raw opinions. As the diverse characters gather for what seems like a friendly discussion, they unleash their thoughts on topics ranging from Christian fundamentalism to gay marriage and the war in Iraq. Each viewpoint is a brushstroke on the canvas of this intense evening.
The ensemble cast delivers powerful performances. Their chemistry crackles, and you can almost feel the tension in the room. The dialogue is sharp, thought-provoking, and occasionally humorous. The film doesn't shy away from uncomfortable truths, and that's where its brilliance lies.
And then the unexpected happens that leaves the audience stunned. It's a reminder that beneath our seemingly civil conversations, emotions simmer, ideologies clash, and sometimes, words fail us.
"The Audience Strikes Back" invites introspection. It challenges us to listen, empathize, and engage with differing perspectives. It's a film that lingers, urging us to question our own beliefs and biases.
In a world where echo chambers thrive, this movie is a breath of fresh air. It encourages dialogue, even when it's uncomfortable. It reminds us that understanding doesn't always lead to agreement, but it's a step toward a more compassionate society.
So, grab your popcorn, settle in, and let the opinions fly. "The Audience Strikes Back" is a cinematic rollercoaster that leaves you pondering long after the credits roll.
Note: While the film may not have a large following, its impact is undeniable. It's a hidden gem waiting to be discovered.
The film's strength lies in its unapologetic portrayal of raw opinions. As the diverse characters gather for what seems like a friendly discussion, they unleash their thoughts on topics ranging from Christian fundamentalism to gay marriage and the war in Iraq. Each viewpoint is a brushstroke on the canvas of this intense evening.
The ensemble cast delivers powerful performances. Their chemistry crackles, and you can almost feel the tension in the room. The dialogue is sharp, thought-provoking, and occasionally humorous. The film doesn't shy away from uncomfortable truths, and that's where its brilliance lies.
And then the unexpected happens that leaves the audience stunned. It's a reminder that beneath our seemingly civil conversations, emotions simmer, ideologies clash, and sometimes, words fail us.
"The Audience Strikes Back" invites introspection. It challenges us to listen, empathize, and engage with differing perspectives. It's a film that lingers, urging us to question our own beliefs and biases.
In a world where echo chambers thrive, this movie is a breath of fresh air. It encourages dialogue, even when it's uncomfortable. It reminds us that understanding doesn't always lead to agreement, but it's a step toward a more compassionate society.
So, grab your popcorn, settle in, and let the opinions fly. "The Audience Strikes Back" is a cinematic rollercoaster that leaves you pondering long after the credits roll.
Note: While the film may not have a large following, its impact is undeniable. It's a hidden gem waiting to be discovered.
This film is really special - an animated film really for adults. It captures most of the book but most of all maintains an incredibly almost other-worldy mood through out.
The music by Angela Morley (aka Walter Stott) is amazing and truly unique, especially since this composer mostly did TV scores but also some classic feature stuff like English director Michael Powell's PEEPING TOM. Another great thing about this movie is there aren't any concessions to anything Disney-like.
There is one song called BRIGHT EYES sung by Art Garfunkel that's quite lovely but probably unneccessary. (Animators can't seem to break away from introducing songs in their movies instead of just straight story telling, except maybe the Japanese Anime.) Still, it's entertaining.
The film itself starts with a very abstract sequence explaining the rabbit religion a bit and then segues into a sort of detailed but not quite photo real shot of a rabbit and then into conventional animation. The English voice performers include such stellar actors like Sir Ralph Richardson, John Hurt, Denholm Elliot and others as well as American actor Zero Mostel doing an absolutely delightful & humorous performance of the bird Kehaar. All of the actors acquit themselves nicely.
Some of the moments early on when Fiver precogs the bulldozing of the warren they've been living in and the subsequent verification of that horror becoming reality provide a real scary kind of moment unusual in animation. I'm not exactly sure but I think the film was animated in Canada as well. After this the same outfit did PLAGUE DOGS, another Richard Adams story.
The music by Angela Morley (aka Walter Stott) is amazing and truly unique, especially since this composer mostly did TV scores but also some classic feature stuff like English director Michael Powell's PEEPING TOM. Another great thing about this movie is there aren't any concessions to anything Disney-like.
There is one song called BRIGHT EYES sung by Art Garfunkel that's quite lovely but probably unneccessary. (Animators can't seem to break away from introducing songs in their movies instead of just straight story telling, except maybe the Japanese Anime.) Still, it's entertaining.
The film itself starts with a very abstract sequence explaining the rabbit religion a bit and then segues into a sort of detailed but not quite photo real shot of a rabbit and then into conventional animation. The English voice performers include such stellar actors like Sir Ralph Richardson, John Hurt, Denholm Elliot and others as well as American actor Zero Mostel doing an absolutely delightful & humorous performance of the bird Kehaar. All of the actors acquit themselves nicely.
Some of the moments early on when Fiver precogs the bulldozing of the warren they've been living in and the subsequent verification of that horror becoming reality provide a real scary kind of moment unusual in animation. I'm not exactly sure but I think the film was animated in Canada as well. After this the same outfit did PLAGUE DOGS, another Richard Adams story.