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Reviews
Maharaja (2024)
MASTERPIECE
After a prolonged period, I finally had the pleasure of watching a film that was truly worthy of my attention, and it was an absolute epiphany. The movie captivated me with its ingenious concept and meticulous execution. Every aspect, from the performances to the casting, dialogue, and narrative, was truly exceptional. The actors delivered performances that were nothing short of phenomenal, bringing each character to life with remarkable depth and nuance. The casting was impeccable, with each actor embodying their role with precision, thereby amplifying the impact of the story. The dialogue was crisp and resonant, adding profundity to the narrative. Each line seemed carefully crafted to enhance the overall experience, leaving an indelible mark.
The storyline itself was gripping, maintaining my attention throughout, and the twist at the end was utterly astounding - a masterful stroke that elevated the film to unprecedented heights. It was both shocking and thought-provoking, rendering the movie an unforgettable experience. This film conveys a powerful message, particularly for those with malicious intentions towards women, serving as a stark reminder of the dichotomy between right and wrong. It is a seminal lesson for all, and we need more films like this, with meaningful narratives that challenge and enlighten our minds.
Undoubtedly, this movie has the potential to make a significant positive impact on people's mentality. It deserves all the accolades and recognition for its bold storytelling and exceptional execution.
Truly, this film stands out as a cinematic masterpiece.
Kill (2023)
MASTERPIECE
Cardinal praise for the cinematic masterpiece, "KILL"! This high-octane action film redefines the genre with its unrelenting pace and cutting-edge style, delivering a non-stop thrill ride that captivates the audience from start to finish. The film's judicious elimination of unnecessary narrative fluff ensures a seamless, action-packed experience.
Lakshya's performance as the protagonist is truly exceptional, showcasing a tough, no-nonsense hero with remarkable physicality in the expertly choreographed action sequences. His portrayal is a treat to behold, setting a new benchmark for action heroes.
Raghav, on the other hand, excels as the antagonist, bringing an intensity and menace that rivals Lakshya's impressive performance. His acting prowess adds depth to the character, rendering him a formidable opponent and amplifying the film's tension.
The direction and cinematography of "KILL" warrant special acclaim. The camera work masterfully captures the essence of each action scene, immersing the audience in every punch, kick, and explosion. The pacing is impeccable, ensuring a captivating experience devoid of dull moments.
In conclusion, "KILL" is an exemplary action film that sets a new standard for Bollywood cinema, demonstrating the industry's capacity to produce world-class action movies. This cinematic tour de force demands to be experienced on the big screen, where its explosive action and intense performances can be fully appreciated. I highly recommend this film to all action enthusiasts - a true masterpiece!
Paalum Pazhavum (2024)
OLD WINE ON NEW BOTTLE
Palum Pazhuvum is a new movie directed by VK Prakash, a director who is notorious in making bad movies back to back. VK Prakash started this project with Naslen Ghafoor and Honey Rose in his mind. But as soon as they heard the name of VK Prakash, Nazleen and Honey Rose back out from this project saying that they were not interested in acting in this film. Instead of 34-year-old Honey Rose, who opted out of the film for fear of being fielded out, the director is trying to fool the audience by bringing in 42-year-old Meera Jasmin, who has already been fielded out, claiming that she is only 33 years old in screen. (There seems to be a beautify option in davinci resolve software or adobe after effects software like the beautify option in mobile cameras). The biggest joke is about the hero, the director is bringing a person who is actually 33-34 years old and imposing on the audience that he is only 23 years old.
I guess VKP's associate director, Ashish, who's responsible for penning the screenplay and dialogues of Palum Pazhavum, attempting to adapt the narrative of VKP's 2002 Bollywood drama Freaky Chakra, for a Kerala setting, rather than creating an original work. The main reason for the failure of this movie it is its outdated story line and weak script. The dialogues were too artificial and dramatic, making things worse.
The buffoonery gimmicks of some actors (Exemption to Ashokan, Shanthi Krishna & Maniyan Pilla) who have shown their faces in instagram reels and youtube shorts are what make this movie most unbearable. I dont have the idea about how this director VKP is canvassing each producer and induce them to invest money in his films. I have nothing else to say to director VK Prakash, who directs each film thinking "how to make this film worser than my previous film", except "may your next film be worse than this.