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Dex7er's rating
John Travolta's new film "Land of Mobsters" masterfully tells a very dark black fairy tale. Although the crew only took 11 days to complete the shoot, compared to those big productions that took one or two years, this film can be said to be no less impressive.
Two humble brothers in a dilapidated town decide to take justice into their own hands by robbing an illegal clinic engaged in drug activities in the small town. However, this action attracts the attention of Nora, a mob hitman from New Orleans. The consequence is that their family is captured, the brothers are killed, and the protagonist himself becomes a pawn in the hands of this talkative killer. Can he still save his family and escape from this predicament?
Listen to the poignant and desolate soundtrack that perfectly fits the theme, and you'll probably get a sense of what's going on. However, in this film, those entangled by the melancholic fate are not just the two poor bandit brothers. At the moment when everything is coming to an end, a desolate melody immediately begins, a song that cries and roars, directly hitting the audience's hearts filled with the sense of powerlessness portrayed throughout the entire film.
"Not to do the things I've done" - for a moment, I even thought that this script was intentionally written for the classic folk song "House of the Rising Sun."
Not only are the theme song and soundtrack spot-on, but the overall tone of the entire film looks very pleasing. There are no exaggerated car stunts, no scenes of gunfire sparking. It is a dark fairy tale full of realism.
Despite not having a high rating, only 5.2 on IMDb, probably due to a lack of robust marketing and guidance, the audience's awareness of this genre of film seems insufficient. I just feel that, compared to Fincher's IMDb rating of 6.8 for the voiceover-heavy "The Killer," which also relies on dialogue to set the stage and propel the plot, the portrayal of the killer character in this film is even more vivid. Talking a lot of nonsense to the camera and the air is truly a boring approach, very reminiscent of Wong Kar-wai. I can't bear to watch anymore. Don't stop me; I'm giving it a 9.
Two humble brothers in a dilapidated town decide to take justice into their own hands by robbing an illegal clinic engaged in drug activities in the small town. However, this action attracts the attention of Nora, a mob hitman from New Orleans. The consequence is that their family is captured, the brothers are killed, and the protagonist himself becomes a pawn in the hands of this talkative killer. Can he still save his family and escape from this predicament?
Listen to the poignant and desolate soundtrack that perfectly fits the theme, and you'll probably get a sense of what's going on. However, in this film, those entangled by the melancholic fate are not just the two poor bandit brothers. At the moment when everything is coming to an end, a desolate melody immediately begins, a song that cries and roars, directly hitting the audience's hearts filled with the sense of powerlessness portrayed throughout the entire film.
"Not to do the things I've done" - for a moment, I even thought that this script was intentionally written for the classic folk song "House of the Rising Sun."
Not only are the theme song and soundtrack spot-on, but the overall tone of the entire film looks very pleasing. There are no exaggerated car stunts, no scenes of gunfire sparking. It is a dark fairy tale full of realism.
Despite not having a high rating, only 5.2 on IMDb, probably due to a lack of robust marketing and guidance, the audience's awareness of this genre of film seems insufficient. I just feel that, compared to Fincher's IMDb rating of 6.8 for the voiceover-heavy "The Killer," which also relies on dialogue to set the stage and propel the plot, the portrayal of the killer character in this film is even more vivid. Talking a lot of nonsense to the camera and the air is truly a boring approach, very reminiscent of Wong Kar-wai. I can't bear to watch anymore. Don't stop me; I'm giving it a 9.
Christopher Nolan's "Oppenheimer" in its Blu-ray edition has been available online for a solid ten days. However, it wasn't until today that the simplified Chinese subtitles underwent a meticulous review and correction process. The majority of Chinese subtitles found online are typically derived from traditional Chinese versions used in Taiwan and Hong Kong, directly converted into simplified Chinese. Unfortunately, these translations often deviate from the linguistic nuances preferred by mainland Chinese viewers. A prime example is the translation of "Fission" as "fenlie" (fission) and "Fusion" as "juhe" (fusion), when, in fact, the accurate simplified Chinese translations should be "liebian" (fission) and "jubian" (fusion). The importance of precise translations for specialized nuclear physics terms cannot be understated, as inaccuracies can significantly impact the audience's understanding and appreciation of the film.
Subtitling a movie that spans three hours is not only a time-consuming endeavor but also a mentally taxing one. Christopher Nolan, known for his affinity for intricate narrative structures in films like "Inception" and "Tenet," employs a sophisticated yet not overly flashy narrative style in "Oppenheimer."
This three-hour cinematic experience essentially delves into two primary stories: Oppenheimer's secret security clearance review hearing and General Lewis Strauss's public hearing for his cabinet appointment. Managing the effective portrayal of two concurrent narratives is a daunting task, and many directors struggle even with a single storyline. Nolan's brilliance is evident in his ability to interweave these two hearings seamlessly, avoiding any sense of chaos or confusion.
Oppenheimer's hearing follows a relatively straightforward narrative, recounting his life and work based on his testimony. In contrast, Strauss's hearing involves more jumping around in the narrative. The director skillfully utilizes Strauss's testimony to unravel the intricacies of his relationship with Oppenheimer.
What makes this feat even more impressive is the seemingly straightforward nature of these stories. However, interweaving them coherently requires a director with a profound ability to manipulate time. Nolan cleverly switches Strauss's flashback scenes to black and white, adding an extra layer of distinction between the two storylines. This subtle technique aids the audience in understanding the logical sequence of the entire story.
It's worth noting that the online Blu-ray resources are the uncut original versions without any additional censorship. Therefore, viewers need to exercise caution, especially parents with children.
Moving beyond the film itself, in 1967, Oppenheimer, aged 62, succumbed to throat cancer. Shockingly, it wasn't until 2022 that the U. S. government officially revoked the decision to strip Oppenheimer of his security clearance. For a scientific genius who played a pivotal role in establishing quantum physics and contributed significantly to building the U. S.'s leading global nuclear arsenal, the treatment he received in his later years is undeniably disheartening.
Despite being a young adult with delusions of poisoning his mentor, a gluttonous neighbor who indulged in extramarital affairs, and a defiant eccentric who spoke disrespectfully about Einstein in his later years, Oppenheimer's monumental achievements in inventing the atomic bomb should not be overshadowed by the accusations of a few individuals.
In conclusion, "Oppenheimer" not only offers a compelling narrative about historical events but also showcases Christopher Nolan's storytelling prowess, making it a film worth watching and discussing. Its intricate narrative structure, combined with the historical significance of Oppenheimer's life, elevates the film to a thought-provoking and immersive cinematic experience.
Subtitling a movie that spans three hours is not only a time-consuming endeavor but also a mentally taxing one. Christopher Nolan, known for his affinity for intricate narrative structures in films like "Inception" and "Tenet," employs a sophisticated yet not overly flashy narrative style in "Oppenheimer."
This three-hour cinematic experience essentially delves into two primary stories: Oppenheimer's secret security clearance review hearing and General Lewis Strauss's public hearing for his cabinet appointment. Managing the effective portrayal of two concurrent narratives is a daunting task, and many directors struggle even with a single storyline. Nolan's brilliance is evident in his ability to interweave these two hearings seamlessly, avoiding any sense of chaos or confusion.
Oppenheimer's hearing follows a relatively straightforward narrative, recounting his life and work based on his testimony. In contrast, Strauss's hearing involves more jumping around in the narrative. The director skillfully utilizes Strauss's testimony to unravel the intricacies of his relationship with Oppenheimer.
What makes this feat even more impressive is the seemingly straightforward nature of these stories. However, interweaving them coherently requires a director with a profound ability to manipulate time. Nolan cleverly switches Strauss's flashback scenes to black and white, adding an extra layer of distinction between the two storylines. This subtle technique aids the audience in understanding the logical sequence of the entire story.
It's worth noting that the online Blu-ray resources are the uncut original versions without any additional censorship. Therefore, viewers need to exercise caution, especially parents with children.
Moving beyond the film itself, in 1967, Oppenheimer, aged 62, succumbed to throat cancer. Shockingly, it wasn't until 2022 that the U. S. government officially revoked the decision to strip Oppenheimer of his security clearance. For a scientific genius who played a pivotal role in establishing quantum physics and contributed significantly to building the U. S.'s leading global nuclear arsenal, the treatment he received in his later years is undeniably disheartening.
Despite being a young adult with delusions of poisoning his mentor, a gluttonous neighbor who indulged in extramarital affairs, and a defiant eccentric who spoke disrespectfully about Einstein in his later years, Oppenheimer's monumental achievements in inventing the atomic bomb should not be overshadowed by the accusations of a few individuals.
In conclusion, "Oppenheimer" not only offers a compelling narrative about historical events but also showcases Christopher Nolan's storytelling prowess, making it a film worth watching and discussing. Its intricate narrative structure, combined with the historical significance of Oppenheimer's life, elevates the film to a thought-provoking and immersive cinematic experience.
I often find myself confusing him with Matt Damon, but in this case, we're talking about Mark Wahlberg, the actor from "Transformers." He takes on the lead role in the recently premiered action film "Family Plan" on Apple TV, portraying a former killer and agent.
Adding a touch of diversity to the cast is Li Meiqi, an Asian actress who plays a significant supporting antagonist. Undoubtedly, she stands out as one of Hollywood's most stunning Asian female stars. While she's been cast in decorative roles before, her four-year stint in the TV series "Nikita," which started in 2010, has undoubtedly solidified her presence in the competitive realm of Hollywood.
The narrative of "Family Plan" unfolds as a tale of a former special agent assassin who, after going off the grid and starting a family, finds himself pursued by a relentless organization. The only option left is to go on the run with his entire family. Despite its straightforward plot with minimal twists and humor, the film has managed to earn a commendable 7.2 rating on IMDb, based on 71 audience reviews.
Taking a closer look, the movie appears to draw inspiration from "True Lies," a factor that might resonate with fans of Schwarzenegger's earlier works. However, beyond this familiarity, the film boasts commendable action sequences, and its overall narrative pace is expertly handled, preventing it from succumbing to dullness.
The increasing inclusion of new Asian faces in Hollywood productions is a noteworthy trend. These aren't the stereotypical portrayals but refreshing talents like Li Meiqi and Daniel Wu. With the burgeoning influence of the film and entertainment culture from emerging Asian nations, particularly South Korea, Hollywood must address and dismantle its antiquated stereotypes, especially those depicting Asians with big faces and squinty eyes.
In a nutshell, "Family Plan" stands as a worthwhile addition to the action movie genre. However, it's worth noting that the film crew might have exercised a bit too much frugality in their use of ketchup, metaphorically speaking. This nuanced observation adds an element of critique without overshadowing the overall positive appraisal of the movie.
Adding a touch of diversity to the cast is Li Meiqi, an Asian actress who plays a significant supporting antagonist. Undoubtedly, she stands out as one of Hollywood's most stunning Asian female stars. While she's been cast in decorative roles before, her four-year stint in the TV series "Nikita," which started in 2010, has undoubtedly solidified her presence in the competitive realm of Hollywood.
The narrative of "Family Plan" unfolds as a tale of a former special agent assassin who, after going off the grid and starting a family, finds himself pursued by a relentless organization. The only option left is to go on the run with his entire family. Despite its straightforward plot with minimal twists and humor, the film has managed to earn a commendable 7.2 rating on IMDb, based on 71 audience reviews.
Taking a closer look, the movie appears to draw inspiration from "True Lies," a factor that might resonate with fans of Schwarzenegger's earlier works. However, beyond this familiarity, the film boasts commendable action sequences, and its overall narrative pace is expertly handled, preventing it from succumbing to dullness.
The increasing inclusion of new Asian faces in Hollywood productions is a noteworthy trend. These aren't the stereotypical portrayals but refreshing talents like Li Meiqi and Daniel Wu. With the burgeoning influence of the film and entertainment culture from emerging Asian nations, particularly South Korea, Hollywood must address and dismantle its antiquated stereotypes, especially those depicting Asians with big faces and squinty eyes.
In a nutshell, "Family Plan" stands as a worthwhile addition to the action movie genre. However, it's worth noting that the film crew might have exercised a bit too much frugality in their use of ketchup, metaphorically speaking. This nuanced observation adds an element of critique without overshadowing the overall positive appraisal of the movie.