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Merry Christmas (2024)
A gripping suspense love story - Be ready to be surprised
With the list of brilliant works Sriram Raghavan has directed in the past, even if late, I finally watched it, and I can't help but regret why I delayed it. This is not your typical drama; rather, it grows on you.
Two strangers meet on Christmas Eve and develop a special bond, only to find themselves caught in a situation involving love, lies, a dead body, and the police.
The intriguing part about this movie is that you have no idea where it's heading, and everything that unfolds takes you by surprise. The color grading of the movie enhances the feeling of restlessness, while the suspense in the narrative is so mind-boggling that you never see it coming. The romantic track between the leads is breezy and feels authentic.
Vijay Sethupathi is a fine actor, and he excels as a helpful stranger. His body language speaks volumes, making his performance even more nuanced. Katrina Kaif surprisingly fits the role well and delivers a commendable performance, shouldering a heavy role like this with grace. Sanjay Kapoor's over-the-top character works, adding a whiff of situational comedy to the narrative.
The costume department deserves applause for their stellar work in elevating the world of Raghavan. The climax is unique and works in the film's favor. While the songs set the mood for the movie, they lack repeat-listening value.
Sriram Raghavan yet again proves his mettle as a director. This is one of the best movies of the year, and if you have an appetite for slow-burn storytelling, add it to your watchlist immediately.
#PranuReviews #MerryChristmas #MerryChristmasReview.
Sookshma Darshini (2024)
A gripping thriller with a mind boggling twist and entertainment value full on
One after another, Malayalam movies are hitting home runs, and as the year nears its end, here comes yet another banger. What I love about Malayalam cinema is how even the biggest actors are willing to take part in small movies with great plots.
In a typical neighborhood, Manuel returns with his mother to settle down. Priyadarshini, however, harbors her doubts about Manuel's intentions and suspects he has committed a crime. Along with her friends, she starts snooping around to uncover the truth.
The real star of this movie is its screenplay, which keeps you glued to the screen. From the very first scene, Priyadarshini's character is firmly established-nothing escapes her eagle eyes. While you may have plenty of questions throughout the narrative, hold your horses-everything will be answered. The film keeps your guessing game strong and delivers a suspenseful payoff that's worth it.
Nazriya Nazim makes a phenomenal comeback with this film. She shoulders the movie effortlessly, never going overboard, and balances her cuteness with maturity in just the right amounts. Basil Joseph has truly leveled up his game, portraying a unique character with utmost earnestness. The ensemble of supporting actors is equally commendable.
A big shoutout to MC Jithin, who has showcased his directorial prowess by crafting this engaging family thriller. The background score (BGM) elevates the movie at the right moments, and the situational comedy paired with realistic dialogues makes it thoroughly entertaining. Additionally, the film subtly addresses a taboo subject with ease and grace.
This is a movie that deserves to be watched on the big screen. There's no surprise it's creating a stir at the box office-it absolutely deserves the acclaim. Here's hoping it doesn't get remade in Hindi!
#PranuReviews #Sookshmadarshini #SookshmadarshiniReview.
All We Imagine as Light (2024)
Strictly average yet some portions are outstanding
After the prestigious Grand Prix win at the Cannes Film Festival-a feat never before achieved by an Indian movie-this film was bound to be a must-watch. However, I have a mixed bag of emotions about it.
This is a tale of three women in Mumbai, all working in a hospital. Prabha and Anu are nurses-Prabha is merely trying to live her life while awaiting the return of her estranged husband, whereas Anu is searching for a place to be intimate with her lover.
Right from the opening scene, you're immersed in the hustle and bustle of Mumbai in its truest form. Payal Kapadia, the one on steering wheel of the movie, uses the local train as a recurring motif to depict the city authentically. The usual glitter and glamour of Mumbai are consciously ignored, which works in the film's favor. Its tonality leans towards a found-footage style, which adds to the rawness. The climax is ambiguous, leaving you to search for articles to uncover its real meaning. The mix of Hindi and Malayalam enhances the authenticity of the narrative.
Kani Kusruti takes center stage, shining with utmost grace and confidence. Divya Prabha is equally brilliant in her role, giving tough competition to her co-stars. Chhaya Kadam, while reminiscent of her character in Laapata Ladies, delivers an earnest performance in this film as well. Together, these three women showcase their acting mastery.
The film is slow, and at times, it feels taxing. While it effectively portrays the liberation and realities of women, it doesn't bring anything particularly new to the table. The controversy surrounding the nudity feels baseless when considering the love-making scene, which was essential to the script. However, the moment involving Divya flashing her mammary glands felt unnecessary. The background score works in parts but could have been significantly improved.
This film leans heavily into the art-house category, which diminishes its entertainment value. For me, it turned out to be strictly average-a so-called "poetry in motion" that didn't entirely resonate.
#PranuReviews #AllWeImagineAsLight #AllWeImagineAsLightReview.
I Want to Talk (2024)
It's a work of art to present a subject like this in such endearing manner
When everyone is running towards making larger-than-life movies, a film like this comes as a breath of fresh air. This is a trademark Shoojit Sircar movie, and if you are a fan of his work, you're going to embrace this one with love too.
The story revolves around a divorced, middle-aged marketing professional who is diagnosed with cancer. His relentless will to survive and his dynamic relationship with his daughter are the core focus of this film.
Although the movie deals with a serious subject, its treatment is light-hearted and doesn't emotionally exhaust the audience. The characters are so endearing that you find yourself falling in love with each one of them. The camaraderie between the father and daughter is organically built, and their complex relationship is portrayed beautifully. Dialogues by Ritesh Shah are another highlight, adding a touch of humor and relatability to the narrative.
Abhishek Bachchan has literally breathed life into the character. He delivers an outstanding performance in this unique role, truly making it his own. Ahilya Bamroo (older version) as the daughter is equally remarkable, ensuring her performance stays with you long after the credits roll. The young girl who plays the younger version of the daughter also does a commendable job. Johny Lever's special appearance provides light chuckles, while the other supporting artists fit their roles perfectly too.
The background score and music blend seamlessly with the narrative, enhancing the film's emotional depth. If the movie reminds you of Piku, you're not alone-it carries a similar essence, though this one leans more towards serious storytelling with less comedy. The most beautiful part of the movie is its use of silence, which communicates more effectively than words. Shoojit Sircar's brilliance shines through as he refrains from spoon-feeding the audience, allowing viewers to interpret and connect with the story on their own.
Shoojit Sircar has done it again, and this is a work of art you shouldn't miss. With many English dialogues, the film might not appeal to the masses, but it will resonate brilliantly with urban audiences. Watch it right away.
#PranuReviews #IWantToTalk #IWantToTalkReview.
Devara: Part 1 (2024)
Visually beautiful but not anything unique
South Indian movies have started the trend of big-budget, larger-than-life movie series, and this one is yet another massive project for Jr. NTR after RRR. Does it live up to the expectations? That remains a big question.
Part 1 follows the story of people living on an island, where Devara and his clan survive by smuggling. Everything changes when Devara has a change of heart and stops his people from committing wrongdoings while serving as the guardian of the sea.
The story isn't unique or gripping enough to keep you on the edge of your seat, but it doesn't bore you either. You keep hoping for something monumental to happen, but sadly, nothing of that sort unfolds. The suspense, which was supposed to blow your mind, can be guessed with a bit of thought-except for the last scene. The final twist seems to have been added more to spark curiosity for the second part than to serve as a true cliffhanger. The fictional world, however, looks stunning, thanks to the brilliant work of the art department and cinematographer, who make it feel real and visually breathtaking.
Jr. NTR is in top form, nailing the double role of father and son with perfection. Saif Ali Khan plays his part well, and as the antagonist, he holds his ground. Sadly, the script doesn't give him much scope to shine. Jhanvi Kapoor looks pretty and is decent in her role, but her character is so inconsequential that even if it were removed, it wouldn't affect the movie. Prakash Raj is completely wasted, with almost nothing significant to do.
The songs look visually stunning, thanks to the creative sets and beautiful choreography. The VFX and graphics are well-executed, if not extraordinary. However, the action sequences are strictly average, especially the climax, which feels underwhelming despite its grand scale. Jhanvi's character brings some lightness and a few chuckles, but her role feels forced and underutilized.
It can be watched for its grandeur and some entertainment value, but it doesn't effectively leave you yearning for its second installment.
#PranuReviews #Devara #DevaraPart1 #DevaraReview #DevaraPart1Review.
Fighter (2024)
Brilliant aerial act with underwhelming storyline
Right from the announcement of the project, it was highly anticipated due to the dream casting of Hrithik Roshan and Deepika Padukone sharing the screen for the first time. With YRF backing it and blockbuster machine Sidharth Anand helming it, expectations were sky-high.
The story revolves around an extraordinary fighter pilot of the IAF with a habit of insubordination, leading to significant issues. He and his team are involved in a series of aerial battles with arch-enemy Pakistan, including a retelling of the Pulwama attack.
The story has its own charm, as it focuses on sky warfare, a theme rarely explored in Indian cinema. In this aspect, the movie delivers with beautifully choreographed aerial stunts. However, even though it's a fictionalized version of real events, the plot feels clichéd and familiar. The climax becomes overly cinematic and absurd, undoing much of the atmosphere built earlier in the film.
Hrithik Roshan brings his signature style, charm, and unmatched suave presence. His mere entry is enough to make ladies swoon or develop a man crush. Deepika Padukone looks the part and is as stunning as ever, but the chemistry between the leads feels lackluster, primarily due to the script. Anil Kapoor is decent in his limited role, while Karan Singh Grover, Sanjeeda Shaikh, Akshay Oberoi, and others fit their roles well and deliver competent performances.
The movie invokes patriotism at several points, especially during the Pulwama attack sequence. The songs are a highlight-well-composed and choreographed, with dance numbers that make you want to groove. The patriotic tracks 'Heer Asmani' and 'Mitti' are soothing to hear and give goosebumps.
Overall, it's a decent movie with a few never-seen-before aerial sequences in Indian cinema. While it's an average film in terms of storytelling, it won't bore you and is a good timepass.
#PranuReviews #Fighter #FighterReview.
Vaazhai (2024)
Emotionally charged masterpiece: Don't miss it!
Some movies trigger your core emotions and shake you to the core-Vaazhai falls right into that bracket. With no big names or lavish sets to boast about, it relies instead on a great story and strong performances, making it an easy contender for the movie of the year.
This is a tale of villagers, focusing on a school-going teenager who is brilliant in academics but is forced to lug bunches of bananas to support his family. It's the story of his struggles in the environment he lives in and his relationships.
At first, this may feel like a lighthearted, feel-good story-and it is in the initial parts-but it takes a serious turn by the time the credits roll. The portrayal of the villagers' lives and their basic struggles to earn a daily living is simply brilliant. The friendships between the kids, the crush on the teacher, and the sibling love are spot on. The screenplay is so masterfully written that you can't predict what's coming, and the impact is bound to stay with you long after.
Bonvel M, as the young boy, is the heart of this film. He embodies the character so well, with emotions that instantly connect you to his journey. Rakul R as his friend delivers a bromance that's a delight to watch. Nikhila Vimal, as the teacher, charms with her naive demeanor and grace, while Divya Duraisamy as the sister portrays a heartwarming sibling bond with Bonvel. Kalaiyarasan, as the villagers' savior, strikes the perfect balance between a righteous man and mushy romantic side of him. Karna Janaki, in limited screen time as the mother, leaves a lasting impact-her acting in the climax will make you salute her talent.
Mari Selvaraj, the captain of this ship, has crafted a movie that deserves all the accolades, awards, and rewards for bringing you a movie of the year. Don't forget tissues; the tsunami of emotions will overwhelm you. The cinematography is yet another jewel, making you feel as though you're living in the movie, not just watching it.
Knowing this was inspired by a real-life story makes it all the more heartbreaking. The music adds a rustic, earthy feel, blending perfectly with the narrative. Missing this movie would be a crime. Stop reading and watch this masterpiece now!
#PranuReviews #Vaazhai #VaazhaiReview.
Kisi Ka Bhai Kisi Ki Jaan (2023)
Only brave hearts can survive this debacle
I am brave, I have patience, and I am kind-hearted, as I took one for the team by watching this debacle all by myself. You can give me three cheers and some money in my account for pulling off this brave feat of watching it, and I didn't stop there-I wrote a review too.
The story is about our beloved Salman, who is unmarried even at the age of 50, while his brothers have girlfriends they want to marry. Hence, they devise a plan to get him married so that they can settle down.
Don't worry, it is not a biopic-or who knows, maybe loosely inspired by his life. However, the story is from the Stone Age, and logic is just out the window. It is touted to be a remake of the Tamil film "Veeram." The movie is totally a Sallu show. You can see him trying to dance, cry, fight, argue, and whatnot-everything except acting. The movie features an ensemble cast of everyone struggling to get any projects. Basically, the movie is an employment scheme for all those, courtesy of philanthropist Sallu Bhai.
Talking about performances is a crime. Yet, let me do it as I have started with one. Salman is just in his element, flexing around and thinking he is killing it, but he is cringe-worthy, to say the least. Now starts the truckload of actors: firstly, Bhai's love interest Pooja Hegde, who is a misfit to another level; Bhai's brothers Siddharth Nigam, Raghav Juyal, and Jassie Gill, who are just there to cheer him and praise him in every scene; Shehnaaz Gill, Palak Tiwari, and Vinali Bhatnagar as the love interests of Bhai's brothers are just showpieces. Surprisingly, Venkatesh is part of this project and acts well, but it's of no use as he hardly has any role. Funnily, Bhumika Chawla, who once played the love interest of Sallu, has almost become his sister-in-law in this movie and is literally missing in action in the entire course of movie.
In-film branding, with brands Sallu promotes, has been incorporated, such as Pepsi, which is in your face. The set is such shabby work that you wonder if they really want us to believe these are real houses where they live. The hairstyle of Sallu is atrocious, and the same goes for the costumes. The scenes set in South India are a mockery, and even if they try to pay homage, it turns out to be a disaster.
Finally, the songs and choreography are funny and obnoxious to the point of being unbearable. The lyrics seem to have been penned by a kindergarten student, like "Let's dance chotu motu." The "Yentamma" song is the only thing that is good and worth liking in this movie. Just enjoy this review and forget a movie like this ever existed.
#PranuReviews #KisiKaBhaiKisiKiJaan #KisiKaBhaiKisiKiJaanReview.
Malaikottai Vaaliban (2024)
Loads of money wasted on disaster with below par performance
This big-budget drama was on my watchlist for the longest time. Once I finished watching it, I just wished it had stayed on that list forever.
Set in a fictitious realm of the 1900s, when the British were ruling India, it tells the story of the undisputed warrior Malaikottai Vaaliban. He travels across borders and triumphs over his challengers with his inhuman strength.
Lijo Jose Pellissery's (LJP) ambitious project had everything in its favor. His unprecedented talent for making every scene look heavenly and a budget to support his dream. Sadly, the story is absurd and the direction is weak, to say the least.
The one-line premise of the movie may be good, but the screenplay is so bad that there's not even a single entertaining moment. Unnecessary slow-motion shots every now and then and poorly done songs every ten minutes showcase the failure of the maker. Touted as an action movie, the action choreography is childish and Mohanlal just couldn't do justice to it.
Mohanlal in the lead doesn't give the aura that the character demands and his acting chops was below average. Then there are tons of characters who add no value to the movie. After cooking up a stale product, the makers have the audacity to announce they will be coming up with part 2, as they showed in the end credits.
LJP can be a world-class cinematographer, as he has proven with every movie, and this is no exception. Still, I can't understand why a National Award was given to such a snoozefest. Ignoring this debacle is the best advice I can give you.
#PranuReviews #MalaikottaiVaaliban #MalaikottaiVaalibanReview.
Adi (2023)
An engaging relatable drama which deserves your time
A movie that made no sound among film buffs or even in theatres when it released, and I am astounded as to why this happened.
It tells the story of a man who gets beaten up by local goons on the day of his marriage. Whether he takes revenge or forgives them, accepting his destiny, forms the rest of the narrative.
Shine Tom Chacko is brilliant in the lead role, portraying a regular man who just wants to feel loved and respected by his wife. Ahaana Krishna has also nailed her character. She captures the vibe of being newly wed and the transition to a stronger persona with spot-on nuances. Dhruvan, in a negative role, excels, making you feel like hitting him-a mark of a good actor. The rest of the cast does their part well too.
Director Prasobh Vijayan deserves applause for creating a world that is both highly relatable and entertaining. The chemistry between the leads as a newly wed couple comes across beautifully. The writing is excellent, showcasing the protagonist's urge to gain respect from his wife, balance his duties as a husband, and struggle with the decision to seek revenge. Everything falls into place, working effectively thanks to the good screenplay.
The songs are not lip-synced, hence they do not disrupt the movie's flow. The everyday life of common people in Kerala is captured well through the lens, making the world realistic for viewers and making you feel like peeking out of your window.
It is a beautiful movie that shouldn't be missed. Sometimes we overlook good things, and many of us have done that with this film. Take your chance-you won't be disappointed.
#PranuReviews #Adi #AdiReview.
Bhakshak (2024)
A powerful tale portrayed brilliantly
Serious dramas have their own charm, and when one feels like it's straight out of real life, it makes for a riveting watch.
A small-time journalist stumbles upon a case of abuse at a girls' hostel, only to discover that the hostel is actually a hub of sexual exploitation. How this journalist takes it upon herself to save these girls and expose the crime is what the story is all about.
The plot is truly intriguing, keeping you invested throughout. The small-town setting is portrayed convincingly, which enhances the believability of the story. Each character is well-written, adding depth to the drama.
Bhumi Pednekar delivers a solid performance, proving her acting prowess once again. Aditya Srivastava, popularly known as Abhijeet from CID, has nailed his role, looking the part and being menacing enough to bring gravitas to the film. Sanjay Mishra, with his comedic flair, adds humor and lightness to an otherwise heavy movie.
Director Pulkit has done a commendable job, crafting a movie that works on multiple levels. Unfortunately, the plight of women in India remains a reality even today, which makes the film all the more relevant. The crisp editing helps you connect emotionally with the story.
Red Chillies Entertainment certainly invested in the right place, delivering a solid film worth watching. If, like me, you've missed it until now, give it a go.
#PranuReviews #Bhakshak #BhakshakReview.
Gulmohar (2023)
A mature beautiful family drama deserving your time
I have heard some riveting reviews and hence it was important to catch up. Additionally, a solid cast is yet another alluring factor for this movie.
A joint Batra family is moving out of their ancestral property of 34 years, which shakes up their whole world. Multiple family dynamics change as many secrets and lies come to the fore. The family needs to withstand the test of time, and that frames the whole story.
We might have watched similar movies before, but this one stands apart in terms of screenplay, performance, and execution. The story encompasses many layers for each character, which get unfolded one by one, making it a riveting watch. Every character here comes with a secret that has the potential to break the family, and how they cope with these sudden developments is presented beautifully, making it relatable.
Sharmila Tagore, after a long time, is a treat to the eyes, and she oozes royalty. It is surprising to see her accepting such a role and doing it full justice. Manoj Bajpayee performs with all earnestness, making you root for his character. His emotional meltdown moments show his acting prowess. Watching Simran in a Hindi movie was surprising, and she aces her part. Her chemistry with Manoj is beautiful and relatable. Other characters played by Suraj Sharma, Amol Palekar, Chandan Roy, and others have done really well.
Every character has an arc that gets a beautiful conclusion. The story wonderfully integrates the narratives of their household help with such conviction. Rahul V. Chittella, as director, is a man who knows his craft well and should get more opportunities to deliver such solid movies.
This is a beautiful tale of family, handled maturely and deserving of your time. Do not miss it if you haven't watched it yet.
#PranuReviews #Gulmohar #GulmoharReview.
Nayanthara: Beyond the Fairy Tale
A Larger-Than-Life Persona Reduced to a Minimalist Documentary
Documentaries or biopics are a tough creative medium to engage audiences, as there is a high chance they can become boring. Good scripting and direction are essential to create an entertaining documentary. Sadly, this one fails to deliver on both fronts.
Nayanthara, the Lady Superstar of South India, truly deserves a well-made documentary or biopic-but not this shabby attempt. The film touches on some key aspects of her life, such as a brief focus on her struggles and her love life with her husband, Vignesh Sivan.
A documentary should ideally provide viewers with insights they didn't already know about the artist or delve into something deeply personal. Unfortunately, this one does neither. It feels more like a self-promotional video where her friends and family repeatedly emphasize what a wonderful person she is. Her life, which has been filled with controversies, is completely glossed over, even though much of it is already public knowledge. Even a bigger surprise she being a such big star, the film doesn't shed much light on her movies or choices.
The direction of this documentary is worse than that of a college project. Random people appear and narrate segments, which then transition into behind-the-scenes footage or arbitrary shots of Nayanthara walking around. It evokes no real emotion-except perhaps frustration at realizing you've wasted your time watching it. The editing is shabby with no flow at all.
The first 40 minutes are a chaotic collection of unrelated snippets from her life, but the second half becomes slightly more bearable when Vignesh Sivan enters the picture. Their love story and dynamic as a couple are genuinely pleasant to watch. The wedding segment, however, feels rushed, leaving viewers with nothing substantial to take away.
Ultimately, this documentary does little more than highlight how smitten Vignesh is with Nayanthara. It's such a poorly executed piece that it's best ignored altogether. As a fan of Nayanthara, I am deeply disappointed. This is an injustice to the larger-than-life persona she embodies. She chose to showcase only the positive parts of her life, which isn't what a creative piece like this should aim for.
#PranuReviews #NayantharaBeyondTheFairytale #NayantharaBeyondTheFairytaleReview.
A.R.M (2024)
A visual delight with rural adventure drama which engages yet not bowl you over
Right from the announcement of this movie, it created significant curiosity and excitement among the public. However, the buzz fizzled out somewhat when the trailer was released, and even more after the movie hit the screens.
The story is set across three different eras. In the 1900s, a warrior earns an auspicious idol for his village, which, in the 1950s, is stolen by his descendant. Later, in the 1990s, the next generation continues to face the ridicule and repercussions of their ancestor's actions.
The story has its own charm, exuding a folklore vibe that gives the film a rooted Indian essence. Presented in a non-linear fashion, it demands the viewer's full attention, or it can be challenging to follow. The movie draws heavy inspiration from various films. For instance, the theft angle feels reminiscent of the blockbuster Meesha Madhavan. Additionally, the treasure hunt sequences seem borrowed in parts from Hollywood classics like Indiana Jones and National Treasure, which dilutes the novelty of the narrative.
Tovino Thomas portrays a triple role with remarkable finesse. From physical transformations and makeup to adapting distinct nuances for each character, he breathes life into them. It's hard to imagine anyone else in Malayalam cinema pulling off such a role with this level of perfection. Basil Joseph adds his innocent charm and provides comic relief to the narrative. Surabhi Lakshmi, already a well-regarded actress, surprises with her versatility, effortlessly portraying both a young and an elderly character. Her chemistry with Tovino is electrifying. Krithi Shetty is adorable and performs decently, while the rest of the supporting cast does their part well.
Director Jithin Laal deserves praise for crafting a larger-than-life film with a modest budget of 50 crores. The visuals are breathtaking, thanks to the cinematographer, who beautifully captures the rustic feel of each era. Movie is technically brilliant with such amazing visuals created graphically. However, the songs are average and forgettable. The love angle in the present-day segment feels unnecessary and could have been omitted. On the other hand, the suspense, both at regular intervals and in the climax, is handled well.
The treasure hunt theme is a fresh addition for a Malayalam movie. The action sequence involving an entire village chasing the thief is brilliantly executed. However, the decision to release the movie as a pan-India 3D project in multiple languages was a misstep. The narrative's frequent shifts between flashbacks and the present are not clearly marked, making it hard for non-Malayalees to follow. Viewers unfamiliar with the actors may struggle to identify characters across different eras, especially since some actors, like Surabhi Lakshmi as the elderly woman, are nearly unrecognizable.
The movie primarily caters to a Malayalee audience and has limited national appeal. Nonetheless, it cannot be denied that this visual spectacle, with its engaging storytelling, is a treat to watch. Go in with tempered expectations, and you won't be disappointed.
#PranuReviews #ARM #ARMReview #AjayanteRandamMoshanam #AjayanteRandamMoshanamReview.
CTRL (2024)
An experimental movie with strong message and great execution
I have been hearing about this for quite some time now, and I'm glad to say that everything I heard is true. This is undoubtedly one of the most interesting movies of the year.
The story follows a small-time influencer whose life changes drastically when she enrolls in an app that takes control of her life, turning her into a big-time celebrity. However, she later discovers that the app is not what it seems, as it has a significant and ill impact on people.
Vikramaditya Motwane is a name you can trust, and he proves his mettle yet again. He brings us a contemporary, relatable story that feels eerily plausible. The movie explores the aftermath of AI in a way that's both engaging and unsettling, highlighting how most of us are already addicted to technology. It effectively showcases the potential threats of such apps while perfectly capturing the love dynamics of Gen Z and the influencer culture. The tight-knit screenplay ensures there isn't a dull moment, keeping you thoroughly invested throughout its runtime. What truly elevates the movie is its unpredictability-you never know what's coming next.
Ananya Panday is on a roll, delivering one impressive performance after another. She aces this role yet again. It feels tailor-made for her, as it closely aligns with her real-life persona, making her on-screen character relatable. Vihaan Samat, though given limited screen time, makes a mark with his performance. The chemistry between the two is electric, perfectly embodying the relationship dynamics of today's youth.
The movie's brilliance lies in its technical execution. A significant portion of the narrative unfolds on a laptop screen-through messages, video calls, chats with bots, and more. The graphics and CGI are exceptional, making every element feel authentic. The cherry on top is the unconventional climax, which avoids clichés and leaves a lasting impression.
Don't miss this gem-it's a thoroughly satisfying watch. If you're looking for something fresh and innovative, this movie will surely hit the mark.
#PranuReviews #Ctrl #CtrlReview.
Vettaiyan (2024)
Tried too hard to mix mass into a genuine message which made it messy
Ensemble casts from across the nation have become a trend to market movies as "pan-India releases," as seen in this one. Unfortunately, nobody seems to care whether the story truly connects with audiences across the country. These films are released in multiple languages merely to earn money, and they often fail miserably. This movie is no exception.
The story revolves around a righteous police officer who is also an encounter specialist. He finds himself solving a case that changes the way he has operated for years. The investigation unveils a major scam involving highly influential people, and he hunts down those responsible.
The narrative isn't groundbreaking or unique. It's the star power that makes the experience worthwhile to some extent. The movie tries to establish its characters in the initial portions through gimmicks, but it comes across as formulaic. However, the plot picks up when it focuses on the murder case and its investigation. Unfortunately, it loses momentum again after the main villain is introduced in the second half. While the issue it addresses is real and important, the film's excessive runtime is a significant drawback.
Rajinikanth is a legend, and he still has the charm and persona to captivate audiences. However, his age does impact the action sequences, something that was cleverly handled in Jailer by minimizing physical fights while still making him the leader. Fahadh Faasil delivers an engaging performance with his interesting character, as expected. Manju Warrier, on the other hand, is underutilized, with a role that offers zero scope to perform-something any random actress could have done. Ritika Singh fits well as a police officer but also has limited screen time to showcase her skills. Amitabh Bachchan shines in his brief appearance, effortlessly nailing his part. Rana Daggubati makes for a perfect antagonist with his imposing presence and style. However, Rajinikanth manhandling him feels unconvincing and almost comical, as it seems too forced.
The background score works in favor of the film, and the song Manasilayo is a foot-tapping number that has already become a blockbuster, kudos to Anirudh. However, its placement in the film is jarring-it abruptly appears when it would have worked better as an end-credit song. Additionally, the lack of suspense or any standout wow moments diminishes the overall impact of the movie.
Trimming the runtime by at least half an hour could have made a significant difference. Ultimately, this is a strictly average film with a highly popular cast. Watch it for the masala entertainment or if you're a fan of one of the actors.
#PranuReviews
#Vettaiyan #VettaiyanReview.
Reeta Sanyal (2024)
Silly and kiddish for a court room drama series
It's a new format to release a 20-episode daily drop series, so I wanted to give it a shot. This approach is clearly designed to bring audiences back to their respective apps daily, and I'm sure it's working for the platforms.
The series is inspired by Amit Khan's series of novels Reeta Sanyal Ke Mukaddamein. It follows the story of a young lawyer who takes on cases against an established legal giant. She doesn't just fight in court but also plays detective, gathering evidence to solve her cases.
While the premise is intriguing, the execution falls short. The concept of dressing up in various avatars to solve cases and then battling it out in court had the potential to be an engaging drama. However, illogical proceedings and childish plot developments make it hard to take seriously. The protagonist, a lawyer, seems to do everything herself-from fighting goons to infiltrating forbidden areas with unreal ease, only to come out unscathed. Her lack of focus on proper investigative processes or scientific evidence in favor of gimmicks makes the series feel silly.
Adah Sharma, unfortunately, is not convincing in the lead role. While she shines in a few scenes, she struggles to carry a character that demands depth and versatility. Insider news, this role was supposedly be played by Hina Khan and she got dropped maybe because of her health reasons. It's fair to assume that Hina might have elevated the series with her performance.
The saving grace is Manik Papneja, who plays Adah's assistant. He delivers a commendable performance, although his screen time is disappointingly limited. Rahul Dev does well as the opposing counsel, but Ankur Rathee, who plays a police officer, is underwhelming. His character is poorly written, functioning more like Adah's assistant than a competent law enforcement officer.
The catchphrase of Reeta Sanyal is funny yet catchy: "Crime ka kaisa bhi ho jaal, solve kar leti hai Reeta Sanyal." The first ten episodes focus on one case and the next ten on another. While the suspense in the first case is decent, Reeta's methods of solving it are juvenile. The second case is even more unrealistic, making the events feel like they're happening in a utopian world.
The title song is a highlight and is effectively used as background music throughout the series. However, Reeta Sanyal's character seems heavily inspired by Vidya Balan's Bobby Jasoos -albeit a far less polished and cheaper version.
Overall, this series is best avoided, even if you're a fan of the genre or the actress.
#PranuReviews #ReetaSanyal #ReetaSanyalReview.
Pranaya Vilasam (2023)
Strictly average movie which doesn't land anywhere
Malayalam movies are known for their rooted characters and strong storylines, but this one, despite having almost all these elements, failed to make an impact.
It tells the story of a family where the son is having an affair and the father is flirting with his ex. Unfortunately, when the mother dies, the son and father discover that she had a love affair in her youth, and they venture out to find that man.
The story had a lot going on and was quite relatable too. It is a classic case of too many cooks spoiling the broth. Director Nikhil Muraly tried to show multiple things, which actually made viewers disconnect from the narrative. The story could have focused on one of the story - the son's love story, the father rekindling his old love in his later years, or their journey to find their deceased mother's first love.
Arjun Ashokan is decent overall but is really bad when it comes to emotional sequences. Manoj KU, as the father, has given an excellent performance and deserves more substantial roles in the future. Mamitha Baiju, as a happy-go-lucky girl, does a good job but has limited screen time. Anaswara, a mediocre actor, doesn't do anything notable even in a small role. Mia, in an extended role, is good with her part.
There are enough songs, but only "Megham Poothu Thudangi" stands out and deserves a place in your playlist; the rest are forgettable. The cinematography is nice, capturing the essence and beauty of Kannur and village life quite well.
With more work on the script, it had the potential to be a classic movie, but it failed to make a significant impact. Watch it as a time-pass, otherwise, you aren't missing much.
#PranuReviews #PranayaVilasam #PranayaVilasamReview.
Vijay 69 (2024)
A heartwarming inspiring movie which will make you emotional and smile
It's been a while since I watched a movie featuring a senior actor in the lead role. When Anupam Kher is headlining, it's bound to be worth watching, as he often chooses great projects.
The story centers around 69-year-old Vijay, who feels he hasn't accomplished enough in life. Determined to leave a legacy, he fights tooth and nail to participate in a triathlon. This journey of self-discovery and resilience is the heart of the story.
An inspiring tale for audiences of all ages, the movie sends a powerful message: it's never too late to chase your dreams. If you're passionate, you should pursue your goals, regardless of age. With a strong emphasis on family and friendship dynamics, the narrative stirs your emotions. While the climax is somewhat predictable, the emotional depth and relatability keep you engaged. This isn't a tearful or preachy drama; instead, it's an entertaining and uplifting film.
Anupam Kher is the heart and soul of this movie. Once again, he proves he can surpass any leading actor with his talent. He embodies the character completely, making you feel every emotion. Chunky Pandey, as his friend, is a breath of fresh air, surprising with his acting talent and breaking free from typecasting. Mihir also brings freshness to the film, playing his part well. The supporting cast adds solid performances that enhance the story.
There are a few cinematic liberties, particularly during the triathlon scenes, banter with media, but they're forgivable, as they add dramatic effect. Some moments may even bring a tear to your eye.
If you're looking for something positive and heartfelt, this film is worth adding to your list. You'll likely find yourself relating to the narrative, making it a worthwhile watch.
#PranuReviews #Vijay69 #Vijay69Review.
Black (2024)
A good thread which lost in screenplay - Watch it only for change
Science fiction movies are relatively rare in Indian cinema, so when I find one, I have to give it a try. It's a tricky genre, and just because you have a basic storyline you can't make a feature film if you don't develop that thread-unfortunately, that's the issue here.
The film follows a couple who travel to their newly bought house in a community for a vacation, only to realize they're skipping timelines. Do they try to break the loop and save themselves, or do they remain trapped? That's for the viewers to discover.
The plot is interesting, and you start a guessing game with questions like what, why, and how it's happening to the couple. It takes a while to piece everything together, and the story makes sense up to that point. But once your questions are answered, the explanations are sloppy and unsatisfactory, leaving you disappointed. There are multiple sequences that feel like filler, adding no value and making you question their place in the narrative.
Jiiva does well in the lead, and he still has that charm; he definitely deserves more roles. Priyanka Bhavani Shankar provides solid support as his wife, with an earnest performance. However, the chemistry between them is lacking, largely due to the screenplay.
This film had a good premise but fell short in developing it. The suspense elements work in the movie's favor, making it worth a watch for a change, but don't expect anything extraordinary.
#PranuReviews #Black #BlackReview #BlackTamilMovie #BlackTamilMovieReview #Black2024Review #Black2024.
Khwaabon Ka Jhamela (2024)
A simple endearing watch - Watch on a lazy Sunday
A romantic drama I didn't know existed until it landed on OTT. This urban drama is a lighthearted watch with a Hollywood vibe.
After a recent breakup, a depressed Zubin takes a solo trip to UK -a trip he initially planned with his girlfriend. There, he meets a girl who is his polar opposite and works as an intimacy choreographer in films. They develop a bond as they help each other solve their problems.
It's a simple movie, a breath of fresh air. It doesn't offer anything unique, yet the smart screenplay engages you with its narrative. The climax is not as cliché as you might expect, which is a welcome change for this genre. Some bold scenes and dialogues make it best suited for an adult audience.
Prateik Babbar in the lead does a decent job, bringing the innocent charm needed for the character. It could have been better, but there's not much to complain about. Sayani Gupta once again proves her acting prowess. She aces her part, making the character relatable and lovable. Kubbra Sait in a supporting role does well, and she definitely deserves more roles.
The cinematography is brilliant, capturing the essence of the story through picturesque locales. The road trip scenes, in particular, offer some visually appealing shots. However, the songs are below average and don't really stay with you.
It may not be the best movie available, but it's a sweet, breezy film you might enjoy watching. When you want to unwind after a long, tiring day, this could be your pick.
#PranuReviews #KhwaabonKaJhamela #KhwaabonKaJhamelaReview.
India's Best Dancer (2020)
Season 4 disappointed with favouritism and unnecessary gimmicks by makers
Season 4 Review
Dance is something I love as much as movies or series. Even though today's dance world has shifted toward acrobatics and pure circus acts, I still enjoy these reality shows for my sheer love of dance as an art form. Also, working in media, I follow these shows to understand the business.
This is the 4th season of this show, and Terence Lewis and Geeta Kapoor returned as judges. Karishma Kapoor joined them on the judging panel, making her debut on the small screen. I was initially skeptical about this choice, only to be proven wrong as she brought heart, joy, and a refreshing lack of pretension, despite her film lineage and past successes.
The contestants this season were strong, giving their all to win the title. The producers deserve credit for adding variety to the audition episodes with the "Mauka - Chauka" concept. However, the best six in each episode receiving special seats felt unnecessary, and the makers eventually scrapped the idea after a few episodes. The extra point battles also seemed designed to favor certain contestants.
This season saw fewer eliminations, as some contestants had to drop out due to injuries. The wild card entry introduced two weeks before the finale was perhaps the show's most questionable decision. It felt unfair to both current contestants and those already eliminated. Although it's understandable to fill a 90-minute slot, some of these gimmicks, especially the last-minute wild card, were unnecessary.
Last season's contestant, Aniket Chauhan, was given a chance to host this year, which was a fantastic decision, as he brought the same grace to hosting as he does to dancing. However, after a few episodes, he seemed sidelined, possibly because Jay Bhanushali felt insecure. The Grand Finale editing was one of the worst I have watched in recent past. There were hell lot of continuity issues, celebrities were magically appearing and disappearing, contestants dress was changing continuously, Urvashi Rautela disappeared from the show etc. Even the main finalists acts were pre recorded that it killed the vibe.
Overall, this season was interesting, particularly with some innovative dance sequences, especially from choreographers Prateek, Shubhranil, and Pankaj Thapa. While Steve ultimately won, which seemed like a predictable outcome as the show was biased right from start towards him. Harsh Kesari appeared to be the more deserving winner for the versatility he showed.
Nevertheless, it's a show worth watching if you love dancing.
#PranuReviews #IndiasBestDancer #IndiasBestDancerReview #IndiasBestDancerS4 #IndiasBestDancerSeason4 #IndiasBestDancerS4Review #IndiasBestDancerSeason4Review.
Meet Me Next Christmas (2024)
A heartwarming simple Christmas movie to bring smile on your face
Christmas is coming soon and thus the bouquet of Christmas movies -my favorite genre! The festive visuals and simple, easy-watching plots make these films a delight, and this movie is no exception.
A woman meets a man by chance, only to lose him and leave their reunion up to fate. Her last chance to see him again is at a sold-out Pentatonix Christmas concert. She enlists the help of another man in her quest to find just one ticket.
This is a simple tale filled with love, laughter, and emotion that will keep you smiling throughout. The beautiful Christmas scenes across New York City are a visual delight, drawing viewers into the warmth of the season. Though you can guess where the story is headed, you'll still crave the sweet ending as you become invested in the characters.
Christina Milian is perfectly cast. With her spot-on fashion game, she embodies the role of a modern yet sweet-hearted girl to perfection. Devale Ellis may not be a quintessential hero material, but his innocent charm and well-written character win you over. Kalen Allen, in a small role, brings the house down as an over-the-top drag queen. And Kofi Siriboe, despite limited screen time, leaves a lasting impression with his looks and acting skills.
The songs, especially those performed on stage during the climax, are pure joy. They'll get you grooving and wishing Christmas was here already. The sharp editing keeps the pace tight and engaging, so your interest never wanes. With just 106 minutes, it won't take much of your time either.
If you're looking for something lighthearted and brimming with positivity, this one should be your pick.
#PranuReviews #MeetMeNextChristmas #MeetMeNextChristmasReview.
Meiyazhagan (2024)
A movie which you will remember and keep it close to your heart for longest of time
There comes a time when you are spellbound or left tongue-tied after watching a movie, and this is one of those moments. Writing a review about it feels like trying to contain my thoughts; there's so much to say, yet it's difficult to capture it all.
This is the story of a man who returns to his hometown after 22 years, only to meet someone at the wedding he's attending, forming a bond that changes his life forever.
The screenplay is the real hero here, making this tale both highly engaging and emotionally charged. The narrative flows so smoothly that you don't realize you've spent 2.5 hours with it. The movie starts slowly but picks up at the wedding scene, and from that point, you fall in love with the characters and the world they inhabit. Director and writer C. Prem Kumar has crafted a beautiful story with no gray characters, only people filled with love, compassion, and care that tug at your heart.
Arvind Swamy is a wonderful actor, and as always, he will steal your heart with his nuanced performance. Especially in the climax, when he faces inner turmoil, you witness what a gem of an actor he is. Karthi, on the other hand, gives Arvind Swamy tough competition with his impeccable portrayal of an innocent, full-of-life character. His character isn't just beautifully written; it's the way he embodies it that makes you wish for a friend like him. The women in the movie are also a strong point, even if each has a small role. Sri Divya (Karthi's wife) charms with her innocence; Swathi Konde's (the bride) scene on stage is sure to bring tears; Devadarshini (Arvind's wife) delivers a dependable, composed performance; and the flower vendor lady has an innocent charm.
The songs are another plus for the movie, not just because of the music but because the lyrics fit each situation perfectly. The suspense around a name adds a unique touch to the narrative. Suriya and Jyothika's production house has truly invested wisely in this film.
This movie's heart is in the right place, and missing it would be a crime. Be ready to get teary-eyed and enjoy this simple tale of friendship, brotherhood, and bonding with your family.
#pranureviews #Meiyazhagan #MeiyazhaganReview.
Honeymoon Photographer (2024)
Light hearted murder mystery with good performances
I stumbled upon this murder mystery, and with Asha Negi headlining it, there are two good reasons to give it a go: I love murder mysteries, and I find Asha to be a talented actor.
The story follows a honeymoon photographer who becomes the prime suspect in the murder of a newlywed groom. With everyone harboring secrets, she must clear her name before facing a possible sentence.
The series has a promising start, introducing the characters and setting the dynamics between them. However, the police procedures come off as childish, with the officers behaving like novices. The show isn't gritty or overly serious, so it never feels boring. Surprisingly, for its genre, it's a lighthearted watch. The twist in the plot is well-executed, and it keeps you guessing until a few episodes in.
Asha Negi delivers a solid performance, bringing depth to her character, which has quite a few layers. Jason Tham plays an endearing friend and does his part well. Rajeev Siddhartha is decent, though his performance feels a bit repetitive. Apeksha Porwal and Sahil Salathia, as the newlyweds, fit their roles well and add to the story.
Cinematographically, it works, with scenes set in Goa that add a chill vibe to the narrative. Even the Mumbai sequences are captured aesthetically. A little more work on the script could have enhanced the series, especially by adding more strategic police tactics or creative escapes by the suspects.
It's not groundbreaking, but if you're looking for a light watch, this one could definitely make it to your list.
#pranureviews #HoneymoonPhotographer #HoneymoonPhotographerReview.