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Angie Tribeca (2016–2018)
Police Squad + Sledge Hammer = Poor Imitation
22 January 2016
Warning: Spoilers
"Angie Tribeca" is a half hour law enforcement spoof that wasn't so much created as copied from two classic 80's series, namely "Police Squad!" and "Sledge Hammer!" The former is well known as the launch pad for "The Naked Gun" film series. The other is an off kilter satire of "Dirty Harry" with political overtones that starred David Rasche.

While "Angie Tribeca" claims to lampoon the modern CSI style procedural, the show adheres more to the 80's buddy cop formula. The pilot story is similar to the aforementioned "Sledge Hammer!" in which Angie Tribeca is a lone wolf investigator forced to take on a partner after the Mayor falls victim to extortion. (Another similarity to "Sledge Hammer!" is the season one finale of "Tribeca" featuring a cliffhanger about diffusing a bomb.) Rashida Jones portrays the eponymous title character, but there isn't much character there. Angie Tribeca exists as a mere stick figure and is devoid of personality. Had someone like Mariska Hargitay played the part, then the residual baggage from her previous straight roles would have carried over in the same manner that made Leslie Nielsen such a delight. As is, Jones is left stranded in sea of relentless sight gags and madcap wordplay. The scripts are a nonstop salvo of jokes without individual points of view so it doesn't matter which of the cardboard characters says them. "Sledge Hammer!" featured an unhinged title character surrounded by straight arrows in a very real world, making the series easier to sustain.

"Angie Tribeca" tries for the hyper-kinetic joke machine style perfected by Jerry Zucker, Jim Abrahams and David Zucker which in itself was like a Mel Brooks' movie on steroids. The batting average was always solid. Unfortunately, the writing for this show is inexpert and derivative. The show blitzkriegs through tired and familiar vaudevillian verbal riffs as well as antiquated visuals such as hoary old chalk outline gags.

Most distressing is how much material is lifted from other sources. The "say…" routine from "Police Squad!" where the other person repeats everything after "say…" has been ripped off here. A sequence from "Sledge Hammer!" with increasingly messy foods being eaten during an interrogation was also appropriated. Ice cream trucks and Native Americans converging on a crime scene is a direct lift from "Naked Gun 2 ½." The overt product placement gags are straight out of "Wayne's World." This series performs more lifts than a plastic surgeon.

A few reviews have claimed "Angie Tribeca" is an homage to "Police Squad!" and "Sledge Hammer!" But by offering a wobbly retread of those earlier classic shows, this wearisome new series just illustrates how hard it was to pull off those old shows in the first place.
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Gigi Does It (2015)
Plan 9 From IFC : One of TV's Worst Ever Shows
4 October 2015
IFC is a low rated cable channel that airs a scant few hours of "original" programming every year that's none too original, mostly because their shows are based on preexisting pod-casts and SNL skits. Actor David Krumholtz, under heavy prosthetic makeup, had been dressing in drag on the web for some time, portraying a Laine Kazan style yenta that also scrounges a fair share of Linda Richman from "Coffee Talk." While this character has been described as the proverbial "Bubbe," the shtick seems reminiscent of Martin Short's Jiminy Glick, namely the thick makeup striving to mask a grating, one note character.

For inexplicable reasons Krumholtz was given a weekly half hour series revolving around this impersonation's exploits as "she" utilizes a heretofore undiscovered fortune to indulge in a bucket list.

Indulgence is a key word for this series that literally has no reason to exist. The novelty of Krumholtz in drag wears out fast and the sole trait designated for his character is to say bawdy things, essentially the ribald old lady routine that's the province of Betty White.

Debuting to scathing reviews and pathetically paltry ratings, "Gigi Does It" is one of the most bewilderingly bad TV shows of all time. Unfortunately, it's not "so bad it's good" and is just an embarrassment. It's perplexing to think how IFC executives felt there was ever an audience for this fiasco, even more mystifying is the fact that the lead-in is a sports comedy, a typically hackneyed affair from Denis Leary revolving around amateur hockey players.

With all the fresh talent waiting to be discovered, as well as veteran voices deserving of a comeback, IFC has committed to many weeks of this horrendous show revolving around a man in drag saying crass things. Krumholtz isn't really to blame, he's gifted and could pull off a "Tootsie" style premise ala the way "Bosom Buddies" mimicked "Some Like It Hot," but this is more about the judgment of whoever's running IFC that this conceit was somehow deemed worthy of a weekly vehicle.

Even the worst shows often get cult followings, but that won't be the case for "Gigi Does It" since "Sophie's Choice" is funnier. That this travesty could attract Lesley Ann Warren as a guest star, playing second banana to this third rate kosher Madea, is additionally depressing.

Go to your neighborhood 7-Eleven and watch the monitors that show advertisements for coffee, Slurpees and beef jerky because that's more entertaining than this garbage.
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Alan Spencer Returns Fire
22 July 2013
In 1986 ABC aired a subversive half hour situation comedy unlike any other called "Sledge Hammer!" A trenchant satire on tough guy law enforcement stereotypes, the young creator Alan Spencer sneakily filled the show with subversive political commentary while maintaining credible mystery plots. The comparisons to "Get Smart!" were well founded, but "Sledge" was darker and more twisted, especially for the times.

Flash forward decades later and we have Spencer's latest offering, cable TV's limited run series "Bullet in the Face." This is a Canadian production which Spencer was brought in to retool and he took full advantage of the newfound liberties at his disposal. The series is seriously twisted and features a reprehensible main character acting as the hero. The direction isn't very inspired and many of the performances are over the top, but Spencer's wicked wit shines throughout.

Spencer's scathing voice assails religion, conservatism and even Gilbert and Sullivan in a surreal provocative next to last episode. All those bemoaning how safe TV has become owes themselves to check out this bizarre six episode entry. And be forewarned, this is no ordinary half hour comedy. The violence is extreme and portrayed on par with most R rated feature films. I laughed, but was also disturbed by what I watched; particularly the episode wherein a teenager jacked up on energy drinks becomes a killer. The ending to that one must be seen to be believed.

With headlines often proclaiming the latest act of violence in real life, it's bold to see a comedy daring to be this incendiary and crazed. While "Sledge Hammer!" is more widely loved, "Bullet in the Face" is the more risky endeavor. For lovers of offbeat TV, Alan Spencer remains someone to watch.
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Get Smart (2008)
Max Almighty
29 April 2008
"Get Smart" is a classic for a reason. It combined great writing, 60's zeitgeist and a truly iconic star performance from Don Adams as Agent 86 to create one of the most beloved, as well as influential, comedies of all time. Repeated attempts to revive the blueprint, both as theatrical films, TV movies and a 90's Fox series starring Andy Dick all missed the mark. (In fact, the "Smart" formula was more successfully revived by other franchises like "Sledge Hammer," "The Naked Gun" and "Austin Powers.") This new theatrical film is the first time another performer has ever played Maxwell Smart. It will also be the last, as this lackluster big screen outing sadly misses the key ingredients that made the original show so great. Much of the humor is obvious, derivative and devoid of satirical bite. "Get Smart" in its day was the equivalent of "The Daily Show," while this movie comes off as a generic, big budget spy comedy with large action scenes and scant real guffaws. I smiled a few times, but never laughed out loud. The frenzied finale featured solid stunts which livened up the proceedings, but not enough to save what preceded it. As far as the romance between the two leads, the age difference made for a major miscalculation. The original Max and 99 has a charm and innocence where this literally felt smarmy. The whole thing felt much closer to the last couple of "Rush Hour" flicks than "Get Smart," with a simplistic plot that doesn't involve the viewer, a fatally wooden Anne Hathaway and the gifted Steve Carell channeling more Mr. Bean than Don Adams. He becomes grating in the role. Mr. Carell is such a wonderful performer but, like the late Dudley Moore, he's squandering his potential in the wrong vehicles. He should stop trying to fill the shoes (or shoe phones) of Gervais, Carrey, Adams and stay the course of "The 40 Year Old Virgin" and "Little Miss Sunshine" and stay away from remakes.
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