Vincentiu

huge, powerful, full of blood, ambitions, crimes and traces of evil in different forms. a fight to be more Blood and sand. and a success.but just this ambition makes things parts of fragile balance.the three part is out of imagination. the circle is close. meetings from arena are same; nuances are not important. the explanations are clear, the heroes has perfect roots. and this is bad aspect. a machine who create myth, old in new skin, it is just a myth. slices from Satyricon and Salo together. pieces from Caligula and crumbs from xxl productions. and Peter Mensah as column. a special project. and extraordinary show. walk of an elephant in the sand of full arena. and end of a tale. in same measure, new fashion fairy tale.

a great film. for Marlene Dietrich's performance, for the music, for the atmosphere who translate the fears of the period. a parable more than an historical film, brilliant example of Expresionism, mark of an unique director. in same measure, an eccentric work. for the sacrifice of historical truth. for the sculptures and fake icons, pieces from Dracula's universe from an exotic land, for the isles of blasphemy, not easy to accept by an Greek Orthodox Christian. sure, the purpose first. sure, an admirable movie who remains not only a hill for cinema art but a precious experience for the viewer. so, see it ! for understand not a character but admire the high art of a brilliant director and a genius actress.

an useful film. for understand the roots of modern Romania. a beautiful one. for archaic language's flavor, for the nuances of emotions, for the powerful clichés who defines the Walachian society not only in the year 1835. a seductive film. for the good performances, for the crumbs from great films, for the art to broke the limits between artistic film and documentary. an interesting film. for the science to reflect a period's deep lines of life. for humanity and for the grace of details. for the art not to remand but recreate not only a portrait but a state . for dialogs and for the values. for something who reflects the profound Romania behind the definitions or verdicts. Teodor Corban does an admirable job and Radu Jude becomes more than a promise for Romanian cinema. because, for the foreign public Aferim ! could be a slice of exotic world from Balkans in the XIX century. for the Romanians it represents chain of answers for a lot of questions. and, maybe, an exercise of honesty.