secuester

Talking about animation business, Argentina is an almost virgin field, wich it doesn't means that there's no people working on it. There are many talented workers that suffers to develop a solid industry some day, but few TV&Movies businessmen are ready to take the "risk" and help them. The Patagonik Group, producers of Condor Crux, had a very rare chance, and they let it go. How? Why?. Because they never had clear which people was their "target" -yes "target", all the time weren't thinking about cuality, but quick selling- and didn't reach none. Isn't a children movie, 'cause the language used is a little bit more complicated. Isn't a teen movie, 'cause the animation is poor (2-D animation makes you laught, or cry, i don't know wich; anyway, it's unforgiven). And isn't an adult movie because the dialogues are ridiculous; the script, absurd (in the worst way); the voices chosen for the characters, hopeless (the amasonian native -Leticia Brédicce's voice- has an Buenos Aires accent that makes me remember old western movies, when indians were played by anglo-saxon actors). But, but, i believe that isn't a complete waste. There were some interesting renders, and, over all mistakes, i save the bravery needed to finish this kind of project. I hope that animation in Argentina get a revenge.