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The YouTube algorithm delivered this series to me last week. While the reign of George IV may not be remembered as one of the high points in the history of British monarchy, this vain, gluttonous, intelligent man lived at a consequential time. Just take a look at his contemporaries - Byron, Keats, Shelley, Jenner, Faraday, George Sand, Turner, Napoleon - the list is much longer.

Virtue has its good points, but its presentation on screen can be a bit boring. Nothing boring here about the behavior of our Prince Regent. Even if the passage of time has softened attitudes toward his many vices, those vices still make for an involving several nights in front of the tv screen.

The episode scripts are strong. Actors Peter Egan, Nigel Davenport, Frances White - they portray quite a family. By itself Susannah York's performance as Maria Fitzherbert makes the series worth watching. Although the video is nearly a half century old and consequently a little blurry, "Prince Regent" has held up well.

The creators of this series were obviously not the first to spot the dramatic possibilities for George IV. Interestingly, the series does not mention the king's odd friendship with George Bryan "Beau" Brummell. This aspect of the story is presented in several films, among them a personal favorite, MGM's "Beau Brummell" (1954) with Peter Ustinov as George and Stewart Granger as the legendary clothes horse of the Regency era.

I saw this movie after it was recommended by The Criterion Channel. The premise of "Chameleon Street" is simple: a guy needs money, so he impersonates people in order to get money.

Titular William Douglas Street's morality is vintage confidence man, as is his technique. The film's narrative is uncomplicated, a by the numbers imposter flick in the tradition of "The Great Imposter (1961) or "Catch Me If You Can" (2002) with a hint of "Hollywood Shuffle" (1987).

"Chameleon Street" appears to have had a low but decent budget, unlike some other Sundance successes. At times the camera and lighting techniques reminded me of Robert Florey's "The Life and Death of 9413: a Hollywood Extra" (1928).

If the movie has a problem, it resides with Street himself. An imposter only after money, a point Harris emphasizes in addressing the camera, falls a little flat, at least in relation to, say, the Will Smith character of Paul, in "Six Degrees of Separation" (1993). Street displays only the mundane pathology of straitened circumstances with a little greed thrown in. There is hardly any dark side to his character, unlike Ferdinand Waldo Demara's great imposter or DiCaprio's Frank Abagnale.

Actor Wendell Harris gives an adequate, if less than brilliant, rendition of his subject. I would have appreciated a little less of his overbroad, wink-wink approach to some of Street's "roles". But writer Harris is good, very good. The dialog is often witty, eloquent, even garnished with butchered French in one of Street's "roles". According to this website, this movie is Harris' only writing credit, a shame. This guy can write.

If you want to hear well crafted dialog composed with wit, verve, and all those other things that have been missing from your screens, this is the movie for you.