carlosenriqueamaro-247-439723
Joined Dec 2011
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Reviews11
carlosenriqueamaro-247-439723's rating
The storyline is somewhat okay. The production of the dark scenes frustrates me since this is an Apple TV + production and can barely see within Apple devices due to it's limited screen; even when using the latest version of Apple iPad Pro available for sale in 2025. If post production editors could add some light to contrast and actually see more on screen actors, that would translate to less frustrated viewers and more viewer retention rates. Food for thought when taking into account the "cancel culture" going on within online movie platform streams. This makes me want to consider viewing this within a Samsung Galaxy tablet to make a comparison whether it is hardware issue or movie production taking light contrasts to extreme lengths intentionally for some measure of theirs.
At first I was like, "sure, Fall is Autumn," but then I was like, "wait a minute, wait a minute." If I were on a boat, clam fishing, and wondering where the hell I'm heading and how I'm going to coast back to shore as closest to departure of home base, I would be very fall fetched in my train of thought to remember anything about Autumn and its spelling. Anywho, these two lead actors are exceptional, especially on Season One of Wednesday. Media and their news outlets overrating and over portraying a dubious scene of nonsense between the pair. It is almost humorous. I am still in anticipation for the viewing of this very unique and intriguing film and movie production in relation to a past reference of a movie according to song title. I wonder how past movie ties to current titled release and it's most current release to a reference of film, time, place, recollections of past or future. Especially the starts of seasons from any given year. All things considered 2024 being a "leap" year out of its anticipated recolection.
The ending is not what I expected. The cast and crew are exceptional with their professionalism in their track record of cinematography and this is one of those pieces of work that makes sense when coming from relatable living spaces. The storyline of a man and wife, making ends meet, and trying to overcome the shadows of technical advancements, printers being one of them. The life perspectives of each character behind the cost of wasted expense or investment for a more profound and resourceful future. Or so it is anticipated. Cecilia Suárez does it again adding her magic in her work and characters. Not one character in her movies is the same. More than subtle differences in all cast and crew that I may have a recollection of within film premieres of the past.