koppchristophe

Raphael Nadjari's 3-hour documentary was a big surprise to me. It revealed a hidden part of Israeli cinema, with a lot of 'moving' images predating the creation of the country in 1948, and many movies having nothing to do with the country's wars and conflicts. I came out of it with a craving for more, David Perlov's Diary for instance. Nadjari artfully managed to negotiate its way between common obstacles when it comes to Israel, I mean the self-flagellation or soothing discourses. Also I very much appreciated the comments on movie excerpts made by experienced Israeli academics: Israeli cinema has a prehistory and a history in its own right.