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Hellraiser (2022)
Terrible Reboot / Re-imagining
Regardless what mainstream critics/reviewers are saying this film was a pretty disaster. Pretty because the production value was decent, more so than the plethora of previous sequels to the franchise. However, the acting, plot, storyline, overall horror is lost entirely. They completely changed anything that made Hellraiser what it was, the lore has been completely changed. Gender swapping Pinhead is also pointless, Doug Bradley will and is the only Pinhead. To be honest this is no surprise given Disney/Hollywood can't reboot/imagine anything new and only ruin franchises now. Waste of time don't bother.
It's a shame that studio executives completely disregard fans and the original source material, when ever considering to remake, or reboot a title. It's not shocking either to see Disney is going doing a terrible rabbithole in ruining classic titles. At this stage it's best to simply watch the first two Hellraisers, Hellraise 3 and 4 are moderately decent sequels. Anything beyond this point was a simple cash-grab or purposefully made to retain the title by the studio so it wouldn't expire.
Keep away. 0 / 10.
Flowers (2015)
Visceral and macabre
Phil Stevens Flowers is not your typical horror film. And for good measure this is a refreshing new breath into the genre. It is a disturbing journey through the perspectives of the six female victims who exist in a nightmare world caught between memory and death. I have not been as impressed by a film with such symbolism and attention to visual detail as I have since E. Elias Merhige's Begotten. Flowers is not a movie that everyone can stomach, it hits you deep beneath the surface with the subject matter, and will last long after your viewing. To that extent it may be (and wrongfully so) associated to the August Underground series, however it represents so much more than the ugly nature of man and the violent imagery it conveys - which adds further weight to the stories of each of the characters. This is also not your conventional horror, the lack of dialogue only adds to the tension and further terror that one relives through the haunting display throughout. Not to be missed. If you're a fan of abstract work such as Lodge Kerrigan's Clean, Shaven, David Lynch's Eraserhead or Takashi Miike's Gozu you will appreciate this movie. I look forward to more of Stevens' work, he is a filmmaker to keep your eye on.