Wuchakk
Joined Dec 2004
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A photographer in Los Angeles (Michael Callan) has troubling dreams as he juggles visits to a shrink (Seymour Cassel), dealing with his amputee brother (James Stacy) and establishing a new romantic relationship (Joanna Pettet). Meanwhile a serial killer is on the loose.
"Double Exposure" (1982) is a psychological murder mystery with some slasher elements. Think of movies like Shatner's "Impulse," "The Centerfold Girls" or "Haunts" mixed with a little "Nightmare" from the year prior. It's basically a quasi-remake of Callan's own "The Photographer" from eight years prior.
The quality cast is rounded out by the likes of Pamela Hensley, Cleavon Little, Robert Tessier and Don Potter with the female cast highlighted by Misty Rowe (Bambi), Debbie Zipp (Toni), Sally Kirkland and Victoria Jackson (her cinematic debut in a bit part).
It runs 1 hour, 34 minutes, and was shot in the Los Angeles area, including Ventura Boulevard in Sherman Oaks and Tarzana, Burbank and Santa Monica Beach.
GRADE: B-
"Double Exposure" (1982) is a psychological murder mystery with some slasher elements. Think of movies like Shatner's "Impulse," "The Centerfold Girls" or "Haunts" mixed with a little "Nightmare" from the year prior. It's basically a quasi-remake of Callan's own "The Photographer" from eight years prior.
The quality cast is rounded out by the likes of Pamela Hensley, Cleavon Little, Robert Tessier and Don Potter with the female cast highlighted by Misty Rowe (Bambi), Debbie Zipp (Toni), Sally Kirkland and Victoria Jackson (her cinematic debut in a bit part).
It runs 1 hour, 34 minutes, and was shot in the Los Angeles area, including Ventura Boulevard in Sherman Oaks and Tarzana, Burbank and Santa Monica Beach.
GRADE: B-
In 1828 Edinburgh, an ambitious doctor of anatomy (Peter Cushing) needs corpses for his work, which are dubiously supplied by two base men (Donald Pleasence and George Rose). This can't end well.
Shot in B&W (unfortunately), "The Flesh and the Fiends" (1960) is based on the infamous Burke and Hare murders and has been released under various other titles, like "Psycho Killers" and "Mania." It was the first horror flick to feature Cushing not produced by Hammer Films, but it was shot at one of the studios that Hammer used in the greater London area and involved some of the same talent (at the time or in the near future), such as director John Gilling. So, naturally, it's similar to a Hammer film.
It's most comparable to Cushing's Frankenstein movies since Dr. Robert Knox comes across as a real-life version of Baron Victor Frankenstein, not to mention the events take place just a decade after the publication of Mary Shelley's Gothic novel. For those not in the know, Cushing starred as Dr. Frankenstein in six Hammer films between 1957-1974.
Being based on a true story, this lacks the sensationalism of Hammer horror; it's unsurprisingly more dramatic and mundane. Yet I liked how Dr. Knox is fleshed out (similar to Cushing's Victor Frankenstein), as well as the side story involving one of Knox's Med students (John Cairney) falling for a wild lower-class lass of the taverns (Billie Whitelaw).
There are two versions of the film with the "continental version" featuring nudity that was surprising for a flick shot in 1959, which mostly consists of female top nudity; but there are also a few shots of a couple women totally nude, like one walking around the tavern in the background. Of course, such (tame) nudity was nothing new in cinema if you've seen 1934's "Tarzan and His Mate," but the Hays Code put the kibosh on it in America until the late 60s and the BBFC did the same in the UK.
It runs 1 hour, 35 minutes, and was shot at Shepperton Studios, just southwest of London. (The censored version runs a minute shorter while the version called "The Fiendish Ghouls" cuts out some 23 minutes).
GRADE: B-
Shot in B&W (unfortunately), "The Flesh and the Fiends" (1960) is based on the infamous Burke and Hare murders and has been released under various other titles, like "Psycho Killers" and "Mania." It was the first horror flick to feature Cushing not produced by Hammer Films, but it was shot at one of the studios that Hammer used in the greater London area and involved some of the same talent (at the time or in the near future), such as director John Gilling. So, naturally, it's similar to a Hammer film.
It's most comparable to Cushing's Frankenstein movies since Dr. Robert Knox comes across as a real-life version of Baron Victor Frankenstein, not to mention the events take place just a decade after the publication of Mary Shelley's Gothic novel. For those not in the know, Cushing starred as Dr. Frankenstein in six Hammer films between 1957-1974.
Being based on a true story, this lacks the sensationalism of Hammer horror; it's unsurprisingly more dramatic and mundane. Yet I liked how Dr. Knox is fleshed out (similar to Cushing's Victor Frankenstein), as well as the side story involving one of Knox's Med students (John Cairney) falling for a wild lower-class lass of the taverns (Billie Whitelaw).
There are two versions of the film with the "continental version" featuring nudity that was surprising for a flick shot in 1959, which mostly consists of female top nudity; but there are also a few shots of a couple women totally nude, like one walking around the tavern in the background. Of course, such (tame) nudity was nothing new in cinema if you've seen 1934's "Tarzan and His Mate," but the Hays Code put the kibosh on it in America until the late 60s and the BBFC did the same in the UK.
It runs 1 hour, 35 minutes, and was shot at Shepperton Studios, just southwest of London. (The censored version runs a minute shorter while the version called "The Fiendish Ghouls" cuts out some 23 minutes).
GRADE: B-
A 22 years-old man (Hywel Bennett) cops a childlike personality to get close to a winsome library worker in London (Mills). He seeks to get his foot in the door of her mother's boarding house. Havoc ensues.
"Twisted Nerve" (1968) was influenced by Hitchcock's "Psycho" (and even borrows Bernard Herrmann for the score), but it's more dramatic and less over-the-top. Hayley was 21 years-old during shooting and thoroughly winsome, as usual, but she needed to eat some cheeseburgers. Meanwhile Billie Whitelaw is sultry as the mother in a subdued way.
There's a curious voiceover at the beginning that states: "there is no established scientific connection between mongolism (aka Down Syndrome) and psychotic or criminal behavior." Yet this was unnecessary in light of the fact that the key character in the movie doesn't have Down Syndrome. Secondly, so a relative of a person with Down Syndrome has psychological issues and commits a serious crime or two, so what? Who in their right mind would draw the conclusion that EVERYONE related to a person with Down Syndrome would be that way?
Interesting tidbit: Tarantino borrowed the whistling tune from Herrmann's score for "Kill Bill" (when Elle Driver impersonates a nurse) and "Death Proof" (heard as Abernathy Ross' ringtone).
It runs 1 hour, 58 minutes, and was shot in Twickenham, which is just southwest of London (I'm talking about the Harper house, which happened to be the residence of Hayley's family). Studio stuff was done in Shepperton, which is about 5 miles southwest of there.
GRADE: B-
"Twisted Nerve" (1968) was influenced by Hitchcock's "Psycho" (and even borrows Bernard Herrmann for the score), but it's more dramatic and less over-the-top. Hayley was 21 years-old during shooting and thoroughly winsome, as usual, but she needed to eat some cheeseburgers. Meanwhile Billie Whitelaw is sultry as the mother in a subdued way.
There's a curious voiceover at the beginning that states: "there is no established scientific connection between mongolism (aka Down Syndrome) and psychotic or criminal behavior." Yet this was unnecessary in light of the fact that the key character in the movie doesn't have Down Syndrome. Secondly, so a relative of a person with Down Syndrome has psychological issues and commits a serious crime or two, so what? Who in their right mind would draw the conclusion that EVERYONE related to a person with Down Syndrome would be that way?
Interesting tidbit: Tarantino borrowed the whistling tune from Herrmann's score for "Kill Bill" (when Elle Driver impersonates a nurse) and "Death Proof" (heard as Abernathy Ross' ringtone).
It runs 1 hour, 58 minutes, and was shot in Twickenham, which is just southwest of London (I'm talking about the Harper house, which happened to be the residence of Hayley's family). Studio stuff was done in Shepperton, which is about 5 miles southwest of there.
GRADE: B-