SoumikBanerjee1996

First half of the movie is just dull, lacking any spark or creativity. I found it hard to connect with the characters or care about their new forged relationship.

On the bright side, the second half picks up a bit; at least the things being shown onscreen manage to catch your eye and keep you a little more engaged.

Still, it falls way short of what it could have been and definitely does not deliver on its initial promises.

And seriously, what was Sigourney Weaver thinking when she agreed to it?

The corporate villain she plays is one of the most caricaturish I've ever seen.

Utterly forgettable!

I simply adore it when cinematographers tend to embrace symmetry within the majority of their compositions, crafting a serene visual experience that soothes both the eyes and the mind of the spectator.

This allure is further magnified when paired with stunning sets and captivating costumes, particularly when graced by the presence of a charismatic figure like Angelina Jolie, whose mere existence breathes life into every frame, rendering them more vibrant and enchanting.

However, the beauty in this particular artistry is ephemeral, a fleeting glimpse that fails to leave a lasting mark; the writing fell short of reflecting the suffering of a waning artist, the remnants of a legacy whose lone struggles is to head for the exit with a lasting impression.

This transience can be attributed, in part, to the script's inability to weave the necessary emotional depth. Yet, I hold onto my belief that somewhere beneath the surface, there lied a heart yearning to be crop up to the surface, a tapestry of suppressed emotions waiting to be unveiled.

Alas! That couldn't materialise.

Crafting an action aviation feature with limited resources demands an extraordinary blend of determination & skillset and the team behind "Sky Force" had those all covered.

While the story and character developments may have exhibited notable deficiencies, as they required greater attention and screen space, I was genuinely impressed by their sheer ability to mount action set pieces, particularly, the "aerial dogfights."

At no point did the constraints of their budget become apparent; the "fast cut" editing and detailed sound design seamlessly masked their financial limitations, elevating the all around experience in the process.

In terms of performances, Akshay once again bore the weight of the movie, not only as the lead but also due to the script's insufficient material for the supporting ensemble, with the exception of Veer Pahadiya, of course.

Regarding Veer, as a newcomer, he delivers a serviceable act yet there remains ample room for growth and improvements. Hence, I would like to reserve my judgment about him for the time being.

Let the boy learn and adapt.