JasonBelle

Please read mmabis' review. I couldn't say it better myself. They take three gut-wrenching depressing stories and tell them in a gut-wrenching, depressing way. This is the film version of clickbait. This would be like titling a film "For Foodies: the Cuisines of (xyz)" and then documenting the lives of starving children. Please read mmabis' review. I couldn't say it better myself. They take three gut-wrenching depressing stories and tell them in a gut-wrenching, depressing way. This is the film version of clickbait. This would be like titling a film "For Foodies: the Cuisines of (xyz)" and then documenting the lives of starving children. Please read mmabis' review. I couldn't say it better myself. They take three gut-wrenching depressing stories and tell them in a gut-wrenching, depressing way. This is the film version of clickbait. This would be like titling a film "For Foodies: the Cuisines of (xyz)" and then documenting the lives of starving children.

Congratulations Methfix you've managed to make another show not worth talking about or worth ignoring...not worth much of anything but feeding paranoia. Halfway through the first episode we get the same sense of global doom and affirmative action, and absolutely followed all the PC guidelines. Acting was good given what they were asked to do, DeNiro great. Beyond that just another collectivist driven fiction conspiracy. Keep injecting paranoia keep eyeballs on screens. Netflix has proven once again to be the living, breathing, dope dealing media server. Netflix continues to get and keep people addicted to media, leveraging the paranoia they create, yet making unimaginable amounts of money using and selling that information. Hypocrites. Don't forget, the 1% they seem obliged to mention in every show they produce includes all the Netflix producers and executives.

Starts pretty slow and get slower. Good enough to want to know what happens but definitely not worth how long it may take to get there. Entire episodes seem completely unnecessary aside from the pseudo intellectual esteem the writers give them themselves. '50s music, '70s cars 60s terminals... and technology that will never exist. And the storyline they seem to think is interesting enough to drag out indefinitely. Take a page from the Counterpart playbook please. Start it make it interesting every step of the way and finish it. Getting very tired of how these production crews and riders ingratiate themselves, then again they're just appealing to the mob of media junkies.